Canonical Classics ← 第五十七回
第五十七回
zhēnxíngzhěluòqiéshān
jiǎhóuwángshuǐliándòngténgwén

The True Pilgrim Lays His Grievance at Mount Potalaka · The False Monkey King Copies Out the Rescript at the Water-Curtain Cave

權安息一時
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

權安息一時 A Moment's Rest at Your Door

zhǎnglǎowényánzhejièxiàgōngshēndào:「lǎopoyǒusāntóngxīnbǎoshàngtiānzhúguóléiyīnbàiqiújīngzhǐyīnhuànsūnkōngshēngxiōngèzūnshàndàoshìzhúhuíànànzǒuláizhuóbèishànglebàngjiāngxíngnángqiǎngjīnyàozhuóxúntǎoyīnzàikōngshàngshìzuòchùláilǎoposhàngquánānshídàitǎojiāngxíngláijiùxíngjuégǎnjiǔzhù。」zhǎnglǎowényánzhejièxiàgōngshēndào:「lǎopoyǒusāntóngxīnbǎoshàngtiānzhúguóléiyīnbàiqiújīngzhǐyīnhuànsūnkōngshēngxiōngèzūnshàndàoshìzhúhuíànànzǒuláizhuóbèishànglebàngjiāngxíngnángqiǎngjīnyàozhuóxúntǎoyīnzàikōngshàngshìzuòchùláilǎoposhàngquánānshídàitǎojiāngxíngláijiùxíngjuégǎnjiǔzhù。」


逐句解 Line by line

zhǎnglǎowényánzhejièxiàgōngshēndào:「lǎopoyǒusāntóngxīnbǎoshàngtiānzhúguóléiyīnbàiqiújīng zhǎnglǎowényánzhejièxiàgōngshēndào:「lǎopoyǒusāntóngxīnbǎoshàngtiānzhúguóléiyīnbàiqiújīng

The elder heard her, leaned on Bajie, came down from the horse and bowed, saying: “Venerable dame, this disciple has three disciples of his own, of one mind and one purpose, who are escorting me to the country of India, to the Great Thunderclap Monastery, to worship the Buddha and seek the scriptures.

He gets off the horse to speak to her. 老婆婆 keeps 婆婆 at pó po, the light second syllable that this form of address always takes. 弟子 takes as the full word for a person, -- and note that Tripitaka uses it of himself, a disciple before the Buddha, in the same breath as 徒弟 for his own followers.

zhǐyīnhuànsūnkōngshēngxiōngèzūnshàndàoshìzhúhuí zhǐyīnhuànsūnkōngshēngxiōngèzūnshàndàoshìzhúhuí

“It is only that my eldest disciple (he is called Sun Wukong) has been savage all his life and would not hold to the way of goodness, so I sent him back.

The source breaks off into a bracketed aside here -- 喚孫悟空, he is called Sun Wukong -- and it is the only bracketed aside in the whole chapter. It reads like a gloss inserted to be certain the reader knows which disciple is meant, and it is kept as printed rather than folded into the sentence. 一生 lifts to , by the ordinary rule. 兇惡 takes at è, wicked, not the of disliking.

ànànzǒuláizhuóbèishànglebàngjiāngxíngnángqiǎng ànànzǒuláizhuóbèishànglebàngjiāngxíngnángqiǎng

“I did not expect him to come stealing up on me and lay a blow of his rod across my back, and carry off my baggage, my robe and my bowl.

著我背上打了一棒 is marking the point of contact, zhuó -- the construction ruled in Chapter 55 on a sentence of identical shape. 背上 is the noun "back", bèi.

jīnyàozhuóxúntǎoyīnzàikōngshàngshìzuòchùláilǎoposhàngquánānshí jīnyàozhuóxúntǎoyīnzàikōngshàngshìzuòchùláilǎoposhàngquánānshí

“Now I mean to send one of my disciples to look for him and get them back; and since the open road out there is no place to sit, I have come to your honoured house to rest a little while.

要著一個徒弟 is again, still zhuó, but doing a different job: setting somebody to a task. Two appearances of the character in one passage, two constructions, one reading. 坐處 takes at chù.

dàitǎojiāngxíngláijiùxíngjuégǎnjiǔzhù。」 dàitǎojiāngxíngláijiùxíngjuégǎnjiǔzhù。」

“As soon as the baggage has been fetched we shall be on our way, and I would not presume to stay long.”

is the little word that hauls the object forward, jiāng. appears twice and is xíng both times: the baggage in 行李 and the going in 就行.


總評 Commentary

This is the fullest and most orderly account anybody gives of the situation, and Tripitaka gives it to a stranger at a farmhouse door. He supplies the destination, the number of his disciples, the name of the offender, the offence, his own decision to expel him, the assault, the theft, his intended remedy and the limit of what he is asking. As testimony it is complete.

It is also wrong at the one joint that matters, and the bracketed aside makes that visible. The source inserts 喚孫悟空 to be sure the reader knows which disciple is meant -- the only such aside in the chapter, and it is spent on pinning down a name. Everything else in the speech is accurate. The name is not.

The manner repays attention too. He gets down off the horse to speak to her, and he bows. He has spent this chapter refusing water from a kneeling man and calling him a baldpate; here, to a woman who has just told him to go elsewhere, he is courtesy itself. The novel makes no comment on the contrast and does not need to.