隱身取齋 Invisible, He Takes the Food
行者見他關了門,心中暗想:「這老賊才說淘米下鍋,不知是虛是實?常言道:『道化賢良釋化愚。』且等老孫進去看看。」好大聖,捻著訣,使個隱身遁法,徑走入廚中看處,果然那鍋裡氣騰騰的,煮了半鍋乾飯。就把缽盂往裡一掗,滿滿的掗了一缽盂,即駕雲回轉不題。行者见他关了门,心中暗想:「这老贼才说淘米下锅,不知是虚是实?常言道:『道化贤良释化愚。』且等老孙进去看看。」好大圣,捻着诀,使个隐身遁法,径走入厨中看处,果然那锅里气腾腾的,煮了半锅干饭。就把钵盂往里一挜,满满的挜了一钵盂,即驾云回转不题。
逐句解 Line by line
Seeing him shut the door, Pilgrim thought to himself: "This old thief said just now that he had rinsed rice into the pot. Is that false or true? As the common saying goes: the Way converts the worthy, the Buddha converts the fool."
心中 has 中 as zhōng, within. The proverb is quoted inside ordinary prose, marked off by the edition's inner quotation marks and not set out as verse, so it stays prose. It sorts people by what will reach them: reason for the worthy, the Buddha's harder methods for the fool. Wukong has just decided which sort he is dealing with, and everything he does next follows from that.
Let Old Monkey go in and have a look."
看看, the verb said twice, makes it casual — just a look, just popping in. What follows is a burglary.
Fine Great Sage! He made the finger-sign, worked a spell of invisibility, walked straight into the kitchen and looked about — and sure enough the pot was steaming, with half a pot of dry-cooked rice in it.
好大聖, "fine Great Sage!", is the formula that announces a display of power, rather like a drum roll. 捻著訣 uses zhe for a continuing state, fingers held in the sign. 廚中 and 看處 take zhōng and chù. 乾飯 is rice cooked dry, as against gruel, and 乾 here reads gān, dry — not qián, the heaven-trigram, which is the same character's other life.
He shoved the alms bowl in and scooped it brim-full, then mounted his cloud and turned back — of which no more here.
掗 is to press or shove a thing into a space. 不題, "no more of this", is the storyteller dropping one thread to pick up another — the spoken equivalent of a scene change.
The old man told the exact truth about the rice, and Wukong takes it anyway. The chapter does not pause over this, which is itself the point: the alms bowl gets filled by theft and nobody remarks on it.
The proverb in the first segment does the excusing. Having classed the old man as beyond reaching by argument, Wukong treats the household as an obstacle rather than a host.
The scene is also plot machinery. It puts Wukong far away and busy at precisely the moment his master is being talked out of the ring.