Canonical Classics ← 第三十九回
第三十九回
一yí粒lì丹dān砂shā天tiān上shàng得dé
三sān年nián故gù主zhǔ世shì間jiān生shēng

One Grain of Cinnabar-Sand Is Got from Heaven · The Three-Years-Dead Former Lord Is Born Again in the World

定計舉哀
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

定計舉哀 A Plan to Raise the Wailing

三sān藏zàng聞wén言yán,大dà喜xǐ道dào:「就jiù去qù,快kuài來lái。」行xíng者zhě道dào:「如rú今jīn有yǒu三sān更gēng時shí候hòu罷bà了le,投tóu到dào回huí來lái,好hǎo天tiān明míng了le。只zhǐ是shì這zhè個gè人rén睡shuì在zài這zhè裡lǐ,冷lěng淡dàn冷lěng淡dàn,不bú像xiàng個gè模mú樣yàng。須xū得dé舉jǔ哀āi人rén看kàn著zhe他tā哭kū,便biàn才cái好hǎo哩li。」八bā戒jiè道dào:「不bù消xiāo講jiǎng,這zhè猴hóu子zi一yí定dìng是shì要yào我wǒ哭kū哩li。」行xíng者zhě道dào:「怕pà你nǐ不bù哭kū?你nǐ若ruò不bù哭kū,我wǒ也yě醫yī不bù成chéng。」八bā戒jiè道dào:「哥gē哥ge,你nǐ自zì去qù,我wǒ自zì哭kū罷bà了le。」行xíng者zhě道dào:「哭kū有yǒu幾jǐ樣yàng:若ruò乾gān著zhe口kǒu喊hǎn,謂wèi之zhī嚎háo;扭niǔ搜sōu出chū些xiē眼yǎn淚lèi兒er來lái,謂wèi之zhī啕táo;又yòu要yào哭kū得de有yǒu眼yǎn淚lèi,又yòu要yào哭kū得de有yǒu心xīn腸cháng,才cái算suàn著zhe嚎háo啕táo痛tòng哭kū哩li。」八bā戒jiè道dào:「我wǒ且qiě哭kū個gè樣yàng子zi你nǐ看kàn看kàn。」他tā不bù知zhī那nǎ裡lǐ扯chě個gè紙zhǐ條tiáo,撚niǎn作zuò一yí個gè紙zhǐ撚niǎn兒er,往wǎng鼻bí孔kǒng裡lǐ通tōng了le兩liǎng通tōng,打dǎ了le幾jǐ個gè涕tì噴pēn,你nǐ看kàn他tā眼yǎn淚lèi汪wāng汪wāng,黏nián涎xián答dá答dá的de,哭kū將jiāng起qǐ來lái。口kǒu裡lǐ不bú住zhù的de絮xù絮xù叨dāo叨dāo,數shǔ黃huáng道dào黑hēi,真zhēn個gè像xiàng死sǐ了le人rén的de一yì般bān。哭kū到dào那nà傷shāng情qíng之zhī處chù,唐táng長zhǎng老lǎo也yě淚lèi滴dī心xīn酸suān。行xíng者zhě笑xiào道dào:「正zhèng是shì那nà樣yàng哀āi痛tòng,再zài不bù許xǔ住zhù聲shēng。你nǐ這zhè獃dāi子zi哄hǒng得de我wǒ去qù了le,你nǐ就jiù不bù哭kū。我wǒ還hái聽tīng哩li,若ruò是shì這zhè等děng哭kū便biàn罷ba,若ruò略lüè住zhù住zhù聲shēng兒er,定dìng打dǎ二èr十shí個gè孤gū拐guǎi。」八bā戒jiè笑xiào道dào:「你nǐ去qù,你nǐ去qù。我wǒ這zhè一yì哭kū動dòng頭tóu,有yǒu兩liǎng日rì哭kū哩li。」