路傍相候 Waiting at the Roadside
卻說那唐僧在路傍等不得行者回話,教豬八戒引馬投西,遇著些僧人奔走。將近城邊,見行者還與十數個未散的和尚在那裡。三藏勒馬道:「悟空,你怎麼來打聽個響聲,許久不回?」行者引了十數個和尚,對唐僧馬前施禮,將上項事說了一遍。三藏大驚道:「這般啊,我們怎了?」却说那唐僧在路傍等不得行者回话,教猪八戒引马投西,遇着些僧人奔走。将近城边,见行者还与十数个未散的和尚在那里。三藏勒马道:「悟空,你怎么来打听个响声,许久不回?」行者引了十数个和尚,对唐僧马前施礼,将上项事说了一遍。三藏大惊道:「这般啊,我们怎了?」
逐句解 Line by line
Now, that Tripitaka, waiting at the roadside and unable to get any word back from Pilgrim, had told Eight Rules to lead the horse westward, and came upon some monks hurrying along.
The narration cuts back to the man who has been sitting by the road this whole time. 著 in 遇著 is zháo, the hitting-the-mark reading, to run into; 得 in 等不得 is the light de of "could not manage to wait," with 不 as bù; 那 is nà; 傍 is páng.
Drawing near the city, he saw Pilgrim still there with a dozen-odd monks not yet scattered.
將 here is jiāng in a quite different job from its usual one in this chapter: not taking hold of an object but meaning "nearly, on the point of" — drawing near the city. 還 is hái; 數 is shù; 那 is nà, "there."
Tripitaka reined in his horse: "Wukong, how is it you went to find out about a noise and are so long in coming back?"
The reproach is entirely in character: sent to identify a noise, gone half a day. 藏 is zàng; 不 is bù before 回.
Pilgrim, leading the dozen-odd monks, made his salute before Tripitaka's horse and told the whole foregoing matter.
上項事, "the foregoing matter" — a clerk's phrase, the storyteller declining to tell you again what you have just read. 將 is jiāng; 數 is shù; 一 is yí before 遍.
Tripitaka was greatly alarmed: "If it's like that — what's to become of us?"
And there is the master's note for the whole arc: not "how terrible for them" but "what becomes of us?" 藏 is zàng.
Back to Tripitaka, who has grown anxious at the long silence and pressed on westward by himself, only to find his disciple at the city wall in a crowd of freed monks.
His first reaction to the news is the note he sounds all through this arc: not horror at what has been done to these men but alarm at what it might cost the party. Where Wukong sees an injustice to be broken, his master sees a danger to be survived — and the gap between those two responses is much of what the 車遲國 chapters are about.