Canonical Classics ← 第七回
第七回
guàzhōngtáoshèng
xíngshānxiàdìngxīnyuán

Eight Trigrams Furnace, Where the Great Sage Escapes · Five Elements Mountain, Where the Heart Monkey Is Calmed

一遊留記
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

一遊留記 Sun Wukong Was Here

shèngshōulebàngdǒusǒushénwēijiāngshēnzòngzhànzàishǒuxīnquèdàoshēngchū」。kànyúnguāngxíngyǐnglehuìyǎnguānkànjiànhóuwángfēngchēzibānxiāngzhùzhǐguǎnqiánjìnshèngxíngshíjiànyǒugēnròuhóngzhùzichēngzheqīngdào:「jiānnǎijìntóulezhèfānhuíláizuòzhènglíngxiāogōngdìngshìzuò。」yòuliàngshuō:「qiězhùděngliúxiàxiēhàofānghǎoláishuōhuà。」xiàgēnháomáochuīkǒuxiānjiàobiàn!」,biànzuòguǎnnóngshuāngháozàizhōngjiānzhùzishàngxiěxíngyún:「tiānshèngdàoyóu。」xiěshōuleháomáoyòuzhuāngzūnquèzàigēnzhùzigēnxiàlepàohóu尿niàofānzhuǎnjīndòuyúnjìnghuíběnchùzhànzàiláizhǎngnèidào:「jīnláilejiàoràngtiāngōng。」láidào:「zhè尿niàojīnghóuzizhènghǎocénglezhǎngli。」shèngdào:「shìzhīdàotiānjìntóujiàngēnròuhóngzhùchēngzheqīngliúzàigǎntóngkànme?」láidào:「xiāozhǐtóukànkàn。」shèngzhēngyuánhuǒyǎnjīnjīngtóukànshíyuánláiyòushǒuzhōngzhǐxiězhetiānshèngdàoyóu」,zhǐháiyǒuxiēhóu尿niàosāoshèngchīlejīngdào:「yǒuzhèděngshìyǒuzhèděngshìjiāngxiězàichēngtiānzhùzishàngquèzàishǒuzhǐshàngfēiyǒuwèixiānzhīdeshùjuéxìnxìnděngzàilái。」shèngshōulebàngdǒusǒushénwēijiāngshēnzòngzhànzàishǒuxīnquèdàoshēngchū」。kànyúnguāngxíngyǐnglehuìyǎnguānkànjiànhóuwángfēngchēzibānxiāngzhùzhǐguǎnqiánjìnshèngxíngshíjiànyǒugēnròuhóngzhùzichēngzheqīngdào:「jiānnǎijìntóulezhèfānhuíláizuòzhènglíngxiāogōngdìngshìzuò。」yòuliàngshuō:「qiězhùděngliúxiàxiēhàofānghǎoláishuōhuà。」xiàgēnháomáochuīkǒuxiānjiàobiàn!」,biànzuòguǎnnóngshuāngháozàizhōngjiānzhùzishàngxiěxíngyún:「tiānshèngdàoyóu。」xiěshōuleháomáoyòuzhuāngzūnquèzàigēnzhùzigēnxiàlepàohóu尿niàofānzhuǎnjīndòuyúnjìnghuíběnchùzhànzàiláizhǎngnèidào:「jīnláilejiàoràngtiāngōng。」láidào:「zhè尿niàojīnghóuzizhènghǎocénglezhǎngli。」shèngdào:「shìzhīdàotiānjìntóujiàngēnròuhóngzhùchēngzheqīngliúzàigǎntóngkànme?」láidào:「xiāozhǐtóukànkàn。」shèngzhēngyuánhuǒyǎnjīnjīngtóukànshíyuánláiyòushǒuzhōngzhǐxiězhetiānshèngdàoyóu」,zhǐháiyǒuxiēhóu尿niàosāoshèngchīlejīngdào:「yǒuzhèděngshìyǒuzhèděngshìjiāngxiězàichēngtiānzhùzishàngquèzàishǒuzhǐshàngfēiyǒuwèixiānzhīdeshùjuéxìnxìnděngzàilái。」


逐句解 Line by line

shèngshōulebàngdǒusǒushénwēijiāngshēnzòngzhànzàishǒuxīnquèdàoshēngchū」。kànyúnguāngxíngyǐngle shèngshōulebàngdǒusǒushénwēijiāngshēnzòngzhànzàishǒuxīnquèdàoshēngchū」。kànyúnguāngxíngyǐngle

The Great Sage put away his As-You-Will cudgel, roused his spirit-might, flexed his body in a single bound, and stood in the center of the Buddha's palm; then he cried, "And out I go!" Look at him — a streak of cloud-light, gone formless and shadowless.

