Canonical Classics ← 第二十六回
第二十六回
sūnkōngsāndǎoqiúfāng
guānshìyīngānquánhuóshù

Sun Wukong Seeks a Cure Among the Three Isles · Guanyin's Sweet Spring Revives the Tree

帝君現相
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

帝君現相 The Sovereign Lord Appears

xíngzhěànluòyúntóuxīnwánjǐngzhèngzǒuchùzhǐwéndexiāngfēngxuánshēngmíngxiāngyǒushénxiāndànjiànxíngzhěànluòyúntóuxīnwánjǐngzhèngzǒuchùzhǐwéndexiāngfēngxuánshēngmíngxiāngyǒushénxiāndànjiàn

yíngkōngwàndàoxiáguāngxiàncǎipiāoyáoguāngduànyíngkōngwàndàoxiáguāngxiàncǎipiāoyáoguāngduàn
dānfèngxiánhuāgèngxiānqīngluánfēishēngjiāoyàndānfèngxiánhuāgèngxiānqīngluánfēishēngjiāoyàn
dōnghǎishòushānmàoxiǎotóngshēnjiàndōnghǎi寿shòushānmàoxiǎotóngshēnjiàn
yǐndòngtiānlǎodānyāoxuánchángshēngzhuànyǐndòngtiānlǎodānyāoxuánchángshēngzhuàn
rénjiānshùjiàngzhēnxiángshìshàngfānxiāoèyuànrénjiānshùjiàngzhēnxiángshìshàngfānxiāoèyuàn
céngxuānjiāshòulíngyáochíměipántáoyàncéngxuānjiā寿shòulíngyáochíměipántáoyàn
jiàohuàzhòngsēngtuōyuánzhǐkāidàomíngdiànjiàohuàzhòngsēngtuōyuánzhǐkāidàomíngdiàn
céngkuàhǎizhùqiānqiūchánglíngshāncānmiàncéngkuàhǎizhùqiānqiūchánglíngshāncānmiàn
shènghàodōnghuájūnyānxiáshénxiānjuànshènghàodōnghuájūnyānxiáshénxiānjuàn

逐句解 Line by line

xíngzhěànluòyúntóuxīnwánjǐng xíngzhěànluòyúntóuxīnwánjǐng

The pilgrim reined in his cloud-head, with no heart for sightseeing.

按落雲頭 ("to press down the cloud-head," to descend); 無心玩景, "in no mood to enjoy the scenery" — Wukong’s errand weighs on him, and the splendors of Fangzhang leave him unmoved.

zhèngzǒuchùzhǐwéndexiāngfēngxuánshēngmíngxiāngyǒushénxiān zhèngzǒuchùzhǐwéndexiāngfēngxuánshēngmíngxiāngyǒushénxiān

As he walked along, he caught a rich waft of fragrant wind and the cry of a dark crane, and there, off to one side, stood an immortal.

聞得 ("caught the scent of," the complement de); 玄鶴 ("dark crane"), a bird of the immortals; 那壁廂 ("over on that side"), a colloquial locative.

dànjiàn dànjiàn

And this is what he saw:

但見 ("one saw only…"), the storyteller’s cue to a descriptive verse.

yíngkōngwàndàoxiáguāngxiàncǎipiāoyáoguāngduàn yíngkōngwàndàoxiáguāngxiàncǎipiāoyáoguāngduàn

Filling the sky, ten thousand shafts of rosy light appear; colored mists drift and flutter, their glow unbroken.

萬道霞光 ("ten thousand rays of sunset-glow"); 飄颻 (piāo yáo), "fluttering, wafting." The verse opens the portrait of the immortal Donghua.

dānfèngxiánhuāgèngxiānqīngluánfēishēngjiāoyàn dānfèngxiánhuāgèngxiānqīngluánfēishēngjiāoyàn

A cinnabar phoenix, a flower in its beak, is fresher still; an azure luan wheels in dance, its cry sweet and bright.

