甘露活樹 The Sweet-Dew Cure
行者聞得此言,心中暗喜道:「造化了,造化了,菩薩一定有方也。」他又上前懇求。菩薩道:「我這淨瓶底的甘露水,善治得仙樹靈苗。」行者道:「可曾經驗過麼?」菩薩道:「經驗過的。」行者問:「有何經驗?」菩薩道:「當年太上老君曾與我賭勝:他把我的楊柳枝拔了去,放在煉丹爐裡,炙得焦乾,送來還我。是我拿了插在瓶中,一晝夜,復得青枝綠葉,與舊相同。」行者笑道:「真造化了,真造化了。烘焦了的尚能醫活,況此推倒的,有何難哉?」菩薩吩咐大眾:「看守林中,我去去來。」遂手托淨瓶,白鸚哥前邊巧囀,孫大聖隨後相從。有詩為證。詩曰:行者闻得此言,心中暗喜道:「造化了,造化了,菩萨一定有方也。」他又上前恳求。菩萨道:「我这净瓶底的甘露水,善治得仙树灵苗。」行者道:「可曾经验过么?」菩萨道:「经验过的。」行者问:「有何经验?」菩萨道:「当年太上老君曾与我赌胜:他把我的杨柳枝拔了去,放在炼丹炉里,炙得焦干,送来还我。是我拿了插在瓶中,一昼夜,复得青枝绿叶,与旧相同。」行者笑道:「真造化了,真造化了。烘焦了的尚能医活,况此推倒的,有何难哉?」菩萨吩咐大众:「看守林中,我去去来。」遂手托净瓶,白鹦哥前边巧啭,孙大圣随后相从。有诗为证。诗曰:
逐句解 Line by line
Hearing these words, the pilgrim rejoiced in secret: "What luck, what luck — the Bodhisattva must have a remedy!"
Wukong reads the reproach correctly and instantly: if she is annoyed he did not come sooner, she must have what he needs. 造化 is good fortune, luck, a windfall. 聞得 is hearing, 得 the toneless de.
He pressed forward again and earnestly entreated her.
懇求 is to beg in earnest. Hope has put fresh urgency into a plea that was, a moment ago, close to hopeless.
The Bodhisattva said, "The sweet-dew water at the bottom of my pure vase can well heal an immortal tree or numinous sprout."
Here it is. 淨瓶, the pure vase, is Guanyin's emblem -- the flask every image of her carries, holding 甘露水, sweet-dew water, which is compassion in liquid form. 善治得 is is well able to heal, 得 toneless de. Three islands of the finest elixirs in the cosmos could not do it; a vase of water can.
The pilgrim said, "Has it ever been tried and proven?"
經驗過 is tested by experience, proven. Wukong is delighted and still asks for references, which is very much him.
The Bodhisattva said, "It has been proven."
A flat, confident yes. The demonstration follows.
The pilgrim asked, "And what was the proof?"
He wants the case history, and Guanyin obliges with a story about a bet she once had with Laozi.
The Bodhisattva said, "In years past, the Most High Lord Lao made a wager with me: he pulled up my willow-branch, put it in his elixir-furnace, roasted it black and dry, and sent it back to me."
太上老君 is Laozi in his deified form, keeper of the elixir-furnace -- the same furnace Wukong was once cooked in. 楊柳枝 is the willow-branch Guanyin dips in her sweet dew; it appears in her hand in temple images everywhere. 炙得焦乾 is roasted till scorched and dry, 得 the toneless de, 乾 = gān, dry; 送來還我 is sent it back to me, 還 = huán.
"I took it and set it in my vase, and in a day and a night it regained its green boughs and leaves, just as before."
一晝夜 is one day and one night. 復得青枝綠葉 is regained green boughs and leaves, 得 = dé, to regain; 與舊相同 is the same as before, 相 = xiāng. A branch burnt to charcoal, back in leaf overnight -- that is the precedent, and it is exactly the case the ginseng tree needs.
