過路之妖 A Demon Merely Passing By
卻說那孫大聖忽擡頭再看處,只見那紅雲散盡,火氣全無。便叫:「師父,請上馬走路。」唐僧道:「你說妖怪來了,怎麼又敢走路?」行者道:「我才然間見一朵紅雲從地而起,到空中結做一團火氣,斷然是妖精。這一會紅雲散了,想是個過路的妖精,不敢傷人。我們去耶。」八戒笑道:「師兄說話最巧,妖精又有個甚麼過路的?」行者道:「你那裡知道。若是那山那洞的魔王設宴,邀請那諸山各洞之精赴會,卻就有東西南北四路的精靈都來赴會。故此他只有心赴會,無意傷人。此乃過路之妖精也。」却说那孙大圣忽抬头再看处,只见那红云散尽,火气全无。便叫:「师父,请上马走路。」唐僧道:「你说妖怪来了,怎么又敢走路?」行者道:「我才然间见一朵红云从地而起,到空中结做一团火气,断然是妖精。这一会红云散了,想是个过路的妖精,不敢伤人。我们去耶。」八戒笑道:「师兄说话最巧,妖精又有个甚么过路的?」行者道:「你那里知道。若是那山那洞的魔王设宴,邀请那诸山各洞之精赴会,却就有东西南北四路的精灵都来赴会。故此他只有心赴会,无意伤人。此乃过路之妖精也。」
逐句解 Line by line
Now the Great Sage, of a sudden lifting his head to look again, saw that the red cloud had wholly scattered and the fiery vapor was entirely gone.
Wukong looks up and the sky is clear, which is exactly what the demon intended. Two pointing 那, both nà. 再看處 has 處 as chù, turning "looking" into "the moment of looking." 散盡 takes 盡 as jìn.
So he called out: "Master, please mount up and take to the road."
Two lines ago he was hauling the Master off the horse; now he wants everyone back on the road. The reversal is deliberate.
The Tang Monk said: "You said a monster was coming — how is it you now dare to travel on?"
A fair question, and the first of several. In 來了 the 了 is the light le marking the thing as done.
Pilgrim said: "Just now I saw a billow of red cloud rise up from the ground and gather in mid-air into a mass of fiery vapor — that was surely a demon.
He describes exactly what he saw, accurately, and then draws a conclusion he does not believe. 才然間 has 間 as jiān; 到空中 takes zhōng.
But this while the red cloud has scattered — I think it's a demon merely passing by, one that dares not harm us.
And here is the lie. 散了 takes the completed 了, le; 過路的妖精 is "a demon just passing through."
Let's be off."
耶 (yé) is an everyday sound at the end of a sentence, closer to "eh?" than to anything with meaning.
Eight Rules laughed and said: "Elder Brother, your talk is most artful — since when is there any such thing as a demon passing by?"
Pigsy is not clever but he is not stupid either, and this is a good objection: whoever heard of a demon just passing by? 甚麼過路的 has 甚 as shén.
Pilgrim said: "What would you know of it?
Wukong stalls by pulling rank. 你那裡知道 is the questioning 那裡, nǎ lǐ — not "where do you know" but "what would you know about it."
Suppose the demon-king of this or that mountain and cave lays on a banquet and invites the sprites of all the various mountains and caves to the feast — then the spirits of all four quarters, east, west, south, and north, come to the gathering.
The improvisation is magnificent and entirely invented: demon kings throwing banquets, sprites travelling in from all four directions like guests with invitations. Three pointing 那, all nà; 都來赴會 has 都 as dōu.
And so this one has a mind only for the feast, and no thought of harming anyone.
The conclusion the whole fiction exists to support: this one has dinner on his mind, not us.
This is nothing but a demon passing by on its way."
Delivered with a straight face. Wukong is testing whether the vanished threat will show itself again, and saying nothing of the kind out loud.
Wukong's about-face is misdirection, but not of the reader — we have just watched the demon build his disguise. It is aimed at the demon. Having pulled the Master off his horse at the first sight of the red cloud, Wukong finds the cloud gone and coolly reclassifies it as a passer-by: some demon on his way to another mountain's banquet, no interest in us at all. The elaborate business about feasting demon kings and sprites arriving from the four quarters is pure invention, and Pigsy's scepticism — 妖精又有個甚麼過路的, "since when is there a demon passing by?" — is entirely warranted.
But the invention has a purpose. Wukong, who alone can see what the others cannot, is buying time and information: feign unconcern, and see whether the thing shows its hand. The comedy of the passage — Wukong the fluent liar, Pigsy the flat-footed sceptic who happens to be right — sits on top of a real contest already under way, the demon watching from cover and Wukong pretending not to watch back. Tripitaka, in the middle, registers only that his disciple has contradicted himself. The pattern for the whole sequence is set here: cries, evasions, and a slowly rising exasperation in which Wukong's very competence, because he cannot explain it in time, becomes the lever that springs the trap.