畫圈護師 He Draws a Ring to Guard the Master
三藏道:「既不可入,我卻著實飢了。」行者道:「師父果飢,且請下馬,就在這平處坐下,待我別處化些齋來你吃。」三藏依言下馬,八戒採定韁繩。沙僧放下行李,即去解開包裹,取出缽盂,遞與行者。行者接缽盂在手中,吩咐沙僧道:「賢弟,卻不可前進。好生保護師父穩坐於此,待我化齋回來,再往西去。」沙僧領諾。行者又向三藏道:「師父,這去處少吉多凶,切莫要動身別往。老孫化齋去也。」唐僧道:「不必多言,但要你快去快來。我在這裡等你。」行者轉身欲行,卻又回來道:「師父,我知你沒甚坐性,我與你個安身法兒。」即取金箍棒,幌了一幌,將那平地下週圍畫了一道圈子,請唐僧坐在中間;著八戒、沙僧侍立左右,把馬與行李都放在近身。對唐僧合掌道:「老孫畫的這圈,強似那銅牆鐵壁。憑他甚麼虎豹狼蟲,妖魔鬼怪,俱莫敢近。但只不許你們走出圈外,只在中間穩坐,保你無虞;但若出了圈兒,定遭毒手。千萬千萬,至祝至祝。」三藏依言,師徒俱端然坐下。三藏道:「既不可入,我却着实饥了。」行者道:「师父果饥,且请下马,就在这平处坐下,待我别处化些斋来你吃。」三藏依言下马,八戒采定缰绳。沙僧放下行李,即去解开包裹,取出钵盂,递与行者。行者接钵盂在手中,吩咐沙僧道:「贤弟,却不可前进。好生保护师父稳坐于此,待我化斋回来,再往西去。」沙僧领诺。行者又向三藏道:「师父,这去处少吉多凶,切莫要动身别往。老孙化斋去也。」唐僧道:「不必多言,但要你快去快来。我在这里等你。」行者转身欲行,却又回来道:「师父,我知你没甚坐性,我与你个安身法儿。」即取金箍棒,幌了一幌,将那平地下周围画了一道圈子,请唐僧坐在中间;着八戒、沙僧侍立左右,把马与行李都放在近身。对唐僧合掌道:「老孙画的这圈,强似那铜墙铁壁。凭他甚么虎豹狼虫,妖魔鬼怪,俱莫敢近。但只不许你们走出圈外,只在中间稳坐,保你无虞;但若出了圈儿,定遭毒手。千万千万,至祝至祝。」三藏依言,师徒俱端然坐下。
逐句解 Line by line
Tripitaka said: "If we may not go in, still I am truly hungry."
The master does not dispute a word of the argument. He simply restates the appetite, which is unanswerable. 著實 is a fixed word here, with 著 as zhuó: truly, in earnest.
Pilgrim said: "If you are really hungry, Master, then please dismount and sit here on this level ground, and let me beg some food elsewhere and bring it back for you."
Wukong concedes at once — no second attempt at persuasion. 化齋 is to beg a meal, the standing business of a travelling monk; 平處 is the flat ground, which is about to take the ring.
Tripitaka did as he said and dismounted; Bajie took a firm hold of the reins.
採定 is to take a grip and hold it fast. The disciples are shown obeying in order, one after another, which makes the disobedience later land harder.
Sha Monk set down the baggage, undid the bundle at once, took out the alms bowl and handed it to Pilgrim.
缽盂 is the alms bowl a monk begs with. 解 is jiě, to untie. Sha Monk's competence is quiet and constant, and the novel almost never remarks on it.
Pilgrim took the bowl in his hand and instructed Sha Monk: "Worthy brother, you must not go forward. Guard the Master well and keep him sitting steady here; wait till I am back with the food, and then we go west again."
手中 has 中 as zhōng, within. The instruction goes to Sha Monk, the reliable one — and it is Bajie, who is not given it, who will undo it.
Sha Monk assented.
領諾, to receive an order and agree to it. Four characters, no argument. Hold this beside the speeches Bajie makes later.
Pilgrim spoke to Tripitaka again: "Master, this place holds little luck and much peril. On no account stir and go off elsewhere. Old Monkey is away to beg food."
去處 takes 處 as chù, a place. 少吉多凶, luck slight and peril great, is a fortune-teller's phrase — Wukong is reading the ground the way a diviner reads a chart. This is the third warning, and the last plain one.
The Tang Monk said: "No need for more words. Only go quickly and come back quickly. I shall wait for you here."
The master answers a warning about danger with impatience about the errand. He agrees to wait without ever once agreeing that there is anything to wait out.
Pilgrim turned to go, then came back and said: "Master, I know you have no great gift for sitting still. Let me give you a little method for keeping safe."
沒甚坐性 — no staying power, no gift for sitting still; 甚 is shén. 法兒 takes the little er ending that makes a thing sound small and handy: not a Method but a knack. Wukong knows his master exactly, which is why what happens next surprises nobody but Tripitaka.
He took out the gold-hooped rod, gave it a shake, and drew a ring right round on the level ground, asking the Tang Monk to sit in the middle; he set Bajie and Sha Monk to stand in attendance left and right, and put the horse and the baggage close by.
將 is the jiāng that takes hold of the object and does something to it. 著 here is zhuó, to set someone to a task. 中間 has zhōng, within. 週圍 is a variant spelling of 周圍, round about. Note what the ring is drawn with: the same rod that fights demons. That is why it holds.
He put his palms together before the Tang Monk and said: "This ring Old Monkey has drawn is stronger than any wall of bronze or rampart of iron. Let there be tigers, leopards, wolves or vermin, fiends, demons, ghosts or freaks — not one will dare come near.
強 is qiáng, stronger than. 銅牆鐵壁 — a wall of bronze, a rampart of iron — is still the phrase Chinese reaches for when something cannot be got through, and you will hear it today about a defence in football or a border nobody crosses. The claim is true, and the chapter never takes it back. The ring is not breached. It is walked out of.
Only you must not walk outside the ring. Sit steady in the middle and I answer for your safety; but once you step out of the ring, you will surely meet a cruel hand.
無虞 is "with nothing to worry about". 圈兒 takes the little er ending; 中間 has zhōng, within. The condition is put as plainly as a condition can be put, which is what turns the coming lapse into a moral event rather than an accident.
By all means, by all means; I beg you, I beg you."
Two doubled formulas to finish on: 千萬千萬, by all means, and 至祝, an earnest entreaty, said twice. The repetition is a measure of how little Wukong trusts the promise he has just been given.
Tripitaka did as he said, and master and disciples all sat down upright.
端然 is upright and composed, a word about posture. The passage closes with everybody obedient and seated. It is the last such moment in the chapter.
A ring drawn on the ground to keep harm out is real Chinese ritual practice, not an invention of the novel, and the book treats it as simple fact: nothing gets in.
The design of the chapter puts the whole disaster on a choice rather than a failure of power. The ring holds. The master walks out of it. Bajie, in the next passage but one, supplies the argument that gets him out.
Watch the two characters the chapter uses for the act. Wukong says 畫 of his own drawing, both when he does it and when he boasts of it; Bajie and the narrator say 劃, and Bajie sets it inside the phrase 劃地為牢, to mark out the ground as a prison. Protection is restated as confinement, and the change of character tracks the change of view.