Canonical Classics ← 第五十回
第五十回
qíngluànxìngcóngyīnài
shénhūnxīndòngtóu

Feeling Runs Wild and Nature Gives Way, by Reason of Desire · The Spirit Is Darkened, the Heart Is Stirred, and They Meet a Fiend

老翁指路
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

老翁指路 An Old Man Points the Road

xíngzhěsuíguānkànzhuāngjǐngzhǐtīngyadeshēngcháifēixiǎngchùzǒuchūlǎozhěshǒutuōzhàngtóudǐngyángqiúshēn穿chuānxiézhǔzhezhàngyǎngshēncháotiāndào:「西běifēngmíngqíngle。」shuōliǎohòubiānpǎochūgǒuerláiwàngzhexíngzhěwāngwāngdeluànfèilǎozhěquècáizhuǎnguòtóuláikànjiànxíngzhěpěngzhewènxùndào:「lǎoshīzhǔshàngshìdōngtángqīnchāishàng西tiānbàiqiújīngzhěshìguòbǎofāngshīzhōngněizàozūnhuàzhāi。」lǎozhěwényándiǎntóudùnzhàngdào:「zhǎnglǎoqiěxiūhuàzhāizǒucuòle。」xíngzhědào:「cuò。」lǎozhědào:「wǎng西tiānzàizhíběixiàjiāndàoyǒuqiānzhīyáoháizhǎoérxíng?」xíngzhěxiàodào:「zhèngshìzhíběixiàshīxiànzàishàngduānzuòděnghuàzhāili。」lǎozhědào:「zhèshàngshuōleshīzàishàngděnghuàzhāizhèqiānzhīyáojiùhuìzǒuděiliùzǒuhuíyòuyàoliùquèèhuài?」xíngzhěxiàodào:「mánlǎoshīzhǔshuōcáiránleshīháishàngzhǎncházhīshíquèjiùzǒudàochùjīnhuàlezhāiháiyàoshànggǎnzuòzhāili。」xíngzhěsuíguānkànzhuāngjǐngzhǐtīngyadeshēngcháifēixiǎngchùzǒuchūlǎozhěshǒutuōzhàngtóudǐngyángqiúshēn穿chuānxiézhǔzhezhàngyǎngshēncháotiāndào:「西běifēngmíngqíngle。」shuōliǎohòubiānpǎochūgǒuerláiwàngzhexíngzhěwāngwāngdeluànfèilǎozhěquècáizhuǎnguòtóuláikànjiànxíngzhěpěngzhewènxùndào:「lǎoshīzhǔshàngshìdōngtángqīnchāishàng西tiānbàiqiújīngzhěshìguòbǎofāngshīzhōngněizàozūnhuàzhāi。」lǎozhěwényándiǎntóudùnzhàngdào:「zhǎnglǎoqiěxiūhuàzhāizǒucuòle。」xíngzhědào:「cuò。」lǎozhědào:「wǎng西tiānzàizhíběixiàjiāndàoyǒuqiānzhīyáoháizhǎoérxíng?」xíngzhěxiàodào:「zhèngshìzhíběixiàshīxiànzàishàngduānzuòděnghuàzhāili。」lǎozhědào:「zhèshàngshuōleshīzàishàngděnghuàzhāizhèqiānzhīyáojiùhuìzǒuděiliùzǒuhuíyòuyàoliùquè饿èhuài?」xíngzhěxiàodào:「mánlǎoshīzhǔshuōcáiránleshīháishàngzhǎncházhīshíquèjiùzǒudàochùjīnhuàlezhāiháiyàoshànggǎnzuòzhāili。」


逐句解 Line by line

xíngzhěsuíguānkànzhuāngjǐngzhǐtīngyadeshēngcháifēixiǎngchùzǒuchūlǎozhěshǒutuōzhàngtóudǐngyángqiúshēn穿chuānxiézhǔzhezhàngyǎngshēncháotiāndào:「西běifēngmíngqíngle。」 xíngzhěsuíguānkànzhuāngjǐngzhǐtīngyadeshēngcháifēixiǎngchùzǒuchūlǎozhěshǒutuōzhàngtóudǐngyángqiúshēn穿chuānxiézhǔzhezhàngyǎngshēncháotiāndào:「西běifēngmíngqíngle。」

Pilgrim walked on, taking in the farmstead, and heard a creak: at the sound the brushwood gate opened and out came an old man, a goosefoot staff in his hand, a sheepskin cap on his head, a worn patched robe on his body, rush sandals on his feet. Propped on his staff, he tilted his body up toward the sky and said: "The north-west wind is getting up. It will be clear tomorrow."

只聽得 takes as , managing to hear. 響處 has as chù: at the place where it sounded. 拄著杖 uses zhe for a continuing state, propped on his staff. 朝天 is cháo, to face toward. The old man is drawn in four four-character clauses — staff, cap, robe, shoes — and he is reading the weather, not the stranger. He has not noticed Wukong at all.

shuōliǎohòubiānpǎochūgǒuerláiwàngzhexíngzhěwāngwāngdeluànfèi shuōliǎohòubiānpǎochūgǒuerláiwàngzhexíngzhěwāngwāngdeluànfèi

Before he had finished, a little pug came running out from behind and barked and barked at Pilgrim.

說不了 takes as liǎo, to finish, not the le that marks a completed action. 哈巴狗兒 is a pug or lapdog, with the little er ending. 望著 is again the zhe of a continuing state. The dog sees him before the man does, which is the correct order of events in any farmyard.

lǎozhěquècáizhuǎnguòtóuláikànjiànxíngzhěpěngzhe lǎozhěquècáizhuǎnguòtóuláikànjiànxíngzhěpěngzhe

Only then did the old man turn his head and see Pilgrim holding up an alms bowl.

