今晚正節 Tonight Is the Real Festival
此夜正是十五元宵。眾僧道:「老師父,我們前晚只在荒山與關廂看燈,今晚正節,進城看看金燈如何?」唐僧欣然從之,同行者三人及本寺多僧進城看燈。正是:此夜正是十五元宵。众僧道:「老师父,我们前晚只在荒山与关厢看灯,今晚正节,进城看看金灯如何?」唐僧欣然从之,同行者三人及本寺多僧进城看灯。正是:
逐句解 Line by line
That night was in truth the fifteenth, the Lantern Night.
Eight graphs, and they are the chapter's clock striking. 元宵 is the fifteenth of the first month — the first full moon of the year, and the night the chapter title names. Everything before this has been rehearsal.
The monks said, "Venerable master, the other evening we only looked at the lamps here at our poor mountain and in the suburb. Tonight is the real festival — how would it be to go into the city and see the golden lamps?"
The invitation that costs Tripitaka his freedom, and it is phrased as an apology for having under-entertained him. 正節 — the festival proper, as against the run-up. Note the escalation the chapter has been building one night at a time: monastery grounds, then the suburb, and now inside the walls. Nobody has proposed anything reckless at any stage.
The Tang Monk gladly agreed, and went into the city with the three disciples and many monks of the monastery to see the lamps.
欣然 — gladly, with pleasure. He does not hesitate, and after two harmless outings there is no reason he should. A reading: 同行者三人 is tóng xíng zhě — Pilgrim and the other two, with 行 as xíng because 行者 is Pilgrim's title. The automatic reading takes it as háng, a row or line, which would make nonsense of it.
It was just as the lines say:
正是 again, and this time it introduces the longest run of verse in the chapter. Twenty-five lines of lanterns are coming.
Four short units, and they are the hinge of the whole chapter. The monks explain that the two previous nights were only the warm-up and tonight is the festival proper, and they suggest — kindly, hospitably, with a note of apology for not having shown him the best of it — that the party come inside the city walls.
The escalation has been perfectly gradual. The first night they looked at lamps in the monastery. The second they walked out to the suburb. Tonight they go through the gate. Not one of those steps is larger than the one before it, which is exactly why nobody sees a decision being made. Tripitaka's 欣然, gladly, is the word the chapter has been working toward for fifteen hundred graphs.