沙shā僧sēng見jiàn他tā數shǔ落luò,便biàn去qù尋xún幾jǐ枝zhī香xiāng來lái燒shāo獻xiàn。行xíng者zhě笑xiào道dào:「好hǎo好hǎo好hǎo,一yì家jiā兒er都dōu有yǒu些xiē敬jìng意yì,老lǎo孫sūn才cái好hǎo用yòng功gōng。」三sān藏zàng闻wén言yán,大dà喜xǐ道dào:「就jiù去qù,快kuài来lái。」行xíng者zhě道dào:「如rú今jīn有yǒu三sān更gēng时shí候hòu罢bà了le,投tóu到dào回huí来lái,好hǎo天tiān明míng了le。只zhǐ是shì这zhè个gè人rén睡shuì在zài这zhè里lǐ,冷lěng淡dàn冷lěng淡dàn,不bú像xiàng个gè模mú样yàng。须xū得dé举jǔ哀āi人rén看kàn着zhe他tā哭kū,便biàn才cái好hǎo哩li。」八bā戒jiè道dào:「不bù消xiāo讲jiǎng,这zhè猴hóu子zi一yí定dìng是shì要yào我wǒ哭kū哩li。」行xíng者zhě道dào:「怕pà你nǐ不bù哭kū?你nǐ若ruò不bù哭kū,我wǒ也yě医yī不bù成chéng。」八bā戒jiè道dào:「哥gē哥ge,你nǐ自zì去qù,我wǒ自zì哭kū罢bà了le。」行xíng者zhě道dào:「哭kū有yǒu几jǐ样yàng:若ruò干gān着zhe口kǒu喊hǎn,谓wèi之zhī嚎háo;扭niǔ搜sōu出chū些xiē眼yǎn泪lèi儿er来lái,谓wèi之zhī啕táo;又yòu要yào哭kū得de有yǒu眼yǎn泪lèi,又yòu要yào哭kū得de有yǒu心xīn肠cháng,才cái算suàn着zhe嚎háo啕táo痛tòng哭kū哩li。」八bā戒jiè道dào:「我wǒ且qiě哭kū个gè样yàng子zi你nǐ看kàn看kàn。」他tā不bù知zhī那nǎ里lǐ扯chě个gè纸zhǐ条tiáo,撚niǎn作zuò一yí个gè纸zhǐ撚niǎn儿er,往wǎng鼻bí孔kǒng里lǐ通tōng了le两liǎng通tōng,打dǎ了le几jǐ个gè涕tì喷pēn,你nǐ看kàn他tā眼yǎn泪lèi汪wāng汪wāng,黏nián涎xián答dá答dá的de,哭kū将jiāng起qǐ来lái。口kǒu里lǐ不bú住zhù的de絮xù絮xù叨dāo叨dāo,数shǔ黄huáng道dào黑hēi,真zhēn个gè像xiàng死sǐ了le人rén的de一yì般bān。哭kū到dào那nà伤shāng情qíng之zhī处chù,唐táng长zhǎng老lǎo也yě泪lèi滴dī心xīn酸suān。行xíng者zhě笑xiào道dào:「正zhèng是shì那nà样yàng哀āi痛tòng,再zài不bù许xǔ住zhù声shēng。你nǐ这zhè呆dāi子zi哄hǒng得de我wǒ去qù了le,你nǐ就jiù不bù哭kū。我wǒ还hái听tīng哩li,若ruò是shì这zhè等děng哭kū便biàn罢ba,若ruò略lüè住zhù住zhù声shēng儿er,定dìng打dǎ二èr十shí个gè孤gū拐guǎi。」八bā戒jiè笑xiào道dào:「你nǐ去qù,你nǐ去qù。我wǒ这zhè一yì哭kū动dòng头tóu,有yǒu两liǎng日rì哭kū哩li。」沙shā僧sēng见jiàn他tā数shǔ落luò,便biàn去qù寻xún几jǐ枝zhī香xiāng来lái烧shāo献xiàn。行xíng者zhě笑xiào道dào:「好hǎo好hǎo好hǎo,一yì家jiā儿er都dōu有yǒu些xiē敬jìng意yì,老lǎo孙sūn才cái好hǎo用yòng功gōng。」


