雲水參玄 A Cloud-and-Water Adept Enquires
你道他來問誰?好大聖,按落雲頭,去郡城腳下,搖身一變,變做個遊方的雲水全真,左臂上掛著一個水火籃兒,手敲著漁鼓,口唱著道情詞,近城門,迎著兩個道士,當面躬身道:「道長,貧道起手。」那道士還禮道:「先生那裡來的?」行者道:「我弟子雲遊於海角,浪蕩在天涯。今朝來此處,欲募善人家。動問二位道長:這城中那條街上好道?那個巷裡好賢?我貧道好去化些齋吃。」你道他来问谁?好大圣,按落云头,去郡城脚下,摇身一变,变做个游方的云水全真,左臂上挂着一个水火篮儿,手敲着渔鼓,口唱着道情词,近城门,迎着两个道士,当面躬身道:「道长,贫道起手。」那道士还礼道:「先生那里来的?」行者道:「我弟子云游于海角,浪荡在天涯。今朝来此处,欲募善人家。动问二位道长:这城中那条街上好道?那个巷里好贤?我贫道好去化些斋吃。」
逐句解 Line by line
And whom, would you say, did he come to ask?
你道, "would you guess" — the storyteller turning to the room and pausing for effect before the answer. 誰 is shuí.
That fine Great Sage dropped down his cloud, went to the foot of the prefectural wall, shook himself and turned into a wandering Quanzhen adept of the cloud-and-water sort: on his left arm hung a water-and-fire basket, in his hand he beat a fisher-drum, and from his mouth he sang a Daoqing ballad. Nearing the gate, he came up to the two Daoists, bowed to their faces, and said: "Masters — a poor Daoist salutes you."
The disguise is chosen with care: in a kingdom that worships the Dao, the safest way to walk up to the enemy is dressed as one of them. A 雲水全真 is a "cloud-and-water" Quanzhen mendicant, a wandering Daoist of the order founded in the twelfth century, and Wukong takes the whole kit — the 水火籃兒, a basket for the tools of fire and water; the 漁鼓, a fish-drum, a length of bamboo headed with skin and slapped to keep time; and the 道情詞, the ballads such men sang for alms. It is busking as cover. 著 is the durative zhe at all four of 掛著, 敲著, 唱著 and 迎著, marking each action as ongoing; 兒 is the light er; 長 in 道長 is zhǎng, an elder or master; 當 is dāng, to the face; 一 is yí before the falling tones of 變 and 個.
The Daoists returned his courtesy: "Where does the gentleman come from?"
Both readings of 那 in one line. 那道士 points — nà, "those Daoists"; 那裡來的 asks — nǎ, "from where?" 還 in 還禮 is huán, to return a courtesy, giving the bow back.
Pilgrim said: "This disciple roams to the corners of the sea and drifts to the sky's edge.
子 in 弟子 is full zǐ, a disciple, not the light ending.
Today I have come to this place, hoping to beg from charitable households.
朝 is zhāo, morning — so 今朝 is "this morning," today. 處 is chù.
May I ask you two masters: in this city, on which street is the Dao well-loved,
The question is framed as a beggar's and is really reconnaissance. 好 here is hào, to be fond of something — which street loves the Dao — not the hǎo that means good. Keep both readings in mind: the chapter uses them within a few lines of each other, and once uses 好道 for something different again. 長 is zhǎng; 中 is zhōng; 那條街 asks, so 那 is nǎ, "which."
and in which lane are the worthy cherished,
好 is hào again, matching the 愛 of "cherish the worthy" in the answering half. 那個巷 asks: 那 is nǎ.
so that a poor Daoist may go and beg himself a little food?"
And now the third 好 in three lines, this one plain hǎo, "so that" — so that a poor Daoist may eat. 化齋 is to beg for food.
His method is disguise and interview, and the disguise is well chosen. A 雲水全真 — a "cloud-and-water" Quanzhen mendicant, complete with fire-and-water basket, fish-drum and begging-ballads — is the one figure who can walk up to a Daoist overseer in a Dao-mad kingdom and be greeted as a colleague. He even gets his bow returned.
The opening question is a beggar's and is nothing of the kind: which streets and lanes 好道愛賢, love the Dao and cherish the worthy, so that a poor wanderer might eat there. It sounds like a man looking for dinner. It is a man mapping where the power sits.