大聖逃遁 The Great Sage Takes Flight
卻說真君與大聖變做法天象地的規模,正鬥時,大聖忽見本營中妖猴驚散,自覺心慌,收了法象,掣棒抽身就走。真君見他敗走,大步趕上道:「那裡走?趁早歸降,饒你性命。」大聖不戀戰,只情跑起。將近洞口,正撞著康、張、姚、李四太尉,郭申、直健二將軍,一齊帥眾擋住道:「潑猴!那裡走?」大聖慌了手腳,就把金箍棒捏做繡花針,藏在耳內。搖身一變,變作個麻雀兒,飛在樹梢頭釘住。那六兄弟慌慌張張,前後尋覓不見,一齊吆喝道:「走了這猴精也!走了這猴精也!」却说真君与大圣变做法天象地的规模,正斗时,大圣忽见本营中妖猴惊散,自觉心慌,收了法象,掣棒抽身就走。真君见他败走,大步赶上道:「那里走?趁早归降,饶你性命。」大圣不恋战,只情跑起。将近洞口,正撞著康、张、姚、李四太尉,郭申、直健二将军,一齐帅众挡住道:「泼猴!那里走?」大圣慌了手脚,就把金箍棒捏做绣花针,藏在耳内。摇身一变,变作个麻雀儿,飞在树梢头钉住。那六兄弟慌慌张张,前后寻觅不见,一齐吆喝道:「走了这猴精也!走了这猴精也!」
逐句解 Line by line
Now while the True Lord and the Great Sage, in their Heaven-and-Earth magnitude, were locked in combat, the Great Sage suddenly saw the fiendish monkeys of his own camp scattering in panic,
規模 here means "scale, dimensions" — the two are still in their giant forms. The monkey's glance at his routed troop is the turning point: his attention breaks, and with it his resolve.
and feeling his own heart grow flustered, he withdrew his magic form, snatched up his cudgel, and broke off to flee.
收了法象 ("withdrew the magic semblance") — the monkey shrinks back from giant size, his nerve gone. 心慌 ("heart in a flutter") — the first time in the chapter the monkey shows fear.
Seeing him break and run, the True Lord strode after him, calling, "Where do you think you're going? Surrender now, and your life will be spared!"
那裡走 ("where are you off to?"; 那 = nǎ) is the standard shouted challenge of a pursuer. 趁早歸降 ("surrender while you can"; 降 = xiáng).
The Great Sage had no heart for more fighting and simply ran for it.
不戀戰 ("unwilling to cling to the battle") and 只情跑起 ("just took to his heels") — the swaggering monkey is now in undignified flight, the comedy of the chase beginning.
As he neared the cave mouth, he ran square into the four Marshals Kang, Zhang, Yao, and Li and the two Generals Guo Shen and Zhi Jian, who together led their troops to block him, shouting, "Brazen ape! Where do you run?"
撞著 ("collided with"; 著 = zháo). Erlang's six brothers, having routed the troop, now cut off the monkey's retreat to his own cave — the trap closing.
Thrown into a panic, the Great Sage pinched his gold-banded cudgel down to an embroidery needle and tucked it into his ear.
慌了手腳 ("hands and feet flustered," i.e. thrown into confusion). The cudgel's shrinking to a needle stored in the ear is its signature trick, from Chapter 3 — the monkey is preparing to transform and slip away.
With a shake of his body he transformed into a sparrow and perched, still, on the tip of a treetop.
麻雀兒 ("a little sparrow") is the first of the chase's many transformations. 釘住 ("perched fixed"; 釘 = dìng) — the monkey freezes, hoping to be overlooked.
The six brothers, all in a fluster, searched high and low and could not find him, and cried out together, "The monkey-fiend's got away! The monkey-fiend's got away!"
慌慌張張 ("all flustered and flurried"). The brothers' baffled double cry — 走了這猴精也 repeated — is comic: the all-conquering Seven Sages have lost their quarry to a sparrow on a branch.
With this passage the chapter shifts genre: the epic duel of giants gives way to a comic chase, and the register drops accordingly from the sublime to the breathless. The hinge is psychological and precisely observed. The monkey, locked in his cosmic form, glances down and sees his own troop being routed; 自覺心慌, "feeling his heart grow flustered," he loses his nerve for the first time in the chapter, shrinks from his giant size, and runs. It is a small but telling moment of characterization — the swaggering Great Sage, who has mocked every opponent, breaks not from defeat in single combat but from the sight of his scattered followers.
What follows is the beginning of the famous transformation-contest, and Wú Chéng'ēn stages its opening as pure slapstick. The fleeing monkey runs straight into Erlang's six brothers, who have circled round to block his cave; cornered, he shrinks his cudgel to a needle, stows it in his ear (the trick we first saw in Chapter 3), and turns himself into a sparrow on a treetop. The brothers, the conquering Seven Sages, are reduced to baffled searchers, crying "the monkey-fiend's got away!" while their quarry sits motionless a few feet above their heads. The comedy lies in the disproportion — vast powers foiled by a small bird — and it sets the pattern for the whole chase to come.
Beneath the comedy, the allegory turns a corner too. The duel of strength has reached its limit; now begins the duel of 變化 (transformation), in which the contest is no longer of power but of protean cunning — and here the 心猿, the restless, shape-shifting mind, is most fully itself. To flee by becoming a sparrow, a fish, a bird, a temple, is the very nature of the unsettled mind, which evades capture by never holding one form. Erlang's task, and the chapter's, is to track that quicksilver changeability to its end. The transformation-contest that opens here is thus not a digression but the heart of the matter: it dramatizes exactly how slippery the mind is, and how only a discernment equal to its cunning — aided, in the end, by Heaven's mirror and Laozi's ring — can pin it down. (For the needle-in-the-ear trick and the cudgel's origin, see Chapter 3.)