逐句解 Line by line

三sān藏zàng聞wén言yán,大dà喜xǐ道dào:「就jiù去qù,快kuài來lái。」 三sān藏zàng闻wén言yán,大dà喜xǐ道dào:「就jiù去qù,快kuài来lái。」

Tripitaka, hearing this, was overjoyed: "Go then, and come back quickly."

三藏 — 藏 zàng. 大喜, "overjoyed": the Master's relief is instant, and entirely at Wukong's expense.

行xíng者zhě道dào:「如rú今jīn有yǒu三sān更gēng時shí候hòu罷bà了le,投tóu到dào回huí來lái,好hǎo天tiān明míng了le。 行xíng者zhě道dào:「如rú今jīn有yǒu三sān更gēng时shí候hòu罢bà了le,投tóu到dào回huí来lái,好hǎo天tiān明míng了le。

Pilgrim said: "It's about the third watch now; by the time I'm back it should be near daybreak.

三更 sān gēng is the third night-watch, the small hours between roughly eleven and one; 更 read gēng. The 了 closing 天明了 marks a state arrived at: it will be light by then.

只zhǐ是shì這zhè個gè人rén睡shuì在zài這zhè裡lǐ,冷lěng淡dàn冷lěng淡dàn,不bú像xiàng個gè模mú樣yàng。 只zhǐ是shì这zhè个gè人rén睡shuì在zài这zhè里lǐ,冷lěng淡dàn冷lěng淡dàn,不bú像xiàng个gè模mú样yàng。

Only, this man lying here so cold and forlorn hardly looks the part.

冷淡冷淡, "chill and cheerless"; 不像個模樣, "doesn't look the part." Wukong is staging a scene, and the corpse is letting it down.

須xū得dé舉jǔ哀āi人rén看kàn著zhe他tā哭kū,便biàn才cái好hǎo哩li。」 须xū得dé举jǔ哀āi人rén看kàn着zhe他tā哭kū,便biàn才cái好hǎo哩li。」

We shall need mourners to keep watch over him and weep, and then it will do."

須得, "we shall have to manage—," 得 here dé. 看著: 著 is zhe, which shows an action going on — keeping watch over him. 舉哀, "to raise the wailing," is the technical term for ritual mourning, and it points at something a modern reader can miss: at a Chinese funeral the weeping is not left to spontaneous grief but performed, on cue, and loudly. Wukong needs the performance, not the sorrow.

八bā戒jiè道dào:「不bù消xiāo講jiǎng,這zhè猴hóu子zi一yí定dìng是shì要yào我wǒ哭kū哩li。」 八bā戒jiè道dào:「不bù消xiāo讲jiǎng,这zhè猴hóu子zi一yí定dìng是shì要yào我wǒ哭kū哩li。」

Eight Rules said: "No need to spell it out — this monkey is surely going to make me do the weeping."

不消講, "no need to spell it out." 猴子: the rounding-off 子 is zi. Bajie has seen this coming since the first sentence.

行xíng者zhě道dào:「怕pà你nǐ不bù哭kū? 行xíng者zhě道dào:「怕pà你nǐ不bù哭kū?

Pilgrim said: "Afraid you won't weep?

怕你不哭 is a taunt rather than a question: "as if you'd dare not."

你nǐ若ruò不bù哭kū,我wǒ也yě醫yī不bù成chéng。」 你nǐ若ruò不bù哭kū,我wǒ也yě医yī不bù成chéng。」

If you won't weep, I can't work the cure."

醫不成, "can't bring the cure off" — 不成, bù chéng.

八bā戒jiè道dào:「哥gē哥ge,你nǐ自zì去qù,我wǒ自zì哭kū罷bà了le。」 八bā戒jiè道dào:「哥gē哥ge,你nǐ自zì去qù,我wǒ自zì哭kū罢bà了le。」

Eight Rules said: "Brother, you go on yourself; I'll do my own weeping, and that's that."

罷了 here is the mild "and there's an end of it" — 罷 bà, 了 le. Bajie agrees to weep with the air of a man conceding a small point, which is not at all how it turns out.

行xíng者zhě道dào:「哭kū有yǒu幾jǐ樣yàng:若ruò乾gān著zhe口kǒu喊hǎn,謂wèi之zhī嚎háo; 行xíng者zhě道dào:「哭kū有yǒu几jǐ样yàng:若ruò干gān着zhe口kǒu喊hǎn,谓wèi之zhī嚎háo;

Pilgrim said: "There are several kinds of weeping. If you bawl dry-mouthed with never a tear, that is called bellowing;

Wukong now grades grief the way a taster grades wine, and the joke is that he is entirely serious about it. 乾著口喊 is bawling with a dry mouth — 乾 gān, "dry," and 著 zhe again for the action going on. That, he rules, is only 嚎 háo: hollow bellowing, bottom of the scale.

扭niǔ搜sōu出chū些xiē眼yǎn淚lèi兒er來lái,謂wèi之zhī啕táo; 扭niǔ搜sōu出chū些xiē眼yǎn泪lèi儿er来lái,谓wèi之zhī啕táo;

if you squeeze out a few tears, that is called snivelling;

扭搜 is to wring out. 眼淚兒: the rounding-off 兒 is er. A few squeezed tears earn the next grade up, 啕 táo, snivelling.

又yòu要yào哭kū得de有yǒu眼yǎn淚lèi,又yòu要yào哭kū得de有yǒu心xīn腸cháng,才cái算suàn著zhe嚎háo啕táo痛tòng哭kū哩li。」 又yòu要yào哭kū得de有yǒu眼yǎn泪lèi,又yòu要yào哭kū得de有yǒu心xīn肠cháng,才cái算suàn着zhe嚎háo啕táo痛tòng哭kū哩li。」

but to weep and have real tears, and to weep and have real heart in it — that alone counts as true, wracking lamentation."

