Canonical Classics ← 第五十回
第五十回
qíngluànxìngcóngyīnài
shénhūnxīndòngtóu

Feeling Runs Wild and Nature Gives Way, by Reason of Desire · The Spirit Is Darkened, the Heart Is Stirred, and They Meet a Fiend

畫圈護師
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

畫圈護師 He Draws a Ring to Guard the Master

sānzàngdào:「quèzhuóshíle。」xíngzhědào:「shīguǒqiěqǐngxiàjiùzàizhèpíngchùzuòxiàdàibiéchùhuàxiēzhāiláichī。」sānzàngyánxiàjiècǎidìngjiāngshéngshāsēngfàngxiàxíngjiěkāibāoguǒchūxíngzhěxíngzhějiēzàishǒuzhōngfēnshāsēngdào:「xiánquèqiánjìnhǎoshēngbǎoshīwěnzuòdàihuàzhāihuíláizàiwǎng西。」shāsēnglǐngnuòxíngzhěyòuxiàngsānzàngdào:「shīzhèchùshǎoduōxiōngqièyàodòngshēnbiéwǎnglǎosūnhuàzhāi。」tángsēngdào:「duōyándànyàokuàikuàiláizàizhèděng。」xíngzhězhuǎnshēnxíngquèyòuhuíláidào:「shīzhīméishénzuòxìngānshēner。」jīnbànghuǎnglehuǎngjiāngpíngxiàzhōuwéihuàledàoquānziqǐngtángsēngzuòzàizhōngjiānzhuójièshāsēngshìzuǒyòuxíngdōufàngzàijìnshēnduìtángsēngzhǎngdào:「lǎosūnhuàdezhèquānqiángtóngqiángtiěpíngshénmebàolángchóngyāoguǐguàigǎnjìndànzhǐmenzǒuchūquānwàizhǐzàizhōngjiānwěnzuòbǎodànruòchūlequānerdìngzāoshǒuqiānwànqiānwànzhìzhùzhìzhù。」sānzàngyánshīduānránzuòxiàsānzàngdào:「quèzhuóshíle。」xíngzhědào:「shīguǒqiěqǐngxiàjiùzàizhèpíngchùzuòxiàdàibiéchùhuàxiēzhāiláichī。」sānzàngyánxiàjiècǎidìngjiāngshéngshāsēngfàngxiàxíngjiěkāibāoguǒchūxíngzhěxíngzhějiēzàishǒuzhōngfēnshāsēngdào:「xiánquèqiánjìnhǎoshēngbǎoshīwěnzuòdàihuàzhāihuíláizàiwǎng西。」shāsēnglǐngnuòxíngzhěyòuxiàngsānzàngdào:「shīzhèchùshǎoduōxiōngqièyàodòngshēnbiéwǎnglǎosūnhuàzhāi。」tángsēngdào:「duōyándànyàokuàikuàiláizàizhèděng。」xíngzhězhuǎnshēnxíngquèyòuhuíláidào:「shīzhīméishénzuòxìngānshēner。」jīnbànghuǎnglehuǎngjiāngpíngxiàzhōuwéihuàledàoquānziqǐngtángsēngzuòzàizhōngjiānzhuójièshāsēngshìzuǒyòuxíngdōufàngzàijìnshēnduìtángsēngzhǎngdào:「lǎosūnhuàdezhèquānqiángtóngqiángtiěpíngshénmebàolángchóngyāoguǐguàigǎnjìndànzhǐmenzǒuchūquānwàizhǐzàizhōngjiānwěnzuòbǎodànruòchūlequānerdìngzāoshǒuqiānwànqiānwànzhìzhùzhìzhù。」sānzàngyánshīduānránzuòxià


逐句解 Line by line

sānzàngdào:「quèzhuóshíle。」 sānzàngdào:「quèzhuóshíle。」

Tripitaka said: "If we may not go in, still I am truly hungry."