將身一縱: disposal-jiāng; 一縱 takes (before zòng, 4th tone). 一路: (before , 4th tone). The monkey launches his fabled somersault with total confidence — the comedy depends on his certainty.

huìyǎnguānkànjiànhóuwángfēngchēzibānxiāngzhùzhǐguǎnqiánjìn huìyǎnguānkànjiànhóuwángfēngchēzibānxiāngzhùzhǐguǎnqiánjìn

The Buddha, watching with his wisdom-eye, saw the Monkey King spinning along just like a pinwheel, never stopping, pressing ever onward.

慧眼 (huì yǎn), the wisdom-eye (prajñā-cakṣus) — the Buddha simply watches, the calm counterpoint to the monkey's frantic motion. 一般: (before bān, 1st tone). 相似: = xiāng, = .

shèngxíngshíjiànyǒugēnròuhóngzhùzichēngzheqīngdào:「jiānnǎijìntóulezhèfānhuíláizuòzhènglíngxiāogōngdìngshìzuò。」 shèngxíngshíjiànyǒugēnròuhóngzhùzichēngzheqīngdào:「jiānnǎijìntóulezhèfānhuíláizuòzhènglíngxiāogōngdìngshìzuò。」

As the Great Sage went, he suddenly saw five flesh-pink pillars propping up a mass of blue vapor. He said: "This must be the end of the road. When I go back this time, with the Tathāgata as witness, the Hall of Divine Mists will surely be mine to sit in."

撐著: durative = zhe. 一股: (before , 3rd tone). 盡頭路: = jìn ("the road's end"). The five pillars are, of course, the Buddha's five fingers — the monkey has gone nowhere.

yòuliàngshuō:「qiězhùděngliúxiàxiēhàofānghǎoláishuōhuà。」xiàgēnháomáochuīkǒuxiānjiàobiàn!」,biànzuòguǎnnóngshuāngháozàizhōngjiānzhùzishàngxiěxíngyún:「tiānshèngdàoyóu。」 yòuliàngshuō:「qiězhùděngliúxiàxiēhàofānghǎoláishuōhuà。」xiàgēnháomáochuīkǒuxiānjiàobiàn!」,biànzuòguǎnnóngshuāngháozàizhōngjiānzhùzishàngxiěxíngyún:「tiānshèngdàoyóu。」

Then he thought again: "Wait! Let me leave some mark, so I'll have proof when I speak to the Tathāgata." He pulled out a hair, blew on it with magic breath, cried "Change!" — and turned it into a thick-inked double-tipped brush, and on the middle pillar wrote a line of large characters: "The Great Sage Equal to Heaven was here."

一根: (before gēn, 1st tone); 一管: (before guǎn, 3rd tone); 一行: (before xíng, 2nd tone), and = xíng (a line); 一遊: (before yóu, 2nd tone). The graffiti 齊天大聖到此一遊 is one of the novel's most quoted lines.

xiěshōuleháomáoyòuzhuāngzūnquèzàigēnzhùzigēnxiàlepàohóu尿niào xiěshōuleháomáoyòuzhuāngzūnquèzàigēnzhùzigēnxiàlepàohóu尿niào

Having written it, he took back his hair, and then — most unseemly — let loose a gush of monkey-piss at the foot of the first pillar.

第一根: (before gēn, 1st tone); 一泡: (before pào, 4th tone). 不莊尊, "not solemn / undignified." The crude flourish is pure monkey — and it will become the second piece of evidence the Buddha turns against him.

fānzhuǎnjīndòuyúnjìnghuíběnchùzhànzàiláizhǎngnèidào:「jīnláilejiàoràngtiāngōng。」 fānzhuǎnjīndòuyúnjìnghuíběnchùzhànzàiláizhǎngnèidào:「jīnláilejiàoràngtiāngōng。」

He flipped his cloud-somersault over, went straight back, stood in the Tathāgata's palm, and said: "I've gone and now I'm back. Tell the Jade Emperor to yield me the Palace of Heaven."

