Canonical Classics ← 第四十七回
第四十七回
shèngsēngtōngtiānshuǐ
jīnchuíjiùxiǎotóng

The Holy Monk Is Barred at Night by the Water That Reaches the Sky · Metal and Wood, Extending Mercy, Rescue the Little Children

慈惠傷人
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

慈惠傷人 Kindness That Kills

xíngzhědào:「shīgānluòqìngyúnshìhǎosiquèzhèděngshāngqíngfánnǎo?」lǎozhědiējiǎochuíxiōnggénleshēngdào:「lǎoaxíngzhědào:「shīgānluòqìngyúnshìhǎosiquèzhèděngshāngqíngfánnǎo?」lǎozhědiējiǎochuíxiōnggénleshēngdào:「lǎoa

suīēnduōháiyǒuyuànzòngránhuìquèshāngrénsuīēnduōháiyǒuyuànzòngránhuìquèshāngrén
zhǐyīnyàochītóngnánshìzhāozhāngzhèngzhíshén。」zhǐyīnyàochītóngnánshìzhāozhāngzhèngzhíshén。」

逐句解 Line by line

xíngzhědào:「shīgānluòqìngyúnshìhǎosiquèzhèděngshāngqíngfánnǎo?」 xíngzhědào:「shīgānluòqìngyúnshìhǎosiquèzhèděngshāngqíngfánnǎo?」

Pilgrim said: "Sending sweet rain, letting fall auspicious clouds — that is kindly enough; yet you grieve and fret like this. Why so?"

Wukong asks the obvious question, and it is the right one. 好意思 is "well meant"; 傷情煩惱, cut up and fretting. If the god sends rain and lucky clouds, why are you crying?

lǎozhědiējiǎochuíxiōnggénleshēngdào:「lǎoa lǎozhědiējiǎochuíxiōnggénleshēngdào:「lǎoa

The old man stamped his feet and beat his breast, and with a groan said: "Ah, reverend —

跌腳搥胸 — stamping the feet, beating the breast — is the standard Chinese posture of grief, and here it comes with a sound: 哏了一聲, read gén, a noise forced out of a man rather than a word chosen by him. Then 老爺啊, and the verse. points — .

suīēnduōháiyǒuyuànzòngránhuìquèshāngrén suīēnduōháiyǒuyuànzòngránhuìquèshāngrén

Though his bounty is much, there is yet resentment; / for all his mercy, he does men harm.

And the couplet turns the last one inside out, line for line. Where the first pair sang bounty and blessing, this one answers 恩多還有怨, much kindness and resentment still, and 慈惠卻傷人, mercy that injures all the same. is hái, "yet." Two couplets, the same god, opposite verdicts — the villagers have been holding both at once for years.

zhǐyīnyàochītóngnánshìzhāozhāngzhèngzhíshén。」 zhǐyīnyàochītóngnánshìzhāozhāngzhèngzhíshén。」

It is only that he must eat boys and girls; / he is no shining, upright god."

只因 — it is only that — carries the whole weight: he must eat 童男女, a boy child and a girl child. And then the theological charge: 不是昭彰正直神, no bright and upright god. 昭彰 is manifest, plain for all to see, and 正直 is straight-dealing. The distinction matters in Chinese religion, where a local god's legitimacy rests on exactly that — whether he keeps his side of the bargain honestly. This one takes payment in children, which makes him not a bad god but a demon with a shrine.


總評 Commentary

Four segments, two couplets and a groan, and they overturn everything the last passage sang. Wukong's question is the reasonable one — rain and auspicious clouds sound like kindness, so why the grief? — and the answer comes first as a gesture, feet stamping and fists on the chest, then as a noise, 哏了一聲, and only then as words. The reply is built to mirror the praise line for line: much bounty, and resentment with it; all his mercy, and he injures men all the same.

Then the disclosure: 只因要吃童男女 — it is only that he must eat boys and girls. The verse frames it not as a horror story but as a point of religious law. He is 不是昭彰正直神, no bright and upright god. In Chinese popular religion a local deity's standing rests on straight dealing; he takes offerings and he keeps his end. This one has the shrine, the rain and the thanksgiving couplets, and he takes children, which makes him not a harsh god but a demon wearing a god's clothes. The compression is what gives it force. Two couplets around one cry of pain deliver the whole of it, and the long explanation that follows only fills in names and numbers.