還有二千里 Two Thousand Li Still to Go
叫此大戶人家,俱治辦五牲花果,往生祠祭獻酬恩不題。卻說唐僧四眾餐風宿水,一路平寧,行有半個多月。忽一日,見座高山。唐僧又悚懼道:「徒弟,那前面山嶺峻峭,是必小心。」行者笑道:「這邊路上將近佛地,斷乎無甚妖邪,師父放懷勿慮。」唐僧道:「徒弟,雖然佛地不遠,但前日那寺僧說,到天竺國都下有二千里,還不知是有多少路哩。」行者道:「師父,你好是又把烏巢禪師《心經》忘記了也。」叫此大户人家,俱治办五牲花果,往生祠祭献酬恩不题。却说唐僧四众餐风宿水,一路平宁,行有半个多月。忽一日,见座高山。唐僧又悚惧道:「徒弟,那前面山岭峻峭,是必小心。」行者笑道:「这边路上将近佛地,断乎无甚妖邪,师父放怀勿虑。」唐僧道:「徒弟,虽然佛地不远,但前日那寺僧说,到天竺国都下有二千里,还不知是有多少路哩。」行者道:「师父,你好是又把乌巢禅师《心经》忘记了也。」
逐句解 Line by line
Word went out to these great households that they should all prepare the five sacrificial beasts, flowers and fruit, and go to the shrine of the living to make offering and repay the kindness — of which no more.
A 生祠 is a shrine put up for someone who is still alive, and it was a real institution: grateful communities built them for popular officials, and unpopular ones sometimes built their own. Erecting one for a man who slipped away before dawn is a compliment with a slight chill to it.
The 五牲 are the five beasts of a full sacrifice. The list varies by ritual text, but the point is completeness rather than the exact menu — this is the largest offering the town knows how to make.
不題 — "of which no more" — is the storyteller's own sign-off, the narrator putting one thread down to pick up another. It appears at the close of a scene about a hundred and sixty times across the novel, and is a fossil of the days when this material was performed aloud.
We tell now how the Tang Monk and his three companions ate the wind and slept on the water, and had a peaceful road of it for something over half a month. Then one day they came in sight of a high mountain. The Tang Monk took fright again and said, "Disciples, those ridges ahead are steep and sheer. Do take care."
餐風宿水 — eating the wind, sleeping on the water — is a set four-word phrase for hard travelling, and the sort of expression Chinese still reaches for when someone has had a rough journey. It compresses weeks of discomfort into four characters.
又 — "again" — is the whole joke of the sentence. Tripitaka has taken fright at a mountain over and over since the journey began, and the narrator has stopped pretending otherwise.
Pilgrim laughed and said, "The road on this side is drawing near the land of Buddha. There is certainly no fiend or demon here. Set your heart at ease, Master, and do not fret." The Tang Monk said, "Disciple, although the Buddha-land is not far off, the temple monks said the other day that it is two thousand li down to the capital of India, and I still do not know how much road that is."
斷乎無甚妖邪 — "there is certainly no fiend or demon here" — is the single least reliable sentence Pilgrim speaks in the whole book, and the novel knows it. He says something like it whenever the country starts looking civilised, and it keeps not being true.
里 is the Chinese lǐ, a road-measure of a bit under six hundred metres in the Ming, so two thousand of them is something over eleven hundred kilometres. It is left in Chinese rather than converted because it names the Chinese unit itself, the way a recipe keeps its own measures.
國都 is the capital, and the 都 here is not the everyday word meaning "all" that fills the rest of this chapter — same character, different word.
Pilgrim said, "Master, it rather looks as though you have forgotten the Heart Scripture that the Crow's Nest Chan Master gave you."
The 心經 is the Heart Scripture — one of the shortest and by far the most recited text in East Asian Buddhism, about two hundred and sixty characters, ending in the mantra everyone knows. The Crow's Nest Chan Master handed it to Tripitaka far back in the journey, sitting in a nest in a tree.
Pilgrim is picking a fight, and he has chosen his ground carefully: the one text his master is proudest of. What follows is the best argument the two of them have anywhere in the journey, and the monkey wins it.
Two things are set up in this passage and both pay off later. The first is distance: two thousand li to the capital, which sounds like a chore and turns out to be the last stretch of open road before everything closes in. The second is Pilgrim's confidence that a civilised country holds no monsters. The country they are entering does hold one, and it is wearing a princess.
The travel formula here is worth pausing on. Eating the wind and sleeping on the water covers half a month in four characters, and the novel does this constantly — it spends four characters on a fortnight here and, a moment later, well over two hundred on a single quarrel. Time in this book runs at the speed of talk. Where nobody is speaking, weeks vanish.
Then Pilgrim needles his master about the Heart Scripture, and the tone changes. For the next two hundred and forty characters the novel stops being an adventure and becomes an argument about what it means to understand a text — carried on by a monkey, a pig and a river-demon, on a mountain road, with the monk losing.