教玉帝: = jiào (to make/cause). The monkey returns utterly convinced he has won — the dramatic irony at its peak, since he never left the palm.

láidào:「zhè尿niàojīnghóuzizhènghǎocénglezhǎngli。」 láidào:「zhè尿niàojīnghóuzizhènghǎocénglezhǎngli。」

The Tathāgata cursed: "You piss-spirit of a monkey! You never once left my palm."

尿精猴子, "piss-spirit monkey" — the Buddha matches the monkey's vulgarity, a rare lapse into earthy scolding. = li (sentence-final). 不曾, "never once."

shèngdào:「shìzhīdàotiānjìntóujiàngēnròuhóngzhùchēngzheqīngliúzàigǎntóngkànme?」 shèngdào:「shìzhīdàotiānjìntóujiàngēnròuhóngzhùchēngzheqīngliúzàigǎntóngkànme?」

The Great Sage said: "You don't know. I went to the very end of the sky, saw five flesh-pink pillars propping a mass of blue vapor, and left my mark there. Dare you go with me to look?"

天盡頭: = jìn. 撐著: durative = zhe. 一股: . = me (question-final). The monkey's bravado is total — he is sure his graffiti is at the edge of the cosmos, not on a finger.

láidào:「xiāozhǐtóukànkàn。」shèngzhēngyuánhuǒyǎnjīnjīngtóukànshíyuánláiyòushǒuzhōngzhǐxiězhetiānshèngdàoyóu」,zhǐháiyǒuxiēhóu尿niàosāo láidào:「xiāozhǐtóukànkàn。」shèngzhēngyuánhuǒyǎnjīnjīngtóukànshíyuánláiyòushǒuzhōngzhǐxiězhetiānshèngdàoyóu」,zhǐháiyǒuxiēhóu尿niàosāo

The Tathāgata said: "No need to go — just lower your head and look." The Great Sage opened wide his fiery eyes and golden pupils, looked down, and there on the Buddha's right middle finger was written "The Great Sage Equal to Heaven was here," and in the fork of the thumb there yet lingered the rank reek of monkey-piss.

不消去, "no need to go." 中指: = zhōng (the middle finger). 寫著: durative = zhe. 到此一遊: before (yóu, 2nd tone) is . 還有: = hái ("still there"). The revelation lands with the comic stink of the thumb-fork — proof beyond argument.

shèngchīlejīngdào:「yǒuzhèděngshìyǒuzhèděngshìjiāngxiězàichēngtiānzhùzishàngquèzàishǒuzhǐshàngfēiyǒuwèixiānzhīdeshùjuéxìnxìnděngzàilái。」 shèngchīlejīngdào:「yǒuzhèděngshìyǒuzhèděngshìjiāngxiězàichēngtiānzhùzishàngquèzàishǒuzhǐshàngfēiyǒuwèixiānzhīdeshùjuéxìnxìnděngzàilái。」

The Great Sage was startled and said: "Can such a thing be? Can such a thing be? I wrote these words on a sky-propping pillar — how can they be on his finger? Unless he has some art of foreknowing without divining? I won't believe it! I won't! Let me go again."

一驚: (before jīng, 1st tone). 將此字: disposal-jiāng. 未卜先知: = (to divine) — "foreknowing without divining." His refusal to believe sets up the immediate, final defeat.


總評 Commentary

This is the comic and philosophical heart of the chapter. The monkey launches his cloud-somersault, certain that 108,000 li will carry him far past a palm "not a foot across." He reaches what he takes for the world's edge — five flesh-pink pillars holding up a blue mist — marks his territory with graffiti and a vulgar flourish, and returns to claim victory. He has, of course, never left the Buddha's hand; the pillars are five fingers.

The episode's force lies in the exactness of the monkey's error. He is not stupid — his reasoning about distance is impeccable — and that is precisely the trap. The 心猿 is a mind of dazzling local competence that cannot conceive of the order of being it is inside. Distance, speed, transformation: all his powers operate within a frame he cannot perceive as a frame. The Buddha needs no power to defeat him, only to be the encompassing reality — which is why he simply watches with the 慧眼 while the monkey exhausts himself.

The graffiti 齊天大聖到此一遊 ("the Great Sage Equal to Heaven was here") has become proverbial in Chinese for futile self-assertion, and the joke's crudeness — the monkey-piss in the thumb-fork — is not incidental. Wú Chéng'ēn pins the rebel's whole grandeur to a tourist's scrawl and an animal's marking. As Plaks notes, the palm is the dharmadhātu, the total field of reality; to leave a vandal's mark on it and call that conquest is the perfect emblem of unenlightened mind mistaking motion for transcendence.