僧官拒宿 The Abbot Refuses Lodging
那師父踏腳跡,跟他進方丈門裡。只見那僧官脫了衣服,氣呼呼的坐在那裡,不知是念經,又不知是與人家寫法事,見那桌案上有些紙劄堆積。唐僧不敢深入,就立於天井裡,躬身高叫道:「老院主,弟子問訊了。」那和尚就有些不耐煩他進裡邊來的意思,半答不答的還了個禮,道:「你是那裡來的?」三藏道:「弟子乃東土大唐駕下差來,上西天拜活佛求經的。經過寶方,天晚,求借一宿,明日不犯天光就行了。萬望老院主方便方便。」那僧官才欠起身來道:「你是那唐三藏麼?」三藏道:「不敢,弟子便是。」僧官道:「你既往西天取經,怎麼路也不會走?」三藏道:「弟子更不曾走貴處的路。」他道:「正西去,只有四五里遠近,有一座三十里店,店上有賣飯的人家,方便好宿。我這裡不便,不好留你們遠來的僧。」三藏合掌道:「院主,古人有云:『庵觀寺院,都是我方上人的館驛,見山門就有三升米分。』你怎麼不留我,卻是何情?」僧官怒聲叫道:「你這遊方的和尚,便是有些油嘴油舌的說話。」三藏道:「何為油嘴油舌?」僧官道:「古人云:『老虎進了城,家家都閉門。雖然不咬人,日前壞了名。』」三藏道:「怎麼『日前壞了名』?」他道:「向年有幾眾行腳僧,來於山門口坐下。是我見他寒薄,一個個衣破鞋無,光頭赤腳,我嘆他那般襤褸,即忙請入方丈,延之上坐,款待了齋飯,又將故衣各借一件與他,就留他住了幾日。怎知他貪圖自在衣食,更不思量起身,就住了七八個年頭。住便也罷,又幹出許多不公的事來。」三藏道:「有甚麼不公的事?」僧官道:「你聽我說:那师父踏脚迹,跟他进方丈门里。只见那僧官脱了衣服,气呼呼的坐在那里,不知是念经,又不知是与人家写法事,见那桌案上有些纸札堆积。唐僧不敢深入,就立于天井里,躬身高叫道:「老院主,弟子问讯了。」那和尚就有些不耐烦他进里边来的意思,半答不答的还了个礼,道:「你是那里来的?」三藏道:「弟子乃东土大唐驾下差来,上西天拜活佛求经的。经过宝方,天晚,求借一宿,明日不犯天光就行了。万望老院主方便方便。」那僧官才欠起身来道:「你是那唐三藏么?」三藏道:「不敢,弟子便是。」僧官道:「你既往西天取经,怎么路也不会走?」三藏道:「弟子更不曾走贵处的路。」他道:「正西去,只有四五里远近,有一座三十里店,店上有卖饭的人家,方便好宿。我这里不便,不好留你们远来的僧。」三藏合掌道:「院主,古人有云:『庵观寺院,都是我方上人的馆驿,见山门就有三升米分。』你怎么不留我,却是何情?」僧官怒声叫道:「你这游方的和尚,便是有些油嘴油舌的说话。」三藏道:「何为油嘴油舌?」僧官道:「古人云:『老虎进了城,家家都闭门。虽然不咬人,日前坏了名。』」三藏道:「怎么『日前坏了名』?」他道:「向年有几众行脚僧,来于山门口坐下。是我见他寒薄,一个个衣破鞋无,光头赤脚,我叹他那般褴褛,即忙请入方丈,延之上坐,款待了斋饭,又将故衣各借一件与他,就留他住了几日。怎知他贪图自在衣食,更不思量起身,就住了七八个年头。住便也罢,又干出许多不公的事来。」三藏道:「有甚么不公的事?」僧官道:「你听我说:
逐句解 Line by line
The master, treading in the servitor's footsteps, followed him in through the door of the abbot's quarters.
踏腳跡 is to tread in another man's footprints. 那 is nà.
He saw the abbot, robe now off, sitting there in a huff — whether reciting sūtras or drafting some ritual document for a patron there was no telling — with a heap of papers piled on the desk before him.
The abbot has taken his good robe off again. 氣呼呼 is puffing with annoyance; 法事 is a Buddhist service or the paperwork that goes with one; 紙劄 is papers and documents — the character 劄 is an older form of 札, zhá, a note or a written slip, and survives today mainly in 劄記, jottings, and 劄子, the memorandum an official sent up to the throne.
