Canonical Classics ← 第四十四回
第四十四回
shēnyuányùnféngchē
xīnzhèngyāoxiéguān

The Dharma-Body in Its Primal Cycle Meets the Powers of Cart-Slow · The Upright Heart Ferries Demon and Fiend Past the Spinal Pass

星君畫影
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

星君畫影 The Star-Lord's Portrait

zhòngsēngdào:「shuōshèngzhòngsēngdào:「shuōshèng

éjīnjīnghuǎngliàngyuántóumáoliǎnsāiéjīnjīnghuǎngliàngyuántóumáoliǎnsāi
jiānzuǐxìngqíngguāijiānzuǐxìngqíngguāi
màoléigōngguàimàoléigōngguài
guàn使shǐjīntiěbàngcéngjiāngtiānquègōngkāiguàn使shǐjīntiěbàngcéngjiāngtiānquègōngkāi
jīnguīzhèngbǎosēngláijīnguīzhèngbǎosēnglái
zhuānjiùrénjiānzāihài。」zhuānjiùrénjiānzāihài。」

逐句解 Line by line

zhòngsēngdào:「shuōshèng zhòngsēngdào:「shuōshèng

The monks said: "He told us of that Great Sage:

is , pointing at a Great Sage they do not know is listening. The line introduces the description the Star of Venus gave them in dream.

éjīnjīnghuǎngliàngyuántóumáoliǎnsāi éjīnjīnghuǎngliàngyuántóumáoliǎnsāi

A knobbed brow, golden eyes flashing bright; a round head, a furred face without jowls.

磕額 is a knobbed, jutting forehead; 無腮, no cheeks to speak of — the flat-sided face of a monkey rather than the full jaw of a man. The portrait is unflattering from the first line, which is how you know it is accurate.

jiānzuǐxìngqíngguāi jiānzuǐxìngqíngguāi

Jutting teeth, a pointed muzzle, a nature wild and wayward.

咨牙, teeth bared and showing. is not the modern "well-behaved" here but its older sense, contrary and willful — the same character has traveled a long way.

màoléigōngguài màoléigōngguài

In looks a match for the Thunder God, grotesque.

雷公 — the Thunder God of the translation, "Thunder Duke" if you take literally — is drawn with a beaked face and a monkey's build, which is why the novel reaches for him whenever it wants to say what Wukong looks like. Anyone in a Ming audience had seen the picture.

guàn使shǐjīntiěbàngcéngjiāngtiānquègōngkāi guàn使shǐjīntiěbàngcéngjiāngtiānquègōngkāi

Wont to wield the golden-hooped iron rod; once he battered the gates of Heaven open.

The one deed everybody knows. 天闕 is the gate-tower of Heaven, and battering it open is the 大鬧天宮, the havoc in Heaven that occupies the novel's opening chapters. is jiāng, taking the gate and doing something to it.

jīnguīzhèngbǎosēnglái jīnguīzhèngbǎosēnglái

Now, turned to the right, he comes to guard the monks;

皈正, to turn back to the right — the formal word for taking refuge, for a convert coming over. One line for the rebellion, one line for the conversion.

zhuānjiùrénjiānzāihài。」 zhuānjiùrénjiānzāihài。」

his whole care to save the world of men from calamity."

And the new job, stated as a vocation: 專救, to save and do nothing else. is jiān.


總評 Commentary

The dream-portrait is a compressed biography in the novel's verse idiom. The face first, and unflatteringly: knobbed brow, golden eyes, bared teeth, a pointed muzzle, no cheeks, and a look about him like the Thunder-Duke, which is the comparison the novel always reaches for.

Then the weapon, and then the deed everyone knows — 曾將天闕攻開, he battered the gates of Heaven open, the 大鬧天宮 of the opening chapters. And then the turn: 皈正, he came back to the right, and now guards monks and saves the world of men from calamity. The irony is total. The portrait circulated by Heaven so these men would know their rescuer describes, feature by feature, the counterfeit Daoist standing in front of them.