The pilgrim laughed. "True luck indeed, true luck indeed!"
The doubled 真造化, truly fortunate, is Wukong's delight breaking loose. The willow settles his last doubt.
"If even a thing roasted black could be healed back to life, how much less trouble is a mere toppled tree!"
And the swagger is back within one line. 烘焦 is roasted, scorched; 推倒的 is the toppled one, 倒 = dǎo; 有何難哉 is what difficulty is there, 難 = nán. If you can save a cinder, a tree that is merely knocked over should be nothing.
The Bodhisattva instructed her assembly, "Keep watch over the grove; I shall go and soon return."
吩咐 is to instruct, to give orders. 我去去來, I go and will come back, is a homely, colloquial promise -- the Bodhisattva of Compassion telling her household she won't be long.
Then, bearing her pure vase in hand, with the white parrot warbling sweetly before her, she set out, the Great Sage Sun following behind.
白鸚哥 is the white parrot, another of Guanyin's attendants, 囀 = zhuàn, to warble. 隨後相從 is following behind, 相 = xiāng. Note the order of the little procession: the parrot in front, the Great Sage bringing up the rear.
There is a poem to prove it:
有詩為證, there is a poem in witness.
The poem says:
詩曰, the poem says, heads a verse in praise of Guanyin.
Her jade-white brow-curl, her golden form — the world can find no words for them; she is indeed the Compassionate One who saves from suffering.
玉毫 is the jade brow-tuft, the 白毫 -- the radiant curl of hair between a Buddha's eyebrows, one of the standard marks of an enlightened body. 金象 is the golden form. 慈悲救苦尊, the Honoured One of Compassion who rescues from suffering, is Guanyin's defining title. 難 is read nán.
In a past kalpa she met the Undefiled Buddha; and to this day has become a manifest, active body.
過去劫 is a bygone kalpa, an aeon so long that Buddhist texts describe it by parable rather than number. 無垢佛 is the Undefiled Buddha, Vimala. 成得有為身 is has become a 有為 body, 得 the toneless de, 有為 = yǒu wéi, the conditioned and active body -- meaning she chose to keep working inside the world instead of departing it, which is what a bodhisattva is.
Through many lives she has stilled the waves of the sea of desire; her whole field of heart is without a mote of dust.
慾海, the sea of desire, is the standard Buddhist figure for the passions; 心田 is the field of the heart; 絕點塵 is without a speck of dust. Sea stilled, field swept clean -- two images of the same perfect purity.
Her sweet dew, long proven, is a truly wondrous art — it will surely keep the precious tree in everlasting spring.
甘露 is the sweet dew from her vase; 真妙法 is a truly marvellous method; 永長春 is everlasting spring, 長 = cháng. The poem ends by promising the very thing the chapter has been chasing since its first page.
This is the chapter's hinge, and the relief is palpable. Guanyin's reproach has already told Wukong what he needed to know, and his delight bursts out in a doubled cry of what luck. The cure is the sweet-dew water of her pure vase, the emblematic instrument of the Bodhisattva of Compassion, and its power is vouched for by a charming precedent: the time Laozi, in a wager, roasted her willow-branch to a cinder, only for her to bring it back into leaf overnight in the vase.
The willow anecdote does real work. It supplies the proof Wukong asks for, and it lets him reason, with his swagger restored, from the harder case to the easier -- if a thing burnt black could be healed, a tree merely knocked over is nothing. More quietly, it establishes how the miracle to come will work, so that when the sweet dew is poured over the ginseng tree the reader already knows what to expect.
The verse in Guanyin's praise closes the passage on a note of doctrinal grandeur, tracing her back to the Undefiled Buddha of a past aeon and celebrating her spotless field of heart. But its last line turns from the cosmic to the immediate, promising that her sweet dew will keep the precious tree in everlasting spring -- the compassion of a Bodhisattva bending, in the end, to the humble job of mending one immortal's ruined orchard.