鬥罷潛淵 The Dragon Retreats to the Deep
來來往往,戰夠多時,盤旋良久,那條龍力軟筋麻,不能抵敵,打一個轉身,又攛於水內,深潛澗底,再不出頭。被猴王罵詈不絕,他也只推耳聾。来来往往,战够多时,盘旋良久,那条龙力软筋麻,不能抵敌,打一个转身,又撺于水内,深潜涧底,再不出头。被猴王骂詈不绝,他也只推耳聋。
逐句解 Line by line
Back and forth they went, fighting a good long while, wheeling and circling a great space of time,
來來往往 ("back and forth") and 盤旋 ("to wheel and circle") keep the balanced motion of the rhapsody going after the verse itself has stopped. 戰夠多時 is, literally, to have fought one's fill of time.
until that dragon's strength went slack and its sinews numb, so that it could hold out no longer. It spun about, flung itself into the water once more, sank deep to the floor of the gorge, and would not put up its head again.
力軟筋麻, "strength gone soft, sinews gone numb", is a stock pairing for exhaustion. 抵敵 is to hold off an opponent. And 攛 cuān is the same verb that flung the dragon out of the water to take the horse, now running in reverse. 那條 is the pointing nà.
Though the Monkey King railed at it without ceasing, it merely pleaded deafness.
罵詈 mà lì is to revile without let-up. 推 here is not "push" but "plead as an excuse", so 推耳聾 is to plead deafness. This, and not the fight, is what breaks Wukong. He can beat anything that will stand still. This creature has simply decided to be deaf.
The duel ends in withdrawal rather than defeat, and the difference is the whole point. The dragon is beaten — 力軟筋麻, strength gone soft, sinews gone numb — but it is not taken. It drops back into water too deep for a cudgel to reach. This is one of the novel's standing predicaments: Wukong's power is absolute in an open field and worth nothing against anything that declines to stand in one.
The last stroke of the passage is 推耳聾, "he pleaded deafness". As characterisation it is a small masterpiece — the dragon does not argue, does not threaten, simply refuses to have heard anything. As plot it is the hinge. Force holds Wukong up for a few minutes; silence defeats him outright. Everything that follows in this chapter — the churned water, the summoned local gods, the appeal to Guanyin — flows from a monster's decision to say nothing at all.