Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

妖精再變
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

妖精再變 The Demon Transforms Once More

quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndàoxīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidàoxiǎngshìchāoxiàle。」dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikànjuésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiānquèshuōyāojīngzàishānliánjiàolesānshēnggèngréndàoxīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidàoxiǎngshìchāoxiàle。」dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikànjuésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān


逐句解 Line by line

quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndào quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndào

Now that demon, having called out three or four times in a row from the mountain slope, found that no one came at all.

Calling into an empty mountain, and nobody comes. 那妖精 takes the pointing ; 連叫了三四聲 the completed , le; 更無人到 has as gèng, "not a soul at all."

xīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidào xīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidào

He pondered in his heart: "I've been waiting for the Tang Monk right here — I watched him come within less than three li — so how is it that after all this while he still hasn't arrived?

The demon does arithmetic and gets a wrong answer for good reasons. 心中思量 takes zhōng, and in 思量 is liáng, to turn something over in the mind. 離不上三里 keeps as plain before the dipping tone of ; is hái; and the second lifts to before the falling tone of .

xiǎngshìchāoxiàle。」 xiǎngshìchāoxiàle。」

He must have taken a shortcut down some other road."

His conclusion — a shortcut — is wrong in its particulars and right in its substance. is the completed le; 抄下路 is to cut down some side path.

dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikàn dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikàn

He gave his body a shake, slipped free of the ropes, loosed the red glow once more, and rose into the air to look again.

One shake and the ropes are off, which retrospectively tells the reader how little they ever meant. shifts to before the dipping tone of ; 脫了繩索 takes the completed , le.

juésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」 juésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」

Unawares, the Great Sage, turning his face up to look back, recognized him for a monster, and again seized the Tang Priest by the leg and pushed him down off the horse, saying: "Brothers, careful, careful — that demon has come again!"

The whole defensive scene from earlier replays almost word for word. 不覺 has as jué, to perceive; 回觀 has as guān; 識得 takes the full-weight , , to recognise; 撮著腳 uses the ongoing , zhe; both 仔細 take ; and 那妖精 the pointing .

huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān

In a fluster Eight Rules and Sha Monk, each gripping rake and staff, hemmed the Tang Priest round in their midst again.

Rake and staff go up again, exactly as before. 慌得 uses the light hinge , de; 那八戒 the pointing ; 將唐僧 the object-marking , jiāng; 中間 takes zhōng.


總評 Commentary

The story crosses back to the demon, and the crossing is itself the joke: he has been calling into an empty mountain, baffled that a quarry he watched approach within three has simply failed to arrive. His reasoning — the Tang Monk must have taken a shortcut — is wrong about the cause and right about the result. The moment lets the reader enjoy Wukong's success from the losing side, which the previous passage had conveyed only by implication.

His answer is to escalate by repetition: shed the ropes, take to the air, find the party, hang himself up again. And on the pilgrims' side the scene replays almost verbatim — Wukong spotting him overhead, seizing the Master's leg, shoving him off the horse, the brothers closing ranks with rake and staff. The near-repetition is deliberate craft. Each turn of the cycle winds tighter, the demon undeterred, Wukong's tricks buying less and less time, and the reader can feel the pattern accelerating toward the point where the Master's patience must finally break.