取經來了 The Scripture-Seekers Have Come
三山門內原是打供的神僧,聞得唐僧到時,急至大雄殿下,報與如來至尊釋迦牟尼文佛說:「唐朝聖僧,到於寶山,取經來了。」佛爺爺大喜。即召聚八菩薩、四金剛、五百阿羅、三千揭諦、十一大曜、十八伽藍,兩行排列。卻傳金旨,召唐僧進。那裡邊一層一節,欽依佛旨,叫:「聖僧進來。」這唐僧循規蹈矩,同悟空、悟能、悟淨,牽馬挑擔,徑入山門。正是:三山门内原是打供的神僧,闻得唐僧到时,急至大雄殿下,报与如来至尊释迦牟尼文佛说:「唐朝圣僧,到于宝山,取经来了。」佛爷爷大喜。即召聚八菩萨、四金刚、五百阿罗、三千揭谛、十一大曜、十八伽蓝,两行排列。却传金旨,召唐僧进。那里边一层一节,钦依佛旨,叫:「圣僧进来。」这唐僧循规蹈矩,同悟空、悟能、悟净,牵马挑担,径入山门。正是:
逐句解 Line by line
Inside the third gate were the divine monks whose office is the laying-on of offerings; and when they heard that the Tang monk had come they hurried down to the Great Hero Hall and reported to the Tathāgata, the Most Honoured Śākyamuni Buddha of Letters: "The holy monk of the Tang court has come to the Treasure Mountain to fetch the scriptures."
⚠ 打供的神僧 — the divine monks who lay on the offerings. Every large temple has a kitchen and a staff who cook for it, and heaven's does too. These are the catering department, and they are the ones who carry the news in. ⚠ The last character of 打供 is read as the offering itself, matching the word for a meal set out for monks that ran through the previous two chapters. It is the only place in the novel this two-character phrase appears, and the reading is a judgement rather than a certainty. ⚠ 大雄殿 — the Great Hero Hall, and it is the standard name for the main hall of a Chinese Buddhist temple to this day. The Great Hero is the Buddha.
The Buddha was greatly pleased.
⚠ Five characters, and the middle two are the surprise. 佛爺爺 is not a title from any scripture. It is what a Chinese villager calls the Buddha — grandfather, the affectionate form used to a magistrate or an old man, the same word the Kou brothers used to a prefect in the previous chapter. ⚠ At the exact moment the novel reaches the being it has been walking towards for a hundred chapters, it stops using the Sanskrit-derived titles it used one line earlier and calls him grandad. And says he is pleased.
At once he summoned the eight Bodhisattvas, the four vajra-guardians, the five hundred arhats, the three thousand Guardians of the Revelation, the eleven Great Luminaries and the eighteen monastery-protectors, and had them drawn up in two rows.
⚠ Six named orders with their numbers, in one sentence, and the numbers are the point: eight, four, five hundred, three thousand, eleven, eighteen. It is a muster roll. 揭諦 transcribes a Sanskrit word from the Heart Sutra's closing mantra and names a class of guardian spirits; the novel says it eighty-four times. 大曜 are the great heavenly bodies — sun, moon, planets — and 伽藍 transcribes saṃghārāma, a monastery, and by extension the spirits who guard one. ⚠ 兩行排列 — drawn up in two ROWS. The character is háng, a rank of things side by side, exactly as in the verse a moment ago, and not the xíng it takes almost everywhere else.
Then he sent down a golden decree, summoning the Tang monk to enter.
⚠ 金旨 — a golden decree. The book has used this phrase twice before in this chapter, both times of the commission Guanyin was given in Chapter 8 — the one the Great Immortal complained about at his gate. The same instrument that started the journey ends it. ⚠ And it is an instrument. Not a word, not a gesture: a decree, issued and transmitted. The Buddha runs an office.
Inside, tier by tier and rank by rank, they attended reverently to the Buddha's command and called, "Holy monk, come in."
⚠ 一層一節 — one tier, one section. The call is relayed inward through the ranks the way the news was relayed outward through the gates a moment ago. The same machinery, running the other way. 欽依 — to receive and comply with reverently. It is the formula that appears on Chinese imperial documents, and the book applies it unchanged to a buddha.
So the Tang monk, keeping strictly to rule and measure, went in through the mountain gate with Wukong, Wuneng and Wujing, leading the horse and shouldering the loads.
⚠ 循規蹈矩 — following the compasses and treading the carpenter's square. A four-character phrase still in daily use for somebody who does everything by the book, and its two instruments are the ones a craftsman uses to get a circle and a right angle true. The novel says it twice. ⚠ And look at the names. Not Monkey, Pigsy and Sha Monk — 悟空, 悟能, 悟淨, the religious names they were given when they took refuge. At the door of the Buddha's hall the book uses their proper names for the only time in this chapter. ⚠ 牽馬挑擔 — and they are still leading the horse and carrying the luggage. Nobody has taken the bags.
And this is how it was:
The cue, and the second of this chapter's two sites for this particular phrase — the other announced the bridge. What follows is four lines that summarise the whole journey, and it is the last verse before the Buddha speaks.
The Buddha's court works exactly like a Chinese court, and the novel does not soften it at all. News comes in through three gates. The kitchen staff carry it. A decree goes out. The summons is relayed inward tier by tier, and the phrase used for obeying it is the one printed on imperial paperwork. He musters six orders of beings by number and has them drawn up in two rows.
And in the middle of all that machinery the book calls him grandad. Fóyéye — the affectionate village word, the same one the Kou brothers used to a prefect in the previous chapter — one line after giving him his full Sanskrit-derived style. Then it says he was pleased. At the moment of arrival the novel reaches for the warmest and least official word it has.
The last detail is the one to keep. They go in leading the horse and carrying the luggage. Nobody offers to take the bags. Fourteen years of that load, through the gate of paradise, still on the shoulder.