Tripitaka, not daring to go far in, stood in the courtyard, bowed, and called out: "Venerable prior, this disciple pays his respects."
Tripitaka does not presume past the threshold. 天井 is the small open courtyard inside a building; 院主 is the prior, the head of the cloister; 問訊 is the Buddhist greeting, gesture and words together.
The monk, plainly none too pleased that the visitor had come inside, returned the greeting half-heartedly and said: "Where are you from?"
Barely a greeting at all. 不耐煩 is impatient, put out; 半答不答 is half-answering, scarcely answering. 還了個禮 is to return a courtesy, and here 還 is huán, to give back. 和尚 takes hé on the first character.
Tripitaka said: "This disciple is one dispatched by the throne of Great Tang in the Eastern Land, bound for the Western Heaven to worship the living Buddha and seek the scriptures."
The same introduction as before, with one addition: 活佛, the living Buddha. 差 is chāi, dispatched; 佛 is fó, 藏 is zàng.
"Passing your precious place, and the day being late, I beg a night's lodging; tomorrow I'll be gone before daybreak."
He asks for as little as he can. 不犯天光 is "without trespassing on the daylight," meaning gone before dawn; 就行了 is "and that will do."
"I earnestly beg the venerable prior to oblige me."
方便 is to accommodate or do a kindness, and doubling it makes it a plea.
Only then did the abbot half-rise and say: "Are you that Tang Tripitaka?"
欠起身 is to rise only partway — a grudging half-courtesy, and the exact measure of the abbot's interest. 那 is nà twice; 藏 is zàng.
Tripitaka said: "I dare not claim it — but I am he."
不敢 here is a modest formula, "I dare not presume." 藏 is zàng.
The abbot said: "If you're bound for the Western Heaven to fetch scriptures, how is it you can't even find your way?"
A gratuitous dig: a man on a scripture-quest who cannot find his own road. 不會走 is "cannot walk the road," 會 read huì.
Tripitaka said: "This disciple has never yet travelled the road of your honoured district."
更不曾 is "have not even once," 更 read gèng; 貴處 is "your honoured place," 處 read chù. 藏 is zàng.
He said: "Due west, only four or five lǐ off, there's a Thirty-Lǐ Inn, with folk selling food — convenient, and good for lodging."
He points them at a paying inn instead. 里, lǐ, is the Chinese road-measure, a little over half a kilometre, and the Thirty-Lǐ Inn is named for its distance from somewhere — the way an English coaching house might be the Halfway House.
"Here it's not convenient; I can't lodge you monks come from afar."
不便 and 不好 are "inconvenient" and "not good to do." Stripped of the padding, it is no.
Tripitaka, pressing his palms together, said: "Prior, the ancients had a saying: 'Convents and abbeys, temples and cloisters are all the way-stations of us who travel; at the sight of a temple gate one is due three shēng of rice.'"
Tripitaka appeals to custom, and the custom is real. Religious houses of every kind — convent, Daoist abbey (觀, read guàn), monastery, cloister — served as the 館驛, the post-house or way-station, of anyone travelling on religious business, and a monk arriving at any gate was reckoned to be owed his keep. The measure stays in Chinese: three shēng of rice, a 升 being about a litre, so some three litres in all — several days' eating. 分 is fèn, one's due share; 都 is dōu, 藏 is zàng.
"Why then do you not lodge me — what feeling is this?"
何情 is "what sort of feeling" — meaning, what has become of ordinary human feeling.
The abbot shouted angrily: "You wandering monk — you've a glib and oily tongue, that's what."
遊方 is wandering on religious travels; 油嘴油舌, "oily mouth and oily tongue," is still the phrase for someone too smooth by half. 和尚 takes hé.
Tripitaka said: "What do you mean, a glib and oily tongue?"
何為 is "what is meant by," 為 read wéi. 藏 is zàng.
The abbot said: "The ancients said: 'When a tiger comes into town, every household bars its door.'"
Proverb answers proverb. This one likens the wandering monk to a tiger walking into town — everybody bolts the door on sight. 都 is dōu.
"Though he bites no one, his reputation was ruined long before.'"
And the sting in it: 日前壞了名, his name was ruined before he arrived. The tiger is shunned for what tigers are, not for anything this tiger has done — which is, of course, precisely what the abbot is doing to Tripitaka.
Tripitaka said: "How 'his reputation was ruined long before'?"
