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Wukong Fully Comprehends the True Mystery of Bodhi · Severing the Demon, Returning to the Root, Uniting the Primal Spirit

七載爛桃
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

七載爛桃 Seven Years on Rotten-Peach Mountain

sūnkōngzàipángwénjiǎngdezhuāěrnáosāiméihuāyǎnxiàorěnzhùshǒuzhīzhīzhīdǎozhībèishīkànjiànjiàosūnkōngdào:「zàibānzhōngzěnmediānkuángyuètīngjiǎng?」kōngdào:「chéngxīntīngjiǎngtīngdàolǎoshīmiàoyīnchùshèngjuézuòyǒngyuèzhīzhuàngwàngshīshùzuì。」shīdào:「shímiàoyīnqiěwèndàodòngzhōngduōshǎoshíle?」kōngdào:「běnláiměngdǒngzhīduōshǎoshíjiézhǐdezàoxiàhuǒchángshānhòucháijiànshānhǎotáoshùzàichīlebǎotáo。」shīdào:「shānhuànmínglàntáoshānchīxiǎngshìniánlejīnyàocóngxuéxiēshènmedào?」kōngdào:「dànpíngzūnshījiàohuìzhǐshìyǒuxiēdàoer便biànjiùxuéle。」sūnkōngzàipángwénjiǎngdezhuāěrnáosāiméihuāyǎnxiàorěnzhùshǒuzhīzhīzhīdǎozhībèishīkànjiànjiàosūnkōngdào:「zàibānzhōngzěnmediānkuángyuètīngjiǎng?」kōngdào:「chéngxīntīngjiǎngtīngdàolǎoshīmiàoyīnchùshèngjuézuòyǒngyuèzhīzhuàngwàngshīshùzuì。」shīdào:「shímiàoyīnqiěwèndàodòngzhōngduōshǎoshíle?」kōngdào:「běnláiměngdǒngzhīduōshǎoshíjiézhǐdezàoxiàhuǒchángshānhòucháijiànshānhǎotáoshùzàichīlebǎotáo。」shīdào:「shānhuànmínglàntáoshānchīxiǎngshìniánlejīnyàocóngxuéxiēshènmedào?」kōngdào:「dànpíngzūnshījiàohuìzhǐshìyǒuxiēdàoer便biànjiùxuéle。」


逐句解 Line by line

sūnkōngzàipángwénjiǎngdezhuāěrnáosāiméihuāyǎnxiàorěnzhùshǒuzhīzhīzhīdǎozhī sūnkōngzàipángwénjiǎngdezhuāěrnáosāiméihuāyǎnxiàorěnzhùshǒuzhīzhīzhīdǎozhī

Sun Wukong, listening to the lecture from off to one side, was so delighted that he scratched his ears and rubbed his cheeks, his brows dancing and his eyes laughing; he could not keep his hands from dancing it and his feet from stamping it.

Textual point: the 世德堂本 opens this beat with 孫悟空在傍聞講 ("Wukong, listening from the side"); the common modern 通行本 reads 此時說到玄妙處 ("just as the lecture reached the subtle mysteries"). 多音字: = páng here, a variant of "beside, nearby," not bàng "to draw near." 喜得: is the structural particle de marking the degree complement ("so glad that…"), distinct from full-tone dé "to obtain" in 其一 (得了姓名). 手之舞之,足之蹈之 is a set phrase from the 〈詩大序〉 (Great Preface to the 詩經): when feeling outruns words and song, "the hands dance it and the feet stamp it."

bèishīkànjiànjiàosūnkōngdào:「zàibānzhōngzěnmediānkuángyuètīngjiǎng?」 bèishīkànjiànjiàosūnkōngdào:「zàibānzhōngzěnmediānkuángyuètīngjiǎng?」

Suddenly the Patriarch caught sight of him and called out to Sun Wukong: “You there in the ranks — why are you capering about like a madman instead of listening to my lecture?”

班中: "in the ranks" — the disciples seated in rows; = zhōng "within." 顛狂 (diānkuáng) = wild, deranged. Sandhi: 不聽 = bù tīng (不 before the 1st-tone 聽).

kōngdào:「chéngxīntīngjiǎngtīngdàolǎoshīmiàoyīnchùshèngjuézuòyǒngyuèzhīzhuàngwàngshīshùzuì。」 kōngdào:「chéngxīntīngjiǎngtīngdàolǎoshīmiàoyīnchùshèngjuézuòyǒngyuèzhīzhuàngwàngshīshùzuì。」

Wukong said: “Your disciple was listening with all his heart; but when I came to the place of the old master's wondrous words, I could not contain my joy, and so without realizing it I fell to capering like this. I beg the master to forgive my fault.”

妙音處: "at the point of [his] wondrous sound"; = chù, the noun "place/point" (as in 其一 寢處), not verb chǔ. 多音字: here is the "be equal to bearing, withstand" sense of 不勝 (喜不自勝 "unable to contain one's joy"); modern standard reads shèng, though the classical reading for this sense was shēng. Sandhi: 喜不自勝 → 不 = bú (before 4th-tone 自); 故不覺 → 不 = bù (before 2nd-tone 覺). 弟子 = dì zǐ — read with toned (zǐ), the classical relational compound "disciple," not the neutral colloquial suffix zi; this recurs throughout as Wukong's self-reference.

shīdào:「shímiàoyīnqiěwèndàodòngzhōngduōshǎoshíle?」 shīdào:「shímiàoyīnqiěwèndàodòngzhōngduōshǎoshíle?」

The Patriarch said: “Since you can recognize the wondrous sound, let me put a question to you: how long is it now since you came to this cave?”

