炭黑戲言 通名報姓 A Jest About Soot; Names Exchanged
行者暗笑道:「這廝真個如燒窰的一般,築煤的無二,想必是在此處刷炭為生,怎麼這等一身烏黑?」那怪厲聲高叫道:「你是個甚麼和尚,敢在我這裡大膽?」行者執鐵棒,撞至面前,大咤一聲道:「不要閑講,快還你老外公的袈裟來。」那怪道:「你是那寺裡和尚?你的袈裟在那裡失落了,敢來我這裡索取?」行者道:「我的袈裟在直北觀音院後方丈裡放著,只因那院裡失了火,你這廝趁鬨擄掠,盜了來,要做佛衣會慶壽,怎敢抵賴?快快還我,饒你性命;若牙迸半個『不』字,我推倒了黑風山,屣平了黑風洞,把你這一洞妖邪都碾為齏粉。」那怪聞言,呵呵冷笑道:「你這個潑物,原來昨夜那火就是你放的。你在那方丈屋上行兇招風,是我把一件袈裟拿來了,你待怎麼?你是那裡來的?姓甚名誰?有多大手段,敢那等海口浪言。」行者道:「是你也認不得你老外公哩。你老外公乃大唐上國駕前御弟三藏法師之徒弟,姓孫,名悟空行者。若問老孫的手段,說出來,教你魂飛魄散,死在眼前。」那怪道:「我不曾會,你有甚麼手段,說來我聽。」行者笑道:「我兒子,你站穩著,仔細聽之。我:行者暗笑道:「这厮真个如烧窰的一般,筑煤的无二,想必是在此处刷炭为生,怎么这等一身乌黑?」那怪厉声高叫道:「你是个甚么和尚,敢在我这里大胆?」行者执铁棒,撞至面前,大咤一声道:「不要闲讲,快还你老外公的袈裟来。」那怪道:「你是那寺里和尚?你的袈裟在那里失落了,敢来我这里索取?」行者道:「我的袈裟在直北观音院后方丈里放著,只因那院里失了火,你这厮趁哄掳掠,盗了来,要做佛衣会庆寿,怎敢抵赖?快快还我,饶你性命;若牙迸半个『不』字,我推倒了黑风山,屣平了黑风洞,把你这一洞妖邪都碾为齑粉。」那怪闻言,呵呵冷笑道:「你这个泼物,原来昨夜那火就是你放的。你在那方丈屋上行凶招风,是我把一件袈裟拿来了,你待怎么?你是那里来的?姓甚名谁?有多大手段,敢那等海口浪言。」行者道:「是你也认不得你老外公哩。你老外公乃大唐上国驾前御弟三藏法师之徒弟,姓孙,名悟空行者。若问老孙的手段,说出来,教你魂飞魄散,死在眼前。」那怪道:「我不曾会,你有甚么手段,说来我听。」行者笑道:「我儿子,你站稳著,仔细听之。我:
逐句解 Line by line
The Pilgrim laughed to himself and said, "This creature is the very image of a kiln-stoker, no different from a digger of coal.
The Pilgrim opens the encounter with a joke about trade. 燒窰, to fire a kiln, and 築煤, to work coal — the black armour reads to him as soot, and the fiend as a labourer. 一般 and 無二 are the two halves of one comparison.
He must scrape charcoal hereabouts for a living. How else should he be black from head to heel?"
為生 takes the copular 為, wéi, "to be one's livelihood," not the fourth-tone wèi of purpose. 刷炭 is to brush or scrape charcoal.
The fiend shouted in a harsh voice, "What manner of monk are you, that you make so bold on my ground?"
厲聲, a voice made sharp. 甚麼 reads shén.
The Pilgrim gripped his iron rod, rushed up before him, and roared out, "No idle talk! Give back your old grandsire's cassock, and be quick about it."
大咤 — 咤, zhà, is a shout of rage. 老外公, "your old maternal grandsire," is one of the mock-kinship insults the Pilgrim favours: he claims the seniority of a relative he is not. 還 is the verb huán, to give back.
The fiend said, "Which temple's monk are you? And where did you lose this cassock of yours, that you dare come here to claim it?"
