素齋草堂 A Meatless Meal in the Thatched Hall
公婆兩個聞說他名號,皈正沙門之言,卻才定性回驚,教:「請來,請來。」長老出門叫來,又吩咐道:「適才這老者甚惡你等,今進去相見,切勿抗禮,各要尊重些。」八戒道:「我俊秀,我斯文,不比師兄撒潑。」行者笑道:「不是嘴長、耳大、臉醜,便也是一個好男子。」沙僧道:「莫爭講,這裡不是那抓乖弄俏之處。且進去,且進去。」遂此把行囊、馬匹都到草堂上,齊同唱了個喏,坐定。那媽媽兒賢慧,即便攜轉小兒,咐吩煮飯,安排一頓素齋,他師徒吃了。公婆两个闻说他名号,皈正沙门之言,却才定性回惊,教:「请来,请来。」长老出门叫来,又吩咐道:「适才这老者甚恶你等,今进去相见,切勿抗礼,各要尊重些。」八戒道:「我俊秀,我斯文,不比师兄撒泼。」行者笑道:「不是嘴长、耳大、脸丑,便也是一个好男子。」沙僧道:「莫争讲,这里不是那抓乖弄俏之处。且进去,且进去。」遂此把行囊、马匹都到草堂上,齐同唱了个喏,坐定。那妈妈儿贤慧,即便携转小儿,咐吩煮饭,安排一顿素斋,他师徒吃了。
逐句解 Line by line
When the old couple heard their names, and the words about taking refuge in the Śramaṇa, they steadied themselves and got over their fright, and gave the order: “Ask them in, ask them in.”
公婆 keeps 婆 at the full pó; the softened everyday reading belongs to the doubled 婆婆 and not to the character on its own. 皈正 is to turn and take refuge, and 教 is jiào, to make somebody do a thing. What calms them down is not anything they have seen. It is a list of religious credentials.
The elder went out to call them, and gave them a further charge: “Just now this old gentleman took a great dislike to you. When you go in to meet him now, on no account be defiant — each of you be respectable.”
甚惡你等 puts 惡 in its verbal use, wù, to dislike — not è, wicked, which is how the same character reads seven other times in this chapter. 相見 is the mutual xiāng. 抗禮 is to meet somebody as an equal, and so to withhold deference. 重 is zhòng, weighty, in 尊重.
Bajie said, “I am handsome, I am refined — not like elder brother, who plays the ruffian.”
撒潑 is to carry on outrageously. Bajie's claim to be 俊秀 and 斯文 — handsome and refined — is made by a pig with a snout and fan ears, and nobody contradicts the second half of it.
Pilgrim laughed and said, “But for the long snout, the big ears and the ugly face, he would be quite a fine fellow.”
不是 is conditional here — were it not for — rather than a flat negation. 好男子 keeps 好 at hǎo, good, against the hào of being fond of something that the same character takes in the next passage.
Sha Monk said, “Stop wrangling. This is no place for showing off and playing clever. Go in, go in.”
抓乖弄俏 — snatching at cleverness and playing the pretty fellow — is a four-character idiom for showing off. 之處 is a location, so chù. Sha Monk's function in this chapter is to end arguments, and he does it in nine words.
So they brought the baggage and the horse up to the thatched hall, made their bows together, and sat down.
唱喏 is to bow with a spoken salutation, and 喏 keeps rě. 行囊 is the travelling pack.
That good-hearted old woman took the small child away with her at once, gave orders for rice to be cooked, and set out a meatless meal, which master and disciples ate.
The 世德堂本 prints 咐吩 with the two characters of 吩咐 the other way round — a spelling variant, encoded as printed and read on the characters actually there. 小兒 has 兒 as part of the word for a person, so ér, while 媽媽兒 is suffixed and takes er: the same character, twice in one sentence, doing two different jobs. 素齋 is the meatless meal proper to monks.
The three disciples get one line each and the lines are a complete character sketch. Bajie announces that he is handsome and refined; Pilgrim observes that his brother would be a fine fellow apart from the snout, the ears and the face; Sha Monk tells them both to stop performing and go inside. It is the only moment in the chapter where the three of them are simply funny together, and it comes immediately before the household learns what they are.
Tripitaka's instruction deserves attention. 切勿抗禮,各要尊重些 — do not stand on your dignity, be respectable — is a man coaching his disciples in manners on a doorstep, two hours after one of them killed two people and he himself prayed over the grave. The management of appearances has entirely displaced the moral question, and it will stay displaced for the rest of the chapter.
The old woman does all the actual work in a single sentence: takes the child away, orders rice, sets out a meal. The narrator calls her 賢慧, good and wise. She is the only person in chapter fifty-six who responds to a frightening situation by feeding people. The novel gives her twenty-seven characters and no name.