定計舉哀 A Plan to Raise the Wailing
三藏聞言,大喜道:「就去,快來。」行者道:「如今有三更時候罷了,投到回來,好天明了。只是這個人睡在這裡,冷淡冷淡,不像個模樣。須得舉哀人看著他哭,便才好哩。」八戒道:「不消講,這猴子一定是要我哭哩。」行者道:「怕你不哭?你若不哭,我也醫不成。」八戒道:「哥哥,你自去,我自哭罷了。」行者道:「哭有幾樣:若乾著口喊,謂之嚎;扭搜出些眼淚兒來,謂之啕;又要哭得有眼淚,又要哭得有心腸,才算著嚎啕痛哭哩。」八戒道:「我且哭個樣子你看看。」他不知那裡扯個紙條,撚作一個紙撚兒,往鼻孔裡通了兩通,打了幾個涕噴,你看他眼淚汪汪,黏涎答答的,哭將起來。口裡不住的絮絮叨叨,數黃道黑,真個像死了人的一般。哭到那傷情之處,唐長老也淚滴心酸。行者笑道:「正是那樣哀痛,再不許住聲。你這獃子哄得我去了,你就不哭。我還聽哩,若是這等哭便罷,若略住住聲兒,定打二十個孤拐。」八戒笑道:「你去,你去。我這一哭動頭,有兩日哭哩。」沙僧見他數落,便去尋幾枝香來燒獻。行者笑道:「好好好,一家兒都有些敬意,老孫才好用功。」三藏闻言,大喜道:「就去,快来。」行者道:「如今有三更时候罢了,投到回来,好天明了。只是这个人睡在这里,冷淡冷淡,不像个模样。须得举哀人看着他哭,便才好哩。」八戒道:「不消讲,这猴子一定是要我哭哩。」行者道:「怕你不哭?你若不哭,我也医不成。」八戒道:「哥哥,你自去,我自哭罢了。」行者道:「哭有几样:若干着口喊,谓之嚎;扭搜出些眼泪儿来,谓之啕;又要哭得有眼泪,又要哭得有心肠,才算着嚎啕痛哭哩。」八戒道:「我且哭个样子你看看。」他不知那里扯个纸条,撚作一个纸撚儿,往鼻孔里通了两通,打了几个涕喷,你看他眼泪汪汪,黏涎答答的,哭将起来。口里不住的絮絮叨叨,数黄道黑,真个像死了人的一般。哭到那伤情之处,唐长老也泪滴心酸。行者笑道:「正是那样哀痛,再不许住声。你这呆子哄得我去了,你就不哭。我还听哩,若是这等哭便罢,若略住住声儿,定打二十个孤拐。」八戒笑道:「你去,你去。我这一哭动头,有两日哭哩。」沙僧见他数落,便去寻几枝香来烧献。行者笑道:「好好好,一家儿都有些敬意,老孙才好用功。」
逐句解 Line by line
Tripitaka, hearing this, was overjoyed: "Go then, and come back quickly."
三藏 — 藏 zàng. 大喜, "overjoyed": the Master's relief is instant, and entirely at Wukong's expense.
Pilgrim said: "It's about the third watch now; by the time I'm back it should be near daybreak.
三更 sān gēng is the third night-watch, the small hours between roughly eleven and one; 更 read gēng. The 了 closing 天明了 marks a state arrived at: it will be light by then.
Only, this man lying here so cold and forlorn hardly looks the part.
冷淡冷淡, "chill and cheerless"; 不像個模樣, "doesn't look the part." Wukong is staging a scene, and the corpse is letting it down.
We shall need mourners to keep watch over him and weep, and then it will do."
須得, "we shall have to manage—," 得 here dé. 看著: 著 is zhe, which shows an action going on — keeping watch over him. 舉哀, "to raise the wailing," is the technical term for ritual mourning, and it points at something a modern reader can miss: at a Chinese funeral the weeping is not left to spontaneous grief but performed, on cue, and loudly. Wukong needs the performance, not the sorrow.
Eight Rules said: "No need to spell it out — this monkey is surely going to make me do the weeping."
不消講, "no need to spell it out." 猴子: the rounding-off 子 is zi. Bajie has seen this coming since the first sentence.
Pilgrim said: "Afraid you won't weep?
怕你不哭 is a taunt rather than a question: "as if you'd dare not."
If you won't weep, I can't work the cure."
醫不成, "can't bring the cure off" — 不成, bù chéng.
Eight Rules said: "Brother, you go on yourself; I'll do my own weeping, and that's that."
罷了 here is the mild "and there's an end of it" — 罷 bà, 了 le. Bajie agrees to weep with the air of a man conceding a small point, which is not at all how it turns out.
