Canonical Classics ← 第十七回
第十七回
sūnxíngzhěnàohēifēngshān
guānshìyīnshōuxióngguài

Sun the Pilgrim Makes Great Havoc on Black Wind Mountain · Guanshiyin Subdues the Bear-Fiend

菩薩化凌虛 行者變仙丹
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

菩薩化凌虛 行者變仙丹 Guanyin Becomes Lingxu; the Pilgrim Becomes a Pill

ěrshínǎiguǎngbēibiānwànhuàshēnxīnhuìhuìshēnhuǎngzhījiānbiànzuòlíngxiāněrshínǎi广guǎngbēibiān亿wànhuàshēnxīnhuìhuìshēnhuǎngzhījiānbiànzuòlíngxiān

chǎngxiānfēngpiāoyáochǎngxiānfēngpiāoyáo
cāngyánsōngbǎilǎoxiùjīncāngyánsōngbǎilǎoxiùjīn
háizhùyǒushūháizhùyǒushū
zǒngláiguīzhǐshìxiézǒngláiguīzhǐshìxié

xíngzhěkàndào:「miàoamiàoaháishìyāojīngháishìyāojīng?」xiàodào:「kōngyāojīngzǒngshìniànruòlùnběnláijiēshǔyǒu。」xíngzhěxīnxiàdùnzhuǎnshēnquèjiùbiànzuòxiāndānxíngzhěkàndào:「miàoamiàoaháishìyāojīngháishìyāojīng?」xiàodào:「kōngyāojīngzǒngshìniànruòlùnběnláijiēshǔyǒu。」xíngzhěxīnxiàdùnzhuǎnshēnquèjiùbiànzuòxiāndān

zǒupándìngyuánmíngwèiyǒufāngzǒupándìngyuánmíngwèiyǒufāng
sānsāngōulòuliùliùshàowēngshāngsānsāngōulòuliùliùshàowēngshāng
shuòhuángjīnyànmóubáizhòuguāngshuòhuángjīnyànmóubáizhòuguāng
wàibiānqiāngǒngwèilùnliángwàibiānqiāngǒngwèilùnliáng

逐句解 Line by line

ěrshínǎiguǎngbēibiānwànhuàshēnxīnhuìhuìshēn ěrshínǎi广guǎngbēibiān亿wànhuàshēnxīnhuìhuìshēn

Then the Bodhisattva, by her great and vast compassion, by her boundless power of the Law, by her hundred million transformation-bodies, met intention with mind and body with intention;

爾時, "at that time," is the opening formula of a sutra, and the whole sentence is written in the cadence of scripture. is . 以心會意,以意會身 — mind meeting intention, intention meeting body: the transformation is described as an inward act, not a trick.

huǎngzhījiānbiànzuòlíngxiān huǎngzhījiānbiànzuòlíngxiān

and in a moment of blurred seeming she was changed into the Immortal Lingxu.

恍惚之間, in the space of a blur — a phrase from the Daodejing. 凌虛仙子: the lexical , . She takes the name of the wolf whose brains are still on the road behind her.

chǎngxiānfēngpiāoyáo chǎngxiānfēngpiāoyáo

A crane-feather cloak, and the immortal wind blowing; fluttering, she seems about to pace the void.

鶴氅, a cloak of crane feathers, is the Taoist adept's dress. 步虛, to pace the void, is the name of a Taoist hymn and of the ritual gait that accompanies it. The poem is a regulated five-graph , rhyming 虛 · 無 · 殊 · 軀.

cāngyánsōngbǎilǎoxiùjīn cāngyánsōngbǎilǎoxiùjīn

A weathered face, old as pine and cypress; a beauty not to be found in ancient time or now.

秀色古今無 — a beauty neither ancient nor modern possesses. The line is about a disguise.

háizhùyǒushū háizhùyǒushū

Going and going, she yet abides nowhere; suchness upon suchness, each with its own difference.

is adverbial hái. 無住 renders apratiṣṭhita, the non-abiding of the Diamond Sutra; 如如 renders tathatā, suchness. A Buddhist poem about a Taoist costume.

zǒngláiguīzhǐshìxié zǒngláiguīzhǐshìxié

All comes home at last to a single Dharma; only the fiendish body stands between.