The master does not dispute a word of the argument. He simply restates the appetite, which is unanswerable. 著實 is a fixed word here, with as zhuó: truly, in earnest.

xíngzhědào:「shīguǒqiěqǐngxiàjiùzàizhèpíngchùzuòxiàdàibiéchùhuàxiēzhāiláichī。」 xíngzhědào:「shīguǒqiěqǐngxiàjiùzàizhèpíngchùzuòxiàdàibiéchùhuàxiēzhāiláichī。」

Pilgrim said: "If you are really hungry, Master, then please dismount and sit here on this level ground, and let me beg some food elsewhere and bring it back for you."

Wukong concedes at once — no second attempt at persuasion. 化齋 is to beg a meal, the standing business of a travelling monk; 平處 is the flat ground, which is about to take the ring.

sānzàngyánxiàjiècǎidìngjiāngshéng sānzàngyánxiàjiècǎidìngjiāngshéng

Tripitaka did as he said and dismounted; Bajie took a firm hold of the reins.

採定 is to take a grip and hold it fast. The disciples are shown obeying in order, one after another, which makes the disobedience later land harder.

shāsēngfàngxiàxíngjiěkāibāoguǒchūxíngzhě shāsēngfàngxiàxíngjiěkāibāoguǒchūxíngzhě

Sha Monk set down the baggage, undid the bundle at once, took out the alms bowl and handed it to Pilgrim.

缽盂 is the alms bowl a monk begs with. is jiě, to untie. Sha Monk's competence is quiet and constant, and the novel almost never remarks on it.

xíngzhějiēzàishǒuzhōngfēnshāsēngdào:「xiánquèqiánjìnhǎoshēngbǎoshīwěnzuòdàihuàzhāihuíláizàiwǎng西。」 xíngzhějiēzàishǒuzhōngfēnshāsēngdào:「xiánquèqiánjìnhǎoshēngbǎoshīwěnzuòdàihuàzhāihuíláizàiwǎng西。」

Pilgrim took the bowl in his hand and instructed Sha Monk: "Worthy brother, you must not go forward. Guard the Master well and keep him sitting steady here; wait till I am back with the food, and then we go west again."

手中 has as zhōng, within. The instruction goes to Sha Monk, the reliable one — and it is Bajie, who is not given it, who will undo it.

shāsēnglǐngnuò shāsēnglǐngnuò

Sha Monk assented.

領諾, to receive an order and agree to it. Four characters, no argument. Hold this beside the speeches Bajie makes later.

xíngzhěyòuxiàngsānzàngdào:「shīzhèchùshǎoduōxiōngqièyàodòngshēnbiéwǎnglǎosūnhuàzhāi。」 xíngzhěyòuxiàngsānzàngdào:「shīzhèchùshǎoduōxiōngqièyàodòngshēnbiéwǎnglǎosūnhuàzhāi。」

Pilgrim spoke to Tripitaka again: "Master, this place holds little luck and much peril. On no account stir and go off elsewhere. Old Monkey is away to beg food."

去處 takes as chù, a place. 少吉多凶, luck slight and peril great, is a fortune-teller's phrase — Wukong is reading the ground the way a diviner reads a chart. This is the third warning, and the last plain one.

tángsēngdào:「duōyándànyàokuàikuàiláizàizhèděng。」 tángsēngdào:「duōyándànyàokuàikuàiláizàizhèděng。」

The Tang Monk said: "No need for more words. Only go quickly and come back quickly. I shall wait for you here."

The master answers a warning about danger with impatience about the errand. He agrees to wait without ever once agreeing that there is anything to wait out.

xíngzhězhuǎnshēnxíngquèyòuhuíláidào:「shīzhīméishénzuòxìngānshēner。」 xíngzhězhuǎnshēnxíngquèyòuhuíláidào:「shīzhīméishénzuòxìngānshēner。」

Pilgrim turned to go, then came back and said: "Master, I know you have no great gift for sitting still. Let me give you a little method for keeping safe."