Three occurrences of 那 in one segment, two readings. 那寺裡 and 那裡失落 are interrogative nǎ, "which" and "where"; but the first 那怪 is demonstrative nà. They must be pinned by position.
The Pilgrim said, "My cassock lay in the rear abbot's lodge of the Guanyin Temple, due north of here. Because a fire broke out in that temple,
放著 takes zhe: a state maintained, the robe lying where it was put. 直北, straight to the north, fixes the geography of the chapter.
you took advantage of the uproar to plunder, stole it away, and would hold a Buddha-Robe Feast in honour of your birthday. How dare you deny it?
趁鬨 writes 趁哄, to take advantage of a commotion. The Pilgrim omits, in his indictment, that the commotion was of his own making.
Give it back at once and I will spare your life. But if so much as half the graph 'no' should crack between your teeth,
The graph 不 is here cited as a graph, within single corner brackets, and its sandhi is nonetheless computed mechanically on the following 字 (fourth tone), giving bú. 牙迸: to have a word crack out between the teeth.
I will push Black Wind Mountain over, trample Black Wind Cave flat, and grind every fiend of this cave of yours to powder."
屣, xǐ, is a sandal, and as a verb to tread flat. 齏粉 is the powder of minced pickle, the standard figure for utter pulverisation. 碾為 takes the copular wéi.
Hearing this, the fiend laughed a cold laugh. "You insolent thing! So it was you who set that fire last night.
潑物: a rascally thing. The cold laugh is the fiend's first speech, and it turns the accusation round — the arsonist is accusing him of looting a fire.
You worked your violence on the roof of that abbot's lodge and called up the wind, and I carried off a single cassock. What of it?
行兇 reads xíng. This is the one place in the chapter where pypinyin supplies háng, and it must be overridden. 招風, to summon the wind, is exactly what the Pilgrim did in the last chapter, and the fiend knows it.
Where have you come from? What is your surname and what your name? What powers have you, that you dare talk so wide-mouthed and wild?"
Two 那 again, two readings: 那裡來的 is interrogative nǎ; 那等, "of that sort, so," is demonstrative nà. 姓甚名誰 takes shén. 海口浪言, a mouth wide as the sea and words like waves.
The Pilgrim said, "So you cannot even know your old grandsire.
認不得 is the negative potential, and 得 takes dé; contrast the plain 認得, which takes de. 哩 is the sentence-final particle, lī.
Your old grandsire is disciple to Sanzang, Master of the Law, the imperial brother who stands before the throne of the Great Tang. My surname is Sun, my name Wukong, and I am called the Pilgrim.
The Pilgrim gives his full style, and it is a genealogy: the emperor, the imperial brother, the master, the disciple. He who has just claimed to be a grandsire places himself last in a chain of four.
If you would ask after old Sun's arts, the mere telling of them would scatter your souls and lay you dead where you stand."
魂飛魄散 — the 魂 flies and the 魄 scatters, the two soul-classes of Chinese anthropology parting company. 散 reads sàn.
The fiend said, "I have never met with you. What arts have you? Say them out, and I will hear."
我不曾會: I have never encountered you. The fiend asks to be told, and thereby licenses the four hundred and fifty graphs that follow.
The Pilgrim laughed. "My son, stand steady and listen with care. As for me:
站穩著 — the sentence-final modal 著, read zhe, neither continuous nor resultative. 我兒子, "my son," answers 老外公: the Pilgrim has now claimed two generations of seniority in as many minutes.
Neither party can see the other. The Pilgrim looks at black armour and sees a collier; the fiend looks at a monk and cannot place him. The comedy of the opening is the comedy of misrecognition, and it is exactly reciprocal — which is why the scene turns, almost at once, into an exchange of names. 你是那寺裡和尚? and 姓甚名誰? are the questions of a creature who wants to know what he is fighting.
What the fiend says in his own defence is unanswerable, and the narrative lets it stand. He did not burn the temple; he took one garment from a house already alight. 你在那方丈屋上行兇招風,是我把一件袈裟拿來了,你待怎麼? The Pilgrim does not reply to it. He gives his lineage instead, and then, invited to describe his powers, recites his autobiography — an evasion so magnificent that the reader forgets a question was asked.