Top marks need tears and heart together: 嚎啕痛哭. Both 得 here are de, the hinge meaning "in such a way that—"; in 算著, 著 is zhe. 嚎啕痛哭 is still ordinary Chinese for crying your eyes out, which is what makes the scene funny — Wukong is drawing up a marking rubric for something every speaker of the language already has a single word for.

八bā戒jiè道dào:「我wǒ且qiě哭kū個gè樣yàng子zi你nǐ看kàn看kàn。」 八bā戒jiè道dào:「我wǒ且qiě哭kū个gè样yàng子zi你nǐ看kàn看kàn。」

Eight Rules said: "Let me weep you a sample, then, and you'll see."

哭個樣子, "weep you a specimen"; 子 read zi. Bajie sits the examination.

他tā不bù知zhī那nǎ裡lǐ扯chě個gè紙zhǐ條tiáo,撚niǎn作zuò一yí個gè紙zhǐ撚niǎn兒er,往wǎng鼻bí孔kǒng裡lǐ通tōng了le兩liǎng通tōng,打dǎ了le幾jǐ個gè涕tì噴pēn,你nǐ看kàn他tā眼yǎn淚lèi汪wāng汪wāng,黏nián涎xián答dá答dá的de,哭kū將jiāng起qǐ來lái。 他tā不bù知zhī那nǎ里lǐ扯chě个gè纸zhǐ条tiáo,撚niǎn作zuò一yí个gè纸zhǐ撚niǎn儿er,往wǎng鼻bí孔kǒng里lǐ通tōng了le两liǎng通tōng,打dǎ了le几jǐ个gè涕tì喷pēn,你nǐ看kàn他tā眼yǎn泪lèi汪wāng汪wāng,黏nián涎xián答dá答dá的de,哭kū将jiāng起qǐ来lái。

From somewhere or other he tore off a paper strip, twisted it into a paper spill, ran it up his nostrils a time or two, sneezed out a few sneezes — and look: his eyes brimmed streaming, sticky and slobbering, and he broke out weeping.

And cheats it, in the most physical way available. The paper twist up the nose is a stage trick, and the text lingers over every stage of it. 那裡 here means "somewhere or other," so 那 is nǎ, not the pointing nà. 紙撚兒: rounding-off 兒 = er. 哭將起來: 將 jiāng, the helper word that gets the weeping under way.

口kǒu裡lǐ不bú住zhù的de絮xù絮xù叨dāo叨dāo,數shǔ黃huáng道dào黑hēi,真zhēn個gè像xiàng死sǐ了le人rén的de一yì般bān。 口kǒu里lǐ不bú住zhù的de絮xù絮xù叨dāo叨dāo,数shǔ黄huáng道dào黑hēi,真zhēn个gè像xiàng死sǐ了le人rén的de一yì般bān。

From his mouth came an unbroken muttering and grumbling, reckoning the yellow and cursing the black — truly just like a man who has had a death in the house.

數黃道黑 is literally "reckoning the yellow and rehearsing the black" — reeling off grievances, real or invented; 數 here is shǔ, "to count off, to enumerate," not shù, "a number." 絮絮叨叨 is nattering on and on. The last clause lands the joke: he sounds exactly like a man who really has had a death in the house.

哭kū到dào那nà傷shāng情qíng之zhī處chù,唐táng長zhǎng老lǎo也yě淚lèi滴dī心xīn酸suān。 哭kū到dào那nà伤shāng情qíng之zhī处chù,唐táng长zhǎng老lǎo也yě泪lèi滴dī心xīn酸suān。

As his weeping reached the point of real grief, even the Tang elder let fall tears and ached at heart.

那傷情之處 points: 那 = nà. 唐長老 — 長 zhǎng. And here the counterfeit does its work: the soft-hearted Tripitaka starts crying in earnest.

行xíng者zhě笑xiào道dào:「正zhèng是shì那nà樣yàng哀āi痛tòng,再zài不bù許xǔ住zhù聲shēng。 行xíng者zhě笑xiào道dào:「正zhèng是shì那nà样yàng哀āi痛tòng,再zài不bù许xǔ住zhù声shēng。

Pilgrim laughed: "Just so — that is grievous mourning; now on no account let up the sound.

那樣哀痛: 那 = nà. 再不許住聲, "you're not to stop the noise, not once." Having got a performance out of him, Wukong now wants it kept up.