多音字: = shí "to know, recognize" here, not zhì "to record" (= ); 多少 = duō shǎo, with = shǎo (3rd tone), not shào "young." 時了: = le, the sentence-final particle (here closing a span of time) — contrast liǎo "to comprehend" in 其二 (了性).

kōngdào:「běnláiměngdǒngzhīduōshǎoshíjiézhǐdezàoxiàhuǒchángshānhòucháijiànshānhǎotáoshùzàichīlebǎotáo。」 kōngdào:「běnláiměngdǒngzhīduōshǎoshíjiézhǐdezàoxiàhuǒchángshānhòucháijiànshānhǎotáoshùzàichīlebǎotáo。」

Wukong said: “Your disciple is a muddle-head by nature and does not know how much time has passed. I only remember that whenever the fire beneath the stove went out I would go behind the mountain to gather firewood, and there I found a hillside of fine peach trees, where I have eaten my fill of peaches seven times now.”

懵懂 (měng dǒng): muddle-headed, in the dark. 灶下無火: "no fire beneath the stove" — when the cooking-fire had died and fuel was wanted; = zào "stove, hearth," the form the 世德堂本 uses (the orthodox traditional graph is , kept by some editions). 記得: again the neutral particle de. Sandhi: 不知 = bù zhī (before 1st-tone 知); 一山 = yì shān (一 before 1st-tone 山, "a whole hillside of"). 七次 keeps its citation tone (qī cì): this project marks only 一/不 sandhi. (yǐ): classical sentence-final particle (= 了/已), marking completion.

shīdào:「shānhuànmínglàntáoshānchīxiǎngshìniánlejīnyàocóngxuéxiēshènmedào?」 shīdào:「shānhuànmínglàntáoshānchīxiǎngshìniánlejīnyàocóngxuéxiēshènmedào?」

The Patriarch said: “That hill is called Rotten Peach Mountain. Since you have eaten there seven times, it must be seven years. What sort of Way do you now wish to learn from me?”

爛桃山 (Làn Táo Shān): "Rotten Peach Mountain," named for its overripe, fallen fruit; the comic detail that fixes Wukong's seven years by counting his seven gluttonous peach-feasts. 想是: "must be, presumably" ( here = "to reckon"). 甚麼 (shèn me): "what" (= 什麼); = shèn.

kōngdào:「dànpíngzūnshījiàohuìzhǐshìyǒuxiēdàoer便biànjiùxuéle。」 kōngdào:「dànpíngzūnshījiàohuìzhǐshìyǒuxiēdàoer便biànjiùxuéle。」

Wukong said: “I leave it entirely to my honored master's teaching; so long as it carries some savor of the Way, your disciple will study it.”

但憑: "simply rely on / entirely as you direct" ( píng "to rely on"). 教誨 (jiào huì): "instruction" — here = jiào (4th tone), the noun sense, a third contextual reading after jiāo "to teach" (其一) and jiào in 三乘教 (其二). 道氣兒 (dào qì er): "a whiff/savor of the Way"; is the colloquial 兒化 suffix (neutral, like the suffix ), giving the monkey's reply a light, offhand tone. 便就 (biàn jiù): "then, right away"; 便 = biàn (4th tone), not pián (便宜).


總評 Commentary

The passage is built on a comic collision between the solemnity of the lecture and the irrepressible animal body of the listener. Wukong cannot sit still: he scratches his ears and rubs his cheeks, his brows dance, and his hands and feet move of their own accord. The narrator dignifies the fidget with a classical tag — 手之舞之,足之蹈之, "the hands dance it, the feet stamp it" — lifted from the Great Preface to the 詩經, where it names the moment when feeling overflows speech and song and breaks into bodily motion. The allusion cuts two ways: it credits the monkey with a genuine, overpowering response to truth, and at the same time it exposes exactly the restlessness that makes him the 心猿, the mind that cultivation has not yet learned to still.

The dating of Wukong's apprenticeship by peach-harvests is one of the novel's most quoted comic strokes. He has no calendar, no sense of duration at all; he reckons time only by his own appetite, and seven fillings of peaches become seven years. The detail is pure characterization — the childlike greed, the sublime unconcern — but it also plants a quiet motif. Peaches are the fruit of immortality in this cosmos, and the 爛桃山, "Rotten Peach Mountain," with its windfall of overripe fruit, is a homely, earthbound foreshadowing of the celestial 蟠桃, the immortal peaches Wukong will plunder in heaven a few chapters on. The seeker who cannot count his years is, fittingly, about to demand the one thing that would put him beyond counting altogether.

The exchange turns, at its very end, on the question that drives the whole chapter: 你今要從我學些甚麼道, "what Way do you wish to learn?" Wukong's reply sounds like perfect humility — anything with 道氣兒, a mere savor of the Way, will do. But the scene that follows immediately undercuts that modesty: when the Patriarch names the established gateways one by one, the monkey rejects every one of them, because each fails the single test he has secretly brought with him — whether it yields 長生, deathless life. The internal-alchemy commentators read this insistence approvingly, as the adept's refusal of the 旁門, the "side-doors," in favor of the one authentic path to the golden elixir; read as character, it is simply the same fixed hunger that first drove a stone monkey across two oceans to find a teacher.