沒甚坐性 — no staying power, no gift for sitting still; is shén. 法兒 takes the little er ending that makes a thing sound small and handy: not a Method but a knack. Wukong knows his master exactly, which is why what happens next surprises nobody but Tripitaka.

jīnbànghuǎnglehuǎngjiāngpíngxiàzhōuwéihuàledàoquānziqǐngtángsēngzuòzàizhōngjiānzhuójièshāsēngshìzuǒyòuxíngdōufàngzàijìnshēn jīnbànghuǎnglehuǎngjiāngpíngxiàzhōuwéihuàledàoquānziqǐngtángsēngzuòzàizhōngjiānzhuójièshāsēngshìzuǒyòuxíngdōufàngzàijìnshēn

He took out the gold-hooped rod, gave it a shake, and drew a ring right round on the level ground, asking the Tang Monk to sit in the middle; he set Bajie and Sha Monk to stand in attendance left and right, and put the horse and the baggage close by.

is the jiāng that takes hold of the object and does something to it. here is zhuó, to set someone to a task. 中間 has zhōng, within. 週圍 is a variant spelling of 周圍, round about. Note what the ring is drawn with: the same rod that fights demons. That is why it holds.

duìtángsēngzhǎngdào:「lǎosūnhuàdezhèquānqiángtóngqiángtiěpíngshénmebàolángchóngyāoguǐguàigǎnjìn duìtángsēngzhǎngdào:「lǎosūnhuàdezhèquānqiángtóngqiángtiěpíngshénmebàolángchóngyāoguǐguàigǎnjìn

He put his palms together before the Tang Monk and said: "This ring Old Monkey has drawn is stronger than any wall of bronze or rampart of iron. Let there be tigers, leopards, wolves or vermin, fiends, demons, ghosts or freaks — not one will dare come near.

is qiáng, stronger than. 銅牆鐵壁 — a wall of bronze, a rampart of iron — is still the phrase Chinese reaches for when something cannot be got through, and you will hear it today about a defence in football or a border nobody crosses. The claim is true, and the chapter never takes it back. The ring is not breached. It is walked out of.

dànzhǐmenzǒuchūquānwàizhǐzàizhōngjiānwěnzuòbǎodànruòchūlequānerdìngzāoshǒu dànzhǐmenzǒuchūquānwàizhǐzàizhōngjiānwěnzuòbǎodànruòchūlequānerdìngzāoshǒu

Only you must not walk outside the ring. Sit steady in the middle and I answer for your safety; but once you step out of the ring, you will surely meet a cruel hand.

無虞 is "with nothing to worry about". 圈兒 takes the little er ending; 中間 has zhōng, within. The condition is put as plainly as a condition can be put, which is what turns the coming lapse into a moral event rather than an accident.

qiānwànqiānwànzhìzhùzhìzhù。」 qiānwànqiānwànzhìzhùzhìzhù。」

By all means, by all means; I beg you, I beg you."

Two doubled formulas to finish on: 千萬千萬, by all means, and 至祝, an earnest entreaty, said twice. The repetition is a measure of how little Wukong trusts the promise he has just been given.

sānzàngyánshīduānránzuòxià sānzàngyánshīduānránzuòxià

Tripitaka did as he said, and master and disciples all sat down upright.

端然 is upright and composed, a word about posture. The passage closes with everybody obedient and seated. It is the last such moment in the chapter.


總評 Commentary

A ring drawn on the ground to keep harm out is real Chinese ritual practice, not an invention of the novel, and the book treats it as simple fact: nothing gets in.

The design of the chapter puts the whole disaster on a choice rather than a failure of power. The ring holds. The master walks out of it. Bajie, in the next passage but one, supplies the argument that gets him out.

Watch the two characters the chapter uses for the act. Wukong says of his own drawing, both when he does it and when he boasts of it; Bajie and the narrator say , and Bajie sets it inside the phrase 劃地為牢, to mark out the ground as a prison. Protection is restated as confinement, and the change of character tracks the change of view.