Canonical Classics ← 第三十六回
第三十六回
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The Mind-Monkey, Rightly Settled, Subdues All Conditions · Cleaving the Side-Gate, He Sees the Bright Moon

安排禪堂
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拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

安排禪堂 The Meditation Hall Made Ready

shīmendōuchīlewǎnzhāizhòngsēngshōushílejiāhuǒsānzàngchēngxièdào:「lǎoyuànzhǔjiǎobǎoshānle。」sēngguāndào:「gǎngǎndàimàndàimàn。」sānzàngdào:「shīquèzàizhèānxiē?」sēngguāndào:「lǎoyàomángxiǎoshàngyǒuchǔ。」jiào:「dàorénxiāngyǒuréntīng使shǐlìngde?」dàorénshuō:「shīyǒu。」sēngguānfēndào:「menzhuóliǎngānpáicǎoliàotánglǎowèizhuóqiánmiànsānjiānchántángsǎogānjìngshèchuángzhàngkuàiqǐnglǎoānxiē。」shīmendōuchīlewǎnzhāizhòngsēngshōushílejiāhuǒsānzàngchēngxièdào:「lǎoyuànzhǔjiǎobǎoshānle。」sēngguāndào:「gǎngǎndàimàndàimàn。」sānzàngdào:「shīquèzàizhèānxiē?」sēngguāndào:「lǎoyàomángxiǎoshàngyǒuchǔ。」jiào:「dàorénxiāngyǒuréntīng使shǐlìngde?」dàorénshuō:「shīyǒu。」sēngguānfēndào:「menzhuóliǎngānpáicǎoliàotánglǎowèizhuóqiánmiànsānjiānchántángsǎogānjìngshèchuángzhàngkuàiqǐnglǎoānxiē。」


逐句解 Line by line

shīmendōuchīlewǎnzhāizhòngsēngshōushílejiāhuǒ shīmendōuchīlewǎnzhāizhòngsēngshōushílejiāhuǒ

When master and disciples had finished the evening meal, the monks cleared away the cooking things.

都 read dōu; 吃罷了 "to have finished eating," 罷 read ; 家火 "cooking utensils, gear."

sānzàngchēngxièdào:「lǎoyuànzhǔjiǎobǎoshānle。」 sānzàngchēngxièdào:「lǎoyuànzhǔjiǎobǎoshānle。」

Tripitaka gave thanks: “Venerable prior, I've troubled your precious mountain.”

打攪 "to trouble, impose upon," 攪 read jiǎo; 寶山 "precious mountain," a courteous term for the temple; 藏 read zàng.

sēngguāndào:「gǎngǎn sēngguāndào:「gǎngǎn

The abbot said: “Not at all, not at all.”

不敢 a formula of polite demurral.

dàimàndàimàn。」 dàimàndàimàn。」

“We've been remiss, remiss.”

怠慢 "to neglect, treat slightingly" — the host's conventional self-deprecation.

sānzàngdào:「shīquèzàizhèānxiē?」 sānzàngdào:「shīquèzàizhèānxiē?」

Tripitaka said: “And are we, master and disciples, to rest here?”

安歇 "to rest, lodge for the night"; 藏 read zàng.

sēngguāndào:「lǎoyàomángxiǎoshàngyǒuchǔ。」 sēngguāndào:「lǎoyàomángxiǎoshàngyǒuchǔ。」

The abbot said: “Don't trouble yourself, my lord; this humble monk has his own arrangements.”

區處 (qū chǔ) "to make arrangements, dispose matters," 處 read chǔ; 和尚 read shàng.

jiào:「dàorénxiāngyǒuréntīng使shǐlìngde?」 jiào:「dàorénxiāngyǒuréntīng使shǐlìngde?」

He called: “Servitor — over on that side, are there some men to take orders?”

那壁廂 "over on that side, yonder"; 聽使令 "to await commands"; 那 read .

dàorénshuō:「shīyǒu。」 dàorénshuō:「shīyǒu。」

The servitor said: “Master, there are.”

The servitor, restored to duty, answers.

sēngguānfēndào:「menzhuóliǎngānpáicǎoliàotánglǎowèi sēngguānfēndào:「menzhuóliǎngānpáicǎoliàotánglǎowèi

The abbot ordered: “Send two of you to see to fodder and feed the Venerable Tang's horse.”

"to send, dispatch," read zhuó (the causative/dispatch 著 — locked corpus-wide reading); 草料 "hay and feed"; 喂馬 "to feed the horse."

zhuóqiánmiànsānjiānchántángsǎogānjìngshèchuángzhàngkuàiqǐnglǎoānxiē。」 zhuóqiánmiànsānjiānchántángsǎogānjìngshèchuángzhàngkuàiqǐnglǎoānxiē。」

“Send several to the three-bay meditation hall in front, sweep it clean, spread the bedding, and be quick to invite the lord to his rest.”

read zhuó (the causative/dispatch 著 — locked corpus-wide reading); 那三間 "those three bays," 那 read ; 禪堂 "the meditation hall"; 乾淨 "clean," 乾 read gān; 鋪設床帳 "to lay out the bed-curtains and bedding," 鋪 read .


總評 Commentary

With the meal done, the scene settles into the courtesies of a host and an honoured guest — Tripitaka thanking the "precious mountain" for its trouble, the abbot demurring with the conventional formulae of a remiss host. It is worth noting how thoroughly the relationship has been rewritten: the man who would not grant a night's floor-space now busies himself arranging fodder, a swept meditation hall, and made-up beds.

The passage restores the servitor to ordinary duty and shows the temple's machinery working as it should — men dispatched to the horse, others to prepare the guest-quarters. After the violence of the confrontation, the chapter modulates back toward calm and order, setting the stage for the quiet night scene to come, when Tripitaka steps out beneath the moon and the tale turns from farce to the contemplation of its deeper theme.