Pilgrim said: "There are several kinds of weeping. If you bawl dry-mouthed with never a tear, that is called bellowing;
Wukong now grades grief the way a taster grades wine, and the joke is that he is entirely serious about it. 乾著口喊 is bawling with a dry mouth — 乾 gān, "dry," and 著 zhe again for the action going on. That, he rules, is only 嚎 háo: hollow bellowing, bottom of the scale.
if you squeeze out a few tears, that is called snivelling;
扭搜 is to wring out. 眼淚兒: the rounding-off 兒 is er. A few squeezed tears earn the next grade up, 啕 táo, snivelling.
but to weep and have real tears, and to weep and have real heart in it — that alone counts as true, wracking lamentation."
Top marks need tears and heart together: 嚎啕痛哭. Both 得 here are de, the hinge meaning "in such a way that—"; in 算著, 著 is zhe. 嚎啕痛哭 is still ordinary Chinese for crying your eyes out, which is what makes the scene funny — Wukong is drawing up a marking rubric for something every speaker of the language already has a single word for.
Eight Rules said: "Let me weep you a sample, then, and you'll see."
哭個樣子, "weep you a specimen"; 子 read zi. Bajie sits the examination.
From somewhere or other he tore off a paper strip, twisted it into a paper spill, ran it up his nostrils a time or two, sneezed out a few sneezes — and look: his eyes brimmed streaming, sticky and slobbering, and he broke out weeping.
And cheats it, in the most physical way available. The paper twist up the nose is a stage trick, and the text lingers over every stage of it. 那裡 here means "somewhere or other," so 那 is nǎ, not the pointing nà. 紙撚兒: rounding-off 兒 = er. 哭將起來: 將 jiāng, the helper word that gets the weeping under way.
From his mouth came an unbroken muttering and grumbling, reckoning the yellow and cursing the black — truly just like a man who has had a death in the house.
數黃道黑 is literally "reckoning the yellow and rehearsing the black" — reeling off grievances, real or invented; 數 here is shǔ, "to count off, to enumerate," not shù, "a number." 絮絮叨叨 is nattering on and on. The last clause lands the joke: he sounds exactly like a man who really has had a death in the house.
As his weeping reached the point of real grief, even the Tang elder let fall tears and ached at heart.
那傷情之處 points: 那 = nà. 唐長老 — 長 zhǎng. And here the counterfeit does its work: the soft-hearted Tripitaka starts crying in earnest.
Pilgrim laughed: "Just so — that is grievous mourning; now on no account let up the sound.
那樣哀痛: 那 = nà. 再不許住聲, "you're not to stop the noise, not once." Having got a performance out of him, Wukong now wants it kept up.
You blockhead, once you've fooled me off, you'll stop weeping.
哄得: 得 = de. 獃子: rounding-off 子 = zi. He knows precisely what Bajie will do the moment his back is turned.
I'll still be listening — if you weep like this, well and good; but if you so much as slacken the sound a little, I'll give you twenty on the ankle-bones."
我還聽 — 還 hái, "still": I'll be listening from up there. 聲兒: 兒 = er. 便罷: 罷 = ba. 孤拐 is the ankle-knob, and twenty strokes across it is a real threat, not a turn of phrase.
Eight Rules laughed: "Off you go, off you go.
你去, 你去 — Bajie waving him off, impatient to be left alone with his grief.
Once I get this weeping of mine going, I've two days' worth of weeping in me."
一哭動頭, "once the weeping gets going"; 動頭 is to start up. Two days' worth, he boasts — the wailing has become a job of work he expects to be admired for.
Sha Monk, seeing him scolded on, went off to find a few sticks of incense to burn as an offering.
數落 is to reel off a list of faults or grievances — 數 again shǔ. 燒獻 is to burn something as an offering. Sha Monk does the quiet, correct thing while the other two squabble.
Pilgrim laughed: "Good, good, good — the whole household has a bit of reverence in it now, and old Sun can set to work."
一家兒: rounding-off 兒 = er; 都 dōu, "all." 用功 is to apply yourself to a task. With incense lit and somebody crying, the household finally looks like a proper funeral — which is the whole of what Wukong wanted.
This passage is pure comic interlude, one of the small set-pieces in which Wú Chéng'ēn (吳承恩) simply lets his pilgrims be themselves. The plot barely moves — Wukong is only settling arrangements before he leaves — yet the scene is essential to the book's balance: between the coercion that opens the chapter and the solemn climb to Heaven that follows, it lays down a stretch of low farce, with Bajie coached in the finer grades of funeral wailing.
The humour turns on a mock-technical grading system. Wukong separates 嚎 (dry, tearless bellowing) from 啕 (snivelling, a few squeezed tears) from true 嚎啕痛哭 (wailing with real tears and real feeling behind them) — the sorting instinct of a trickster who treats grief as a craft with pass marks. Bajie's answer is to forge the article outright: a twist of paper up the nose to force the sneezes and the tears, then 數黃道黑, "reckoning the yellow and rehearsing the black," a stream of invented lament so convincing that the tender-hearted Tripitaka begins to weep for real. A pilgrim faking sorrow so well that the holy man cries is exactly the novel's brand of affectionate irony toward its own cast.