審他一審 Bring Him Here and Question Him
不然,就要掀翻窩巢,教我們都化為膿血哩。」那老妖聽說,個個心驚道:「才拿了這廝,還不曾問他個姓名來歷。小的們,且把衣服與他穿了,帶過來審他一審,端是何人,何自而來也。」眾妖一擁上前,把唐僧解了索,穿了衣服,推至座前。諕得唐僧戰兢兢的跪在下面,只叫:「大王饒命,饒命。」三個妖精異口同聲道:「你是那方來的和尚?怎麼見佛像不躲,卻衝撞我的雲路?」唐僧磕頭道:「貧僧是東土大唐駕下差來的,前往天竺國大雷音寺拜佛祖取經的。不然,就要掀翻窝巢,教我们都化为脓血哩。」那老妖听说,个个心惊道:「才拿了这厮,还不曾问他个姓名来历。小的们,且把衣服与他穿了,带过来审他一审,端是何人,何自而来也。」众妖一拥上前,把唐僧解了索,穿了衣服,推至座前。諕得唐僧战兢兢的跪在下面,只叫:「大王饶命,饶命。」三个妖精异口同声道:「你是那方来的和尚?怎么见佛像不躲,却冲撞我的云路?」唐僧磕头道:「贫僧是东土大唐驾下差来的,前往天竺国大雷音寺拜佛祖取经的。
逐句解 Line by line
"and if not, he will turn our nest upside down and make us all dissolve into pus and blood."
The threat repeated verbatim by the messenger, which is how vernacular fiction shows a message being delivered intact. The doubling is not padding: the reader hears it twice because the demons hear it once, and it works.
Hearing this, the old demons were alarmed, every one, and said, "We have only just caught this fellow, and have not yet asked him his name or where he comes from.
The admission that turns the chapter. 還不曾問他個姓名來歷 — we never asked his name or his provenance. They were going to eat a man without finding out who he was, and now somebody is at the door who makes that look like an oversight.
"Little ones, give him back his clothes and bring him over, and let us question him — what manner of man is he, and where has he come from?"
審他一審 — question him, give him a questioning. 審 is the word for a judicial examination, which is exactly the register the scene now takes: three demon kings sitting as a bench.
The demons crowded forward together, untied the Tang Monk's bonds, put his clothes on him, and pushed him up before the seat.
The reversal, performed by the same hands. They stripped him a moment ago and they dress him now, and the man himself has no more say in the second than the first. 推至座前 — pushed up in front of the seat — puts him where a defendant stands.
So frightened was the Tang Monk that he knelt below, shaking, and could only cry, "Great King, spare my life, spare my life!"
戰兢兢 — trembling — and the plea doubled. This is the Tripitaka the novel has never flattered: brave enough to walk to India, and reduced to begging by anyone who raises a voice at him. A reading: 諕 is xià, the graph being an old way of writing the word for frightening.
The three demons said with one voice, "What quarter do you come from, monk?
異口同聲 — different mouths, one voice — is still the ordinary Chinese for people speaking in unison. A reading: 那 is nǎ, "which," as chapter 4 has it at 你是那路毛神.
"How is it that you did not get out of the way when you saw the buddha-image, but blundered into my cloud-path?"
The question is outrageous and entirely sincere. From the demons' side of it, the offence was Tripitaka's: everyone in Jinping knows to 迴避 when the wind comes, and this one stood on the bridge and got in the way. 雲路, the cloud-path, is the traffic lane of a flying being. They are complaining about a pedestrian.
The Tang Monk knocked his head on the ground and said, "This poor monk is sent by the court of the Great Tang in the Land of the East, and goes to the Great Thunderclap Monastery in India, to worship the Buddha and fetch the scriptures.
The deposition begins. A reading: 差 is chāi, dispatched on a commission — chapter 4 seals the same band at 奉玉帝欽差 — and not chà, meaning amiss.
The demons' fright does what Pilgrim's threat could not: it makes them ask their prisoner who he is. They had not troubled — 還不曾問他個姓名來歷 — and now a hairy-faced monk with a thunder-god's beak is at the gate and the omission has become urgent. So the same hands that stripped Tripitaka dress him again and push him in front of the seat, and the scene turns into a hearing.
The question they open with is the chapter's strangest and best. Why, seeing a buddha-image, did you not get out of the way? From inside the demons' world that is a reasonable complaint: the whole of Jinping knows to stand aside when the wind comes, and this monk stood on the bridge and blundered into the cloud-path. They are not being sinister. They are annoyed about a pedestrian.
And the irony sits exactly where the chapter has been building it. Tripitaka's offence, in their eyes, is that he took the buddha-image seriously — that he did the one thing a devout man would do on being told buddhas were arriving. The counterfeit worked so well that its victim is being blamed for believing it.