你nǐ這zhè獃dāi子zi哄hǒng得de我wǒ去qù了le,你nǐ就jiù不bù哭kū。 你nǐ这zhè呆dāi子zi哄hǒng得de我wǒ去qù了le,你nǐ就jiù不bù哭kū。

You blockhead, once you've fooled me off, you'll stop weeping.

哄得: 得 = de. 獃子: rounding-off 子 = zi. He knows precisely what Bajie will do the moment his back is turned.

我wǒ還hái聽tīng哩li,若ruò是shì這zhè等děng哭kū便biàn罷ba,若ruò略lüè住zhù住zhù聲shēng兒er,定dìng打dǎ二èr十shí個gè孤gū拐guǎi。」 我wǒ还hái听tīng哩li,若ruò是shì这zhè等děng哭kū便biàn罢ba,若ruò略lüè住zhù住zhù声shēng儿er,定dìng打dǎ二èr十shí个gè孤gū拐guǎi。」

I'll still be listening — if you weep like this, well and good; but if you so much as slacken the sound a little, I'll give you twenty on the ankle-bones."

我還聽 — 還 hái, "still": I'll be listening from up there. 聲兒: 兒 = er. 便罷: 罷 = ba. 孤拐 is the ankle-knob, and twenty strokes across it is a real threat, not a turn of phrase.

八bā戒jiè笑xiào道dào:「你nǐ去qù,你nǐ去qù。 八bā戒jiè笑xiào道dào:「你nǐ去qù,你nǐ去qù。

Eight Rules laughed: "Off you go, off you go.

你去, 你去 — Bajie waving him off, impatient to be left alone with his grief.

我wǒ這zhè一yì哭kū動dòng頭tóu,有yǒu兩liǎng日rì哭kū哩li。」 我wǒ这zhè一yì哭kū动dòng头tóu,有yǒu两liǎng日rì哭kū哩li。」

Once I get this weeping of mine going, I've two days' worth of weeping in me."

一哭動頭, "once the weeping gets going"; 動頭 is to start up. Two days' worth, he boasts — the wailing has become a job of work he expects to be admired for.

沙shā僧sēng見jiàn他tā數shǔ落luò,便biàn去qù尋xún幾jǐ枝zhī香xiāng來lái燒shāo獻xiàn。 沙shā僧sēng见jiàn他tā数shǔ落luò,便biàn去qù寻xún几jǐ枝zhī香xiāng来lái烧shāo献xiàn。

Sha Monk, seeing him scolded on, went off to find a few sticks of incense to burn as an offering.

數落 is to reel off a list of faults or grievances — 數 again shǔ. 燒獻 is to burn something as an offering. Sha Monk does the quiet, correct thing while the other two squabble.

行xíng者zhě笑xiào道dào:「好hǎo好hǎo好hǎo,一yì家jiā兒er都dōu有yǒu些xiē敬jìng意yì,老lǎo孫sūn才cái好hǎo用yòng功gōng。」 行xíng者zhě笑xiào道dào:「好hǎo好hǎo好hǎo,一yì家jiā儿er都dōu有yǒu些xiē敬jìng意yì,老lǎo孙sūn才cái好hǎo用yòng功gōng。」

Pilgrim laughed: "Good, good, good — the whole household has a bit of reverence in it now, and old Sun can set to work."

一家兒: rounding-off 兒 = er; 都 dōu, "all." 用功 is to apply yourself to a task. With incense lit and somebody crying, the household finally looks like a proper funeral — which is the whole of what Wukong wanted.


總評 Commentary

This passage is pure comic interlude, one of the small set-pieces in which Wú Chéng'ēn (吳承恩) simply lets his pilgrims be themselves. The plot barely moves — Wukong is only settling arrangements before he leaves — yet the scene is essential to the book's balance: between the coercion that opens the chapter and the solemn climb to Heaven that follows, it lays down a stretch of low farce, with Bajie coached in the finer grades of funeral wailing.

The humour turns on a mock-technical grading system. Wukong separates 嚎 (dry, tearless bellowing) from 啕 (snivelling, a few squeezed tears) from true 嚎啕痛哭 (wailing with real tears and real feeling behind them) — the sorting instinct of a trickster who treats grief as a craft with pass marks. Bajie's answer is to forge the article outright: a twist of paper up the nose to force the sneezes and the tears, then 數黃道黑, "reckoning the yellow and rehearsing the black," a stream of invented lament so convincing that the tender-hearted Tripitaka begins to weep for real. A pilgrim faking sorrow so well that the holy man cries is exactly the novel's brand of affectionate irony toward its own cast.