Stung, Tripitaka presses him to explain the slur. 藏 is zàng.
He said: "Some years ago a party of itinerant monks came and sat down at our temple gate."
Out comes the grievance. 向年 is "in a former year"; 行腳僧 are monks who travel on foot, mendicants, 行 read xíng.
"Seeing how poor they were — every one in torn clothes and without shoes, bare-headed and barefoot — I pitied their raggedness, hastily asked them into the abbot's quarters, seated them in the places of honour, served them a vegetarian meal, lent each an old garment of mine, and let them stay a few days."
To be fair to him, the kindness was real and thorough. 寒薄 is poor and threadbare, 薄 read bó in its "meagre" sense; 襤褸 is ragged; 延之上坐 is to usher guests to the seats of honour; 款待 is to entertain properly; 故衣 is old clothing, 將 read jiāng. 那 is nà.
"Who'd have known they'd covet their ease and their board, never once think of moving on, and end by staying seven or eight whole years?"
And here is where it went wrong. 貪圖自在 is to covet an easy life; 更不思量 is "never even considered," 更 read gèng; 年頭 is a colloquial "years."
"Their staying would have been one thing — but they went and did all manner of dishonest things besides."
也罷 is "would be one thing," 罷 read bà; 不公 is dishonest, not straight.
Tripitaka said: "What dishonest things?"
甚麼 is "what," 甚 read shén. 藏 is zàng.
The abbot said: "Listen and I'll tell you:"
And he has the list ready in verse, which tells you how often he has recited it.
At leisure, they flung tiles along the walls; out of boredom, prised the nails from the plaster.
The catalogue of petty vandalism begins. 沿牆 is along the wall; 扳釘 is to prise out nails, 扳 read bān. Every item is an idle hand finding something to break.
On cold days, for firewood, they broke up the window-lattices.
Burning the joinery for warmth. 向火 is to sit toward the fire; 窗櫺 is the window-lattice.
On summer days they hauled off doors to block the paths.
拖門 is to drag doors off; 攔徑 is to block the path. In summer they took the doors away, in winter they burnt the windows.
Temple banners they tore up for foot-bindings; fine incense they filched and traded for turnips.
Now the sacrilege. 幡布 is banner-cloth, torn up for foot-wrappings; 扯為 is "tore it to make," 為 read wéi; 牙香 is fine incense, swapped for 蔓菁, the turnip. The plant-name carries a reading of its own: 蔓 is mán here and nowhere else, distinct from the wàn of melon-vines and the màn of spreading.
The glazed lamps they were forever tipping to pour off the oil.
Draining the sanctuary lamps for their oil. 琉璃 here is the glazed oil-lamp; 將 is jiāng; 把油傾 is to tip the oil out.
And they'd snatch bowls and snatch pots to wager on their games."
And they gambled with the crockery. 奪 is to snatch; 賭勝 is to wager on winning. Set this list beside Tripitaka's protest a few passages back — never damaged a Buddha-hall, never stripped gold from an arhat — and you can see the two men arguing about entirely different monks.
Tripitaka follows the servant in and finds the abbot sulking over a heap of papers. What follows is the chapter's central set-piece of discourtesy. Tripitaka is scrupulously humble — bowing from the courtyard, begging one night, promising to be gone before dawn — while the abbot answers with sarcasm (how can a scripture-pilgrim not know his own road?), waves him off toward a commercial inn a few lǐ away, and finally refuses outright.
When Tripitaka appeals to the old custom of monastic hospitality — that temples are the way-stations of religious travellers, and a monk is owed three shēng of rice at any gate he reaches — the abbot comes back with a proverb likening the wandering monk to a tiger that every household shuts its door against, then produces his justification. Years ago he took in a band of poor mendicants out of genuine pity, fed them, clothed them, gave them the seats of honour; they repaid him by squatting for seven or eight years and wrecking the place.
That grievance spills into the doggerel catalogue that closes the passage — prising nails out of the walls, burning the window-lattices for fuel, hauling off doors in summer, tearing up temple banners for foot-cloths, trading the good incense for turnips, draining the lamp-oil, gambling with the bowls. It is funny in itself, and it completes the portrait. Read it against Tripitaka's protest two passages earlier, where he swore he had never damaged a shrine or stripped gold from an image, and the shape of the injustice is clear: one bad experience has hardened into a blanket contempt for the poor and the travelling, and the abbot cites his single act of charity not as charity but as the reason he now offers none.