Canonical Classics ← 第十七回
第十七回
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Sun the Pilgrim Makes Great Havoc on Black Wind Mountain · Guanshiyin Subdues the Bear-Fiend

三妖席地 佛衣之會
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

三妖席地 佛衣之會 Three Fiends Seated on the Ground; the Buddha-Robe Feast

xíngzhězhèngguānshānjǐngtīngfāngcǎoqiányǒurényánquèqīngqiánzōngshǎnzàishízhīxiàtōujīngguānkànyuánláishìsānyāoérzuòshàngshǒudeshìtiáohēihànzuǒshǒuxiàshìdàorényòushǒuxiàshìbáixiùshìdōuzàigāotánkuòlùnjiǎngdeshìdǐngāntuánshāliàngǒngbáixuěhuángpángménwàidàozhèngshuōzhōngjiānhēihànxiàodào:「hòushìnànzhīèrgōngguāngguāng。」báixiùshìdào:「niánniánwángshàngshòujīnniányǒuláizhī?」hēihàndào:「láilejiànbǎobèimínghuànjǐnlánchéngránshìjiànwánhàozhīmíngjiùwéishòukāiyányànyāoqǐngshāndàoguānqìngjiùchēngwéihuì?」dàorénxiàodào:「miàomiàomiàomíngxiānláibàishòuhòuzàiláiyàn。」xíngzhězhèngguānshānjǐngtīngfāngcǎoqiányǒurényánquèqīngqiánzōngshǎnzàishízhīxiàtōujīngguānkànyuánláishìsānyāoérzuòshàngshǒudeshìtiáohēihànzuǒshǒuxiàshìdàorényòushǒuxiàshìbáixiùshìdōuzàigāotánkuòlùnjiǎngdeshìdǐngāntuánshāliàngǒngbáixuěhuángpángménwàidàozhèngshuōzhōngjiānhēihànxiàodào:「hòushìnànzhīèrgōngguāngguāng。」báixiùshìdào:「niánniánwángshàng寿shòujīnniányǒuláizhī?」hēihàndào:「láilejiànbǎobèimínghuànjǐnlánchéngránshìjiànwánhàozhīmíngjiùwéi寿shòukāiyányànyāoqǐngshāndàoguānqìngjiùchēngwéihuì?」dàorénxiàodào:「miàomiàomiàomíngxiānláibài寿shòuhòuzàiláiyàn。」


逐句解 Line by line

xíngzhězhèngguānshānjǐngtīngfāngcǎoqiányǒurényán xíngzhězhèngguānshānjǐngtīngfāngcǎoqiányǒurényán

The Pilgrim was still taking in the mountain prospect when of a sudden he heard voices before a slope of fragrant grass.

聽得 is heard-and-registered, with the linking de. 芳草坡, the slope of fragrant grass, is being fixed here as a place-name, and it comes back three more times before the chapter ends.

quèqīngqiánzōngshǎnzàishízhīxiàtōujīngguānkàn quèqīngqiánzōngshǎnzàishízhīxiàtōujīngguānkàn

Stepping softly and hiding his track, he slipped in below that stone cliff and watched with a stolen eye.

潛蹤 is to submerge your own footprints; 偷睛觀看 is to look with a stolen eye. Note what has happened to him. The monkey who could not stop himself shouting in the last chapter is now behaving like a professional spy.

yuánláishìsānyāoérzuòshàngshǒudeshìtiáohēihàn yuánláishìsānyāoérzuòshàngshǒudeshìtiáohēihàn

They proved to be three fiends, seated upon the bare ground. In the upper place was a black fellow;

席地而坐 means making the bare ground serve as your mat, and 上首 is the place of honour — so they are sitting on the dirt in strict banqueting order. The measure word belongs to long, sinuous things, and applying it to a man is faintly animal.

zuǒshǒuxiàshìdàorényòushǒuxiàshìbáixiùshì zuǒshǒuxiàshìdàorényòushǒuxiàshìbáixiùshì

below on the left was a Taoist, and below on the right a scholar robed in white.

左首下 and 右首下 seat the two guests below their host in the exact protocol of a dinner party. A reader who notices that one guest is a Taoist and the other is dressed in white has already been told what species each of them is. The Pilgrim, watching, has not.

dōuzàigāotánkuòlùnjiǎngdeshìdǐngāntuánshāliàngǒngbáixuěhuángpángménwàidào dōuzàigāotánkuòlùnjiǎngdeshìdǐngāntuánshāliàngǒngbáixuěhuángpángménwàidào

All of them were there discoursing at large — of raising the tripod and settling the furnace, of kneading cinnabar and smelting quicksilver, of White Snow and Yellow Sprout: the side gates and the outer ways.

