Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

山後又叫
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

山後又叫 The Cry Comes Again from Behind

zàizhuāikāigǎnshàngtángsēngbēnshānzhǐjiànsānzàngyòutīngshānbèihòujiàoshēng:「jiùrén!」zhǎnglǎodào:「yayǒunànderénméiyuáncéngzháomenmenzǒuguòletīngzàishānhòujiàoli。」jièdào:「zài便biànháizàishānqiánzhǐshìjīnfēngzhuǎnle。」xíngzhědào:「guǎnshénmezhuǎnfēngzhuǎnfēngqiězǒu。」yīnsuìdōuyánhènguòshānhuàxiàzàizhuāikāigǎnshàngtángsēngbēnshānzhǐjiànsānzàngyòutīngshānbèihòujiàoshēng:「jiùrén!」zhǎnglǎodào:「yayǒunànderénméiyuáncéngzháomenmenzǒuguòletīngzàishānhòujiàoli。」jièdào:「zài便biànháizàishānqiánzhǐshìjīnfēngzhuǎnle。」xíngzhědào:「guǎnshénmezhuǎnfēngzhuǎnfēngqiězǒu。」yīnsuìdōuyánhènguòshānhuàxià


逐句解 Line by line

zàizhuāikāigǎnshàngtángsēngbēnshān zàizhuāikāigǎnshàngtángsēngbēnshān

He stretched his stride again, caught up with the Tang Priest, and pressed on along the mountain road.

拽開步 has as zhuāi, to yank or stretch out — he lengthens his stride. shifts to before the falling tone of .

zhǐjiànsānzàngyòutīngshānbèihòujiàoshēng:「jiùrén!」 zhǐjiànsānzàngyòutīngshānbèihòujiàoshēng:「jiùrén!」

Then he saw the Tang Priest hear, once more, a voice calling from behind the mountain: "Save me!"

And the cry comes from behind. Two pointing , both ; is zàng; 聽得 takes the full-weight , ; 背後 has as bèi.

zhǎnglǎodào:「yayǒunànderénméiyuáncéngzháomenmenzǒuguòle zhǎnglǎodào:「yayǒunànderénméiyuáncéngzháomenmenzǒuguòle

The elder said: "Disciple, that person in distress has poor luck indeed — he never got to meet with us, and we've walked right past him.

The Master draws the wrong conclusion with perfect kindness: the poor soul simply has bad luck. is zhǎng; 那有難的人 takes the pointing and as nàn, calamity. In 不曾得遇著, is the full-weight and is the one that marks an action landing, zháo遇著 is "manage to meet," a meeting that came off. The chapter's sealed note called this the ongoing , zhe; the reading baked into the text is zháo, and that is the correct one.

tīngzàishānhòujiàoli。」 tīngzàishānhòujiàoli。」

Listen, he's calling behind the mountain now."

He is pointing out, without knowing it, that the demon has changed perch.

jièdào:「zài便biànháizàishānqiánzhǐshìjīnfēngzhuǎnle。」 jièdào:「zài便biànháizàishānqiánzhǐshìjīnfēngzhuǎnle。」

Eight Rules said: "He was in front all right — it's only that the wind has shifted round now."

Pigsy's explanation — the wind has turned — is wrong about the cause and right that something has shifted. 還在山前 takes as hái; 風轉了 the completed , le.

xíngzhědào:「guǎnshénmezhuǎnfēngzhuǎnfēngqiězǒu。」 xíngzhědào:「guǎnshénmezhuǎnfēngzhuǎnfēngqiězǒu。」

Pilgrim said: "Never mind whether the wind's turned or not — just keep to the road."

Wukong will not be drawn, and the terseness is the tell. is shén; keeps the plain before the dipping tone of .

yīnsuìdōuyánhènguòshānhuàxià yīnsuìdōuyánhènguòshānhuàxià

And so they all went on without a word, longing to cross this mountain in a single stride, and no more will be said of it here.

恨不得一步踏過此山 is a lovely idiom of frustrated haste — literally "to resent not being able to cross this mountain in a single stride." is dōu; is the full-weight ; shifts to before . And 不題話下, "no more will be said of it here," is the storyteller putting one thread down to pick up another.


總評 Commentary

Wukong's trick with space is quietly undone. The cry that was ahead now sounds from behind the mountain, and the Master, all innocence, registers only that the poor soul in distress has had bad luck — they have walked straight past him. What he cannot know is that the demon has shed his ropes and flown to a new perch. Wukong bent the road; the enemy simply moved. Pigsy's explanation, that 風轉了, the wind has shifted and carried the voice round, is the comic wrong answer that nevertheless registers the right fact: something has changed direction.

The economy is worth noticing. In a few lines the passage conveys the failure of the previous passage's cleverness without stating it at all. Wukong does not explain, does not react to the returning cry, and simply orders the road kept — 管他甚麼轉風不轉風, never mind whether the wind has turned. His silence carries the whole point. The war of nerves goes on, and the storyteller's closing formula deliberately breaks the pilgrims' thread to cross back to the demon, where we will see what Wukong's tricks have cost him and what he decides to do about it.