Canonical Classics ← 第九十一回
第九十一回
jīnpíngyuánguāndēng
xuányīngdòngtángsēnggòngzhuàng

Lantern-Viewing on the Fifteenth Night at Jinping Prefecture · The Tang Monk's Deposition in the Dark-Blossom Cave

審他一審
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

審他一審 Bring Him Here and Question Him

ránjiùyàoxiānfāncháojiàomendōuhuàwéinóngxuèli。」lǎoyāotīngshuōxīnjīngdào:「cáilezhèháicéngwènxìngmíngláixiǎodemenqiě穿chuānledàiguòláishěnshěnduānshìrénérlái。」zhòngyāoyōngshàngqiántángsēngjiělesuǒ穿chuānletuīzhìzuòqiánxiàdetángsēngzhànjīngjīngdeguìzàixiàmiànzhǐjiào:「wángráomìngráomìng。」sānyāojīngkǒutóngshēngdào:「shìfāngláideshàngzěnmejiànxiàngduǒquèchōngzhuàngdeyún?」tángsēngtóudào:「pínsēngshìdōngtángjiàxiàchāiláideqiánwǎngtiānzhúguóléiyīnbàijīngderánjiùyàoxiānfāncháojiàomendōuhuàwéinóngxuèli。」lǎoyāotīngshuōxīnjīngdào:「cáilezhèháicéngwènxìngmíngláixiǎodemenqiě穿chuānledàiguòláishěnshěnduānshìrénérlái。」zhòngyāoyōngshàngqiántángsēngjiělesuǒ穿chuānletuīzhìzuòqiánxiàdetángsēngzhànjīngjīngdeguìzàixiàmiànzhǐjiào:「wángráomìngráomìng。」sānyāojīngkǒutóngshēngdào:「shìfāngláideshàngzěnmejiànxiàngduǒquèchōngzhuàngdeyún?」tángsēngtóudào:「pínsēngshìdōngtángjiàxiàchāiláideqiánwǎngtiānzhúguóléiyīnbàijīngde


逐句解 Line by line

ránjiùyàoxiānfāncháojiàomendōuhuàwéinóngxuèli。」 ránjiùyàoxiānfāncháojiàomendōuhuàwéinóngxuèli。」

"and if not, he will turn our nest upside down and make us all dissolve into pus and blood."

The threat repeated verbatim by the messenger, which is how vernacular fiction shows a message being delivered intact. The doubling is not padding: the reader hears it twice because the demons hear it once, and it works.

lǎoyāotīngshuōxīnjīngdào:「cáilezhèháicéngwènxìngmínglái lǎoyāotīngshuōxīnjīngdào:「cáilezhèháicéngwènxìngmínglái

Hearing this, the old demons were alarmed, every one, and said, "We have only just caught this fellow, and have not yet asked him his name or where he comes from.

The admission that turns the chapter. 還不曾問他個姓名來歷 — we never asked his name or his provenance. They were going to eat a man without finding out who he was, and now somebody is at the door who makes that look like an oversight.

xiǎodemenqiě穿chuānledàiguòláishěnshěnduānshìrénérlái。」 xiǎodemenqiě穿chuānledàiguòláishěnshěnduānshìrénérlái。」

"Little ones, give him back his clothes and bring him over, and let us question him — what manner of man is he, and where has he come from?"

審他一審 — question him, give him a questioning. is the word for a judicial examination, which is exactly the register the scene now takes: three demon kings sitting as a bench.

zhòngyāoyōngshàngqiántángsēngjiělesuǒ穿chuānletuīzhìzuòqián zhòngyāoyōngshàngqiántángsēngjiělesuǒ穿chuānletuīzhìzuòqián

The demons crowded forward together, untied the Tang Monk's bonds, put his clothes on him, and pushed him up before the seat.

The reversal, performed by the same hands. They stripped him a moment ago and they dress him now, and the man himself has no more say in the second than the first. 推至座前 — pushed up in front of the seat — puts him where a defendant stands.

xiàdetángsēngzhànjīngjīngdeguìzàixiàmiànzhǐjiào:「wángráomìngráomìng。」 xiàdetángsēngzhànjīngjīngdeguìzàixiàmiànzhǐjiào:「wángráomìngráomìng。」

So frightened was the Tang Monk that he knelt below, shaking, and could only cry, "Great King, spare my life, spare my life!"

戰兢兢 — trembling — and the plea doubled. This is the Tripitaka the novel has never flattered: brave enough to walk to India, and reduced to begging by anyone who raises a voice at him. A reading: is xià, the graph being an old way of writing the word for frightening.

sānyāojīngkǒutóngshēngdào:「shìfāngláideshàng sānyāojīngkǒutóngshēngdào:「shìfāngláideshàng

The three demons said with one voice, "What quarter do you come from, monk?

異口同聲 — different mouths, one voice — is still the ordinary Chinese for people speaking in unison. A reading: is , "which," as chapter 4 has it at 你是那路毛神.

zěnmejiànxiàngduǒquèchōngzhuàngdeyún?」 zěnmejiànxiàngduǒquèchōngzhuàngdeyún?」

"How is it that you did not get out of the way when you saw the buddha-image, but blundered into my cloud-path?"

The question is outrageous and entirely sincere. From the demons' side of it, the offence was Tripitaka's: everyone in Jinping knows to 迴避 when the wind comes, and this one stood on the bridge and got in the way. 雲路, the cloud-path, is the traffic lane of a flying being. They are complaining about a pedestrian.

tángsēngtóudào:「pínsēngshìdōngtángjiàxiàchāiláideqiánwǎngtiānzhúguóléiyīnbàijīngde tángsēngtóudào:「pínsēngshìdōngtángjiàxiàchāiláideqiánwǎngtiānzhúguóléiyīnbàijīngde

The Tang Monk knocked his head on the ground and said, "This poor monk is sent by the court of the Great Tang in the Land of the East, and goes to the Great Thunderclap Monastery in India, to worship the Buddha and fetch the scriptures.

The deposition begins. A reading: is chāi, dispatched on a commission — chapter 4 seals the same band at 奉玉帝欽差 — and not chà, meaning amiss.


總評 Commentary

The demons' fright does what Pilgrim's threat could not: it makes them ask their prisoner who he is. They had not troubled — 還不曾問他個姓名來歷 — and now a hairy-faced monk with a thunder-god's beak is at the gate and the omission has become urgent. So the same hands that stripped Tripitaka dress him again and push him in front of the seat, and the scene turns into a hearing.

The question they open with is the chapter's strangest and best. Why, seeing a buddha-image, did you not get out of the way? From inside the demons' world that is a reasonable complaint: the whole of Jinping knows to stand aside when the wind comes, and this monk stood on the bridge and blundered into the cloud-path. They are not being sinister. They are annoyed about a pedestrian.

And the irony sits exactly where the chapter has been building it. Tripitaka's offence, in their eyes, is that he took the buddha-image seriously — that he did the one thing a devout man would do on being told buddhas were arriving. The counterfeit worked so well that its victim is being blamed for believing it.