總來歸一法: the sandhi of before the third-tone gives . 隔邪軀 — only the fiendish body is in the way. The couplet states the chapter's doctrine and locates the whole problem in a shape.

xíngzhěkàndào:「miàoamiàoaháishìyāojīngháishìyāojīng?」 xíngzhěkàndào:「miàoamiàoaháishìyāojīngháishìyāojīng?」

The Pilgrim looked and said, "Marvellous, marvellous! Is it the fiend that is the Bodhisattva, or the Bodhisattva that is the fiend?"

Two occurrences of adverbial , hái. The question is put as a jest and is the most serious thing the Pilgrim says in the chapter.

xiàodào:「kōngyāojīngzǒngshìniànruòlùnběnláijiēshǔyǒu。」 xiàodào:「kōngyāojīngzǒngshìniànruòlùnběnláijiēshǔyǒu。」

The Bodhisattva laughed. "Wukong: Bodhisattva and fiend are together a single thought. If you speak of the original state, both belong to non-being."

總是一念 — the sandhi of before the fourth-tone gives . 皆屬無有, both belong to non-being. The Bodhisattva answers a joke with the doctrine of emptiness, and thereby settles the fate of the bear before a pill is swallowed.

xíngzhěxīnxiàdùnzhuǎnshēnquèjiùbiànzuòxiāndān xíngzhěxīnxiàdùnzhuǎnshēnquèjiùbiànzuòxiāndān

The Pilgrim was enlightened on the instant. He turned about and changed himself into one pellet of elixir:

頓悟, sudden awakening — the technical term of the Southern Chan school, applied here to a monkey who is about to become a poison pill.

zǒupándìngyuánmíngwèiyǒufāng zǒupándìngyuánmíngwèiyǒufāng

Rolling on the tray, it is never unsettled; round and lucid, it has no quarter.

走盤, running about the tray, is the standing figure for a perfectly round pearl. The sandhi of before the fourth-tone gives . The poem rhymes 方 · 商 · 光 · 量.

sānsāngōulòuliùliùshàowēngshāng sānsāngōulòuliùliùshàowēngshāng

Thrice three, and it accords with Goulou; six times six, and it takes counsel with Shaoweng.

勾漏 is the mountain in Guangxi where Ge Hong sought cinnabar; 少翁 is Li Shaoweng, the magician of Emperor Wu of Han, and reads shào, not shǎo.

shuòhuángjīnyànmóubáizhòuguāng shuòhuángjīnyànmóubáizhòuguāng

Potsherd and bright metal, a flame of yellow gold; a mani jewel, a light in the white day.

牟尼 transliterates maṇi, the wish-granting jewel. 瓦鑠, potsherd and bright metal, is the base matter the elixir is made from.

wàibiānqiāngǒngwèilùnliáng wàibiānqiāngǒngwèilùnliáng

The lead and quicksilver of the outer arts may not lightly be weighed against it.

鉛與汞, lead and mercury: the outer alchemy the three fiends were discussing when the Pilgrim first saw them, and which his own autobiography dismissed. 論量 is the verb, liáng, to weigh, consistent with the ruling at 不可量.


總評 Commentary

The doctrinal centre of the chapter is a joke and its answer. The Pilgrim, looking at a Bodhisattva wearing a dead wolf's face, asks: 還是妖精菩薩,還是菩薩妖精? Is the fiend the Bodhisattva, or the Bodhisattva the fiend? And Guanyin does not laugh it off. 菩薩、妖精,總是一念;若論本來,皆屬無有。 Bodhisattva and fiend are one thought; in the original state both are non-being. The poem on her disguise has already said as much — 總來歸一法,只是隔邪軀, all comes home to one Dharma, and only the fiendish body is in the way.

Then the monkey, 頓悟, suddenly awakened, turns himself into a pill of poison. The second poem describes him in the vocabulary of the outer alchemy the first fiends were talking when he killed one of them — Goulou, Shaoweng, lead and mercury — and ends by declaring that vocabulary inadequate to him. He has understood the teaching perfectly and drawn from it the conclusion that he may now do anything. The bear, who has cultivated the Way for two hundred and seventy years and is about to be poisoned at his own birthday party, is not consulted.