啣花 ("holding a flower in the beak," = , xián); 丹鳳 and 青鸞, the vermilion phoenix and azure luan, recurrent emblems of immortal splendor.

dōnghǎishòushānmàoxiǎotóngshēnjiàn dōnghǎi寿shòushānmàoxiǎotóngshēnjiàn

His fortune like the Eastern Sea, his years like the mountains; his looks those of a young child, his body hale.

福如東海,壽比南山 is a proverbial birthday blessing, here adapted. 貌似小童 ("a face like a child’s"), the mark of the immortal who has reversed old age; read .

yǐndòngtiānlǎodānyāoxuánchángshēngzhuàn yǐndòngtiānlǎodānyāoxuánchángshēngzhuàn

In his gourd lies hidden a cave-heaven’s deathless elixir; at his waist hangs, bright as the sun, a talisman of long life.

壺…洞天 ("a cave-heaven within a gourd") alludes to the immortal who kept a whole paradise in his flask; 長生篆 ("a long-life talisman," = cháng), a written charm of immortality.

rénjiānshùjiàngzhēnxiángshìshàngfānxiāoèyuàn rénjiānshùjiàngzhēnxiángshìshàngfānxiāoèyuàn

Time and again he sends down good omens to the mortal world; how often he has dissolved men’s calamities and granted their prayers.

降禎祥 ("to send down auspicious signs," = jiàng); 數次 ("several times," = shù, the noun/counter reading); 消厄, "to dispel disaster." The lines cast Donghua as a benefactor of humankind.

céngxuānjiāshòulíngyáochíměipántáoyàn céngxuānjiā寿shòulíngyáochíměipántáoyàn

Emperor Wu once summoned him to bestow added years; at the Jasper Pool he attends each Feast of Peaches.

武帝 is Emperor Wu of Han, in legend a seeker of immortality; 瑤池 and the 蟠桃宴 ("Feast of Immortal Peaches") are the Queen Mother of the West’s celebrated banquet.

jiàohuàzhòngsēngtuōyuánzhǐkāidàomíngdiàn jiàohuàzhòngsēngtuōyuánzhǐkāidàomíngdiàn

He guides the host of monks to shed their worldly ties, and points open the Great Way, bright as a lightning-flash.

脫俗緣 ("to cast off mundane attachments"); 指開大道, "to point the way clear to the Great Dao." Donghua is here a teacher of enlightenment as well as a giver of blessings.

céngkuàhǎizhùqiānqiūchánglíngshāncānmiàn céngkuàhǎizhùqiānqiūchánglíngshāncānmiàn

He has bestridden the seas to wish long life, and often goes to Spirit Mountain to pay court before the Buddha.

跨海祝千秋 ("to cross the seas and offer birthday wishes"); 靈山參佛 ("to attend upon the Buddha at Vulture Peak," = cān, to pay reverent audience). The immortal moves freely between Daoist and Buddhist realms.

shènghàodōnghuájūnyānxiáshénxiānjuàn shènghàodōnghuájūnyānxiáshénxiānjuàn

His holy title is the Great Sovereign Lord of the Eastern Splendor — first among the immortal kindred of mist and glow.

東華大帝君 (the Great Sovereign of the East, 東華帝君) is a high Daoist deity, reckoned lord of the eastern quarter and of the male immortals; 神仙眷, "the immortal company."


總評 Commentary

Wukong’s arrival at Fangzhang follows the pattern set at Penglai — a descent, a heralding fragrance and crane, then a portrait-verse of the immortal he has come to see. But a small human touch marks the difference: he comes "with no heart for sightseeing," his mind on the errand and the ticking deadline. The grandeur of the immortal isles has begun to pall on a hero pressed for time.

The verse introduces Donghua Dijun, the Sovereign Lord of the East, one of the loftier figures of the Daoist pantheon. Its catalogue is telling in its range: he is at once a dispenser of longevity and good fortune (the birthday blessings, the Peach Feast), a teacher who "points open the Great Way," and a visitor to the Buddha’s own mountain. That easy traffic between Daoist and Buddhist heavens is characteristic of the novel’s syncretism, in which the two traditions coexist as departments of a single cosmos.