捧著 is zhe again, holding it up. 卻才 marks the delay, and what registers first is not the face but the begging bowl.

wènxùndào:「lǎoshīzhǔshàngshìdōngtángqīnchāishàng西tiānbàiqiújīngzhěshìguòbǎofāngshīzhōngněizàozūnhuàzhāi。」 wènxùndào:「lǎoshīzhǔshàngshìdōngtángqīnchāishàng西tiānbàiqiújīngzhěshìguòbǎofāngshīzhōngněizàozūnhuàzhāi。」

He made his greeting and said: "Venerable patron, this monk is one sent by the Great Tang in the Eastern Land to go west and bow to the Buddha for scriptures. Passing your precious district just now, my master's belly is empty with hunger, so I have come to your honoured house to beg a single meal."

欽差 is chāi, dispatched on commission — the word used of an imperial envoy, and not chà, amiss. 腹中 has zhōng, within. 寶方 and 尊府 are the polite forms for another man's district and house, roughly "your esteemed neighbourhood". Wukong gives the full credentials, as he does at every door he knocks on.

lǎozhěwényándiǎntóudùnzhàngdào:「zhǎnglǎoqiěxiūhuàzhāizǒucuòle。」 lǎozhěwényándiǎntóudùnzhàngdào:「zhǎnglǎoqiěxiūhuàzhāizǒucuòle。」

Hearing this, the old man nodded and tapped his staff. "Elder," he said, "never mind begging food — you have taken the wrong road."

長老 is zhǎng lǎo, elder, the form of address for a senior monk. 頓杖, bringing the staff down on the ground, punctuates the correction like a full stop.

xíngzhědào:「cuò。」 xíngzhědào:「cuò。」

Pilgrim said: "It is not wrong."

Five characters, flat contradiction. What follows is one of the novel's reliable comic shapes: a mortal measuring the road in walking days, and a monkey who does not walk.

lǎozhědào:「wǎng西tiānzàizhíběixiàjiāndàoyǒuqiānzhīyáoháizhǎoérxíng?」 lǎozhědào:「wǎng西tiānzàizhíběixiàjiāndàoyǒuqiānzhīyáoháizhǎoérxíng?」

The old man said: "The great road to the Western Heaven lies over there, due north. From here to there is a thousand . Why not go and find the main road and travel by it?"

Both instances of are the pointing , the second referring back to the first. 此間 has as jiān. is hái: still, why not yet. , the , is the Chinese unit of road distance, roughly half a kilometre — so 千里之遙 is some five hundred kilometres, and it is the figure the entire joke turns on.

xíngzhěxiàodào:「zhèngshìzhíběixiàshīxiànzàishàngduānzuòděnghuàzhāili。」 xíngzhěxiàodào:「zhèngshìzhíběixiàshīxiànzàishàngduānzuòděnghuàzhāili。」

Pilgrim laughed and said: "Due north it is. My master is sitting on that very road at this moment, waiting for me to bring food."

is the li that ends a sentence with a shrug. Wukong accepts the direction and denies the distance, without yet explaining why he can.

lǎozhědào:「zhèshàngshuōleshīzàishàngděnghuàzhāizhèqiānzhīyáojiùhuìzǒuděiliùzǒuhuíyòuyàoliùquèèhuài?」 lǎozhědào:「zhèshàngshuōleshīzàishàngděnghuàzhāizhèqiānzhīyáojiùhuìzǒuděiliùzǒuhuíyòuyàoliùquè饿èhuài?」

The old man said: "This monk talks nonsense. Your master is waiting on the main road for you to bring him food, and it is a thousand — even if he could walk it, that would take six or seven days there and six or seven days back. Would he not have starved by then?"

須得 is a two-character "must, requires", and in it reads děi. The old man's arithmetic is impeccable — six or seven days each way at walking pace — and his premise is wrong. That is the joke, and he never gets to hear the answer.

xíngzhěxiàodào:「mánlǎoshīzhǔshuōcáiránleshīháishàngzhǎncházhīshíquèjiùzǒudàochùjīnhuàlezhāiháiyàoshànggǎnzuòzhāili。」 xíngzhěxiàodào:「mánlǎoshīzhǔshuōcáiránleshīháishàngzhǎncházhīshíquèjiùzǒudàochùjīnhuàlezhāiháiyàoshànggǎnzuòzhāili。」

Pilgrim laughed and said: "I will not deceive you, patron. I left my master only just now — not so long as it takes to drink a cup of hot tea — and here I am. Once I have the food I must still hurry back so he can have it for his midday meal."

Both instances of are hái. 一盞熱茶之時 measures time by a cup of hot tea, which was the ordinary colloquial unit, like saying "in the time it takes to boil a kettle". 還要尚趕去 is what the 世德堂本 prints and it is kept as printed, though sits awkwardly beside ; the sense is carried by 還要趕去 alone.


總評 Commentary

The scene runs on a single misunderstanding, held in place by politeness. The old man reckons the road in walking days, and Wukong will not simply say that he flies.

It also does necessary work. The thousand- figure establishes that the pilgrims are a long way off the true route, which is how the party comes to be sitting exactly where the fiend can reach them.

The old man is drawn with unusual care — staff, cap, robe, sandals, dog, a remark about tomorrow's weather — for a figure who appears in one scene and is never named.