打樣棍 A Sample Blow
行者將棍子變得盆來粗細,直壁壁的豎在天井裡,道:「和尚,不方便,你就搬出去。」僧官道:「我們從小兒住的寺,師公傳與師父,師父傳與我輩,我輩要遠繼兒孫。他不知是那裡勾當,冒冒失失的,教我們搬哩。」道人說:「老爺,十分不尷尬,搬出去也罷,扛子打進門來了。」僧官道:「你莫胡說,我們老少眾人四五百名和尚,往那裡搬?搬出去,卻也沒處住。」行者聽見道:「和尚,沒處搬,便著一個出來打樣棍。」老和尚叫道人:「你出去與我打個樣棍來。」那道人慌了道:「爺爺呀!那等個大杠子,教我去打樣棍?」老和尚道:「『養軍千日,用軍一朝。』你怎麼不出去?」道人說:「那杠子莫說打來,若倒下來,壓也壓個肉泥。」老和尚道:「也莫要說壓,只道豎在天井裡,夜晚間走路,不記得啊,一頭也撞個大窟窿。」道人說:「師父,你曉得這般重,卻教我出去打甚麼樣棍?」他自家裡面轉鬧起來。行者将棍子变得盆来粗细,直壁壁的竖在天井里,道:「和尚,不方便,你就搬出去。」僧官道:「我们从小儿住的寺,师公传与师父,师父传与我辈,我辈要远继儿孙。他不知是那里勾当,冒冒失失的,教我们搬哩。」道人说:「老爷,十分不尴尬,搬出去也罢,扛子打进门来了。」僧官道:「你莫胡说,我们老少众人四五百名和尚,往那里搬?搬出去,却也没处住。」行者听见道:「和尚,没处搬,便着一个出来打样棍。」老和尚叫道人:「你出去与我打个样棍来。」那道人慌了道:「爷爷呀!那等个大杠子,教我去打样棍?」老和尚道:「『养军千日,用军一朝。』你怎么不出去?」道人说:「那杠子莫说打来,若倒下来,压也压个肉泥。」老和尚道:「也莫要说压,只道竖在天井里,夜晚间走路,不记得啊,一头也撞个大窟窿。」道人说:「师父,你晓得这般重,却教我出去打甚么样棍?」他自家里面转闹起来。
逐句解 Line by line
The Pilgrim made his cudgel swell to the thickness of a washtub and stood it bolt upright in the courtyard, saying: "Monk, if it's not convenient, then you move out."
He plants the argument in the middle of the courtyard where nobody can miss it. 將 is jiāng; 盆來粗細 is "thick as a washtub"; 直壁壁 is bolt upright; 得 is de.
The abbot said: "We've lived in this temple since childhood — grand-master handed it to master, master handed it to us, and we mean to pass it down to our disciples' disciples for generations."
The abbot pleads inheritance, and the character 兒 does two jobs in one sentence. In 從小兒, "from childhood," it is the light suffix er; in 兒孫, sons and grandsons, it is the full noun ér, a child.
"Heaven knows what business of his this is, that so rashly he'd have us move out."
勾當 is doings or business, usually shady, 勾 read gòu and 當 read dàng; 冒冒失失 is rashly, recklessly; 教 is jiào.
The servitor said: "Your Reverence, it's altogether awkward — moving out or not, the cudgel's already come battering in at the door."
The servant, who can see the courtyard, states the position. 不尷尬 is awkward, in a fix; 也罷 is "be that as it may"; 扛子 is the great pole, read gàng zi, the character 扛 standing in for 杠.
The abbot said: "Don't talk nonsense. There are four or five hundred of us monks, old and young — where are we to move to?"
Playing for time. 老少 is old and young, 少 read shào.
"Move out, and there'd be nowhere to live."
沒處住 is nowhere to stay, 處 read chù.
Hearing this, the Pilgrim said: "Monk, if there's nowhere to move to, then send one man out to take a sample blow."
And here is the offer, in all its awfulness. 打樣棍 is to take a specimen stroke — the way you might ask for a sample of cloth, except the sample is a blow from an iron rod. 著 is zhuó, to send or dispatch; 處 is chù.
The old monk called to the servitor: "You go out and take a sample blow for me."
He volunteers his servant without a pause, which is the whole man in one line.
The servitor was aghast: "My lord! —"
爺爺呀 is a cry of dismay. 那 is nà.
"a great club like that, and you'd send me to take a sample blow?"
大杠子 is the huge pole, 杠 read gàng; 教 is jiào; 那 is nà.
The old monk said: "'Rear a soldier a thousand days to use him for a single morning.'"
And the abbot reaches for a proverb to dress self-preservation as principle: 養軍千日,用軍一朝 — you keep troops a thousand days for the one morning you need them. 一朝 is a single morning, 朝 read zhāo. 和尚 takes hé.
"Why won't you go out?"
Duty, invoked downward.
The servitor said: "Never mind its striking me — if that pole just toppled over, it would crush me to a pulp."
The servant counters with physics. 倒下來 is to topple over, 倒 read dǎo; 壓個肉泥 is to press a man into a paste.
The old monk said: "Never mind its crushing you — say it just stands there in the courtyard, and walking about at night, if you forgot, you'd butt a great hole in your own head."
And the abbot raises him — never mind being crushed, you could walk into it in the dark. The two of them are now competing to describe the pole's lethality, each hoping the other will go out. 夜晚間 is at night; 撞個大窟窿 is to knock a big hole; 得 is de.
The servitor said: "Master, you know yourself how heavy it is — and you'd still send me out to take a sample blow?"
The trap closes: you know how heavy it is, and you are still sending me. 這般重 is "this heavy," 重 read zhòng; 教 is jiào, 甚 is shén, 得 is de.
And so among themselves they fell to squabbling.
轉鬧起來 is to fall to quarrelling. Master and man, each trying to save himself, turn out to be exactly the same.
Wukong swells his rod to washtub thickness, plants it upright in the courtyard, and issues the ultimatum: move out, or send somebody to take a sample blow. What follows is sustained slapstick built on one bitter joke — the abbot, faced with the choice, volunteers his servant on the spot, and the two of them fall to arguing about which of them will go and be hit.
The humour has an edge to it. He cites the soldierly proverb — a servant is kept for the day he is needed — to send an underling to near-certain death, while the servant counters with images of being crushed to pulp and then, warming to it, of braining himself on the pole in the dark. Their squabble lays bare the self-interest under the temple's hierarchy: the master who denied a stranger shelter will spend a subordinate's life to save his own skin, and neither man will step forward. The comedy is the instrument by which the chapter finishes exposing him.