Two readings first: is dōu, all of them; and 那裡 is pointing, , there — not asking , where. Now the substance, which is a shopping list of inner-alchemy vocabulary. 立鼎安爐, setting up the cauldron and settling the furnace, refers to the body's own vessels. 摶砂煉汞 is kneading cinnabar and smelting quicksilver. 白雪 and 黃芽, White Snow and Yellow Sprout, are cover-names for the lead and mercury of the elixir. And then the narrator writes the lot off in four characters: 傍門外道 — a side gate and a road outside the gate, which is to say quackery. One reading to watch: this is writing , beside, so it is páng, not bàng. Compare 傍岸 in the rhapsody further down, where the character is a genuine verb, to border, and keeps bàng.

zhèngshuōzhōngjiānhēihànxiàodào:「hòushìnànzhīèrgōngguāngguāng。」 zhèngshuōzhōngjiānhēihànxiàodào:「hòushìnànzhīèrgōngguāngguāng。」

In the midst of the talk the black fellow laughed and said, "The day after tomorrow is the day of my mother's travail. Let the two of you honour me with your presence."

母難之日, the day of my mother's ordeal, is a pious and rather touching way of saying birthday; is nàn, calamity or travail, not nán, difficult. Keep it in mind. A monster who dates his own life from his mother's pain is not entirely a monster.

báixiùshìdào:「niánniánwángshàngshòujīnniányǒuláizhī?」 báixiùshìdào:「niánniánwángshàng寿shòujīnniányǒuláizhī?」

The white-clad scholar said, "Year upon year we drink to the Great King's long life. What reason could there be for not coming this year?"

上壽 is to raise the birthday cup to someone. 豈有不來之理 is a fixed piece of politeness — how could there exist any principle of not coming?

hēihàndào:「láilejiànbǎobèimínghuànjǐnlánchéngránshìjiànwánhàozhī hēihàndào:「láilejiànbǎobèimínghuànjǐnlánchéngránshìjiànwánhàozhī

The black fellow said, "Last night I came by a treasure. It is named the brocade-bordered Buddha-robe, and it is truly a thing to be delighted in.

得了 is the full verb, , acquired. 錦襴 is the brocade border sewn onto a cassock. Now watch the fiend's word-choice: he never says 袈裟, the plain word for the garment. He says 佛衣, Buddha-robe, which promotes stolen goods into a relic — and in the same breath calls it 玩好, a treasured plaything, read wán hào, with taking its fourth-tone noun sense rather than the everyday adjective hǎo.

míngjiùwéishòukāiyányànyāoqǐngshāndàoguānqìngjiùchēngwéihuì?」 míngjiùwéi寿shòukāiyányànyāoqǐngshāndàoguānqìngjiùchēngwéihuì?」

Tomorrow I shall make it the gift of my birthday, spread a great banquet, invite the Taoist officers of every mountain, and give thanks for the Buddha-robe. We shall call it the Buddha-Robe Feast — how would that be?"

Both 以他為壽 and 稱為 use as the plain copula, wéi, to be or to serve as, rather than the fourth-tone wèi of purpose. Note 道官, Taoist officers: that is civil-service language. The bear runs a court.

dàorénxiàodào:「miàomiàomiàomíngxiānláibàishòuhòuzàiláiyàn。」 dàorénxiàodào:「miàomiàomiàomíngxiānláibài寿shòuhòuzàiláiyàn。」

The Taoist laughed and said, "Excellent, excellent, excellent. Tomorrow I shall come first to wish you long life; the day after, I shall come again to the banquet."

The Taoist accepts twice over — once for the birthday and once for the party — and in doing so nails down the two-day calendar that the rest of the chapter's plot will run on.


總評 Commentary

The staging is beautifully economical. Three figures sit on bare earth in correct banqueting order, discussing inner alchemy, and the narrator files the entire conversation under 傍門外道 — side gates and outer roads — before a single word of it has been examined. That verdict is the chapter in miniature. These are not sages; they are collectors. Their crime is going to be a crime of taste.

Everything pivots on one word. The bear calls the stolen cassock 佛衣, Buddha-robe, never 袈裟 — and then, in the same sentence, calls it 玩好之物, a lovely thing to own. A relic and a curio at once: he will throw a festival in its honour and has no idea what it is actually for. Meanwhile the Pilgrim, listening from behind the rock, catches the two characters 佛衣 and jumps to a conclusion that happens to be correct. Both of them reason from the robe